Figure 8. 50/50 en 2020, Cannes Film Festival female jury presidents, 1946–2018 (detail), in “The Role of Women in the Cannes Festival's Competition—A Comparative Study,” collectif5050.com/en/study/cannes Figure 8. 50/50 en 2020, Cannes Film Festival female jury presidents, 1946–2018 (detail More

Figure 9. 50/50 en 2020, “Cannes Film Festival Board of Directors,” in “The Role of Women in the Cannes Festival's Competition—A Comparative Study,” collectif5050.com/en/study/cannes Figure 9. 50/50 en 2020, “Cannes Film Festival Board of Directors,” in “The Role of Women in the Cannes More

Figure 10. The 2019 Cannes Film Festival Poster featuring Agnès Varda (left); it draws on the historical photograph of Varda filming La Pointe Courte (1954) (right). Courtesy of Rosalie Varda Figure 10. The 2019 Cannes Film Festival Poster featuring Agnès Varda (left); it draws More

Figure 4. Members of the 2018 Cannes jury—Ava DuVernay, Robert Guédiguian, Chang Chen, Cate Blanchett, and Khadja Nin—with Thierry Frémaux, the general delegate of the Cannes festival, who presents the signed 50/50 en 2020 Pledge. Gwilym Mumford, “Cannes Film Festival Unveils Equality Charter More

Figure 2. Kristin Stewart, Léa Seydoux, Khadja Nin, Ava DuVernay, Cate Blanchett, Agnès Varda, and Céline Sciamma at the 12 May 2018 Cannes Film Festival red carpet demonstration. “Female Stars Call for Equal Pay in Cannes Protest,” AFP Relax News , 12 May 2018 Figure 2. Kristin Stewart, Léa More

Figure 1. Agnès Varda presents speech with Cate Blanchett at the 12 May 2018 Cannes Film Festival demonstration. She stands beside director Céline Sciamma and with members of the French 50/50 en 2020 collective. Clarence Tsui, “French Film Legend Agnès Varda on Faces Places , Her Feminist Vision More

Figure 3. The eighty-two women standing on the red carpet stairs, representing the eighty-two female directors with films in the official selection competition across the seventy-one-year history of the Cannes festival, 12 May 2018. Amancay Tapia, “If We Want Better Films, We Need More Female More

Figure 2. Cleo from 5 to 7 ( Cléo de 5 à 7 , France, 1962) pressbook created by Ciné-Tamaris on the occasion of the 2K restoration of the film and its official selection in the Festival de Cannes's 2012 “Cannes Classics” program. The booklet contains a synopsis of the film, a brief history More