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Bewitched

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Journal Article
Camera Obscura (2007) 22 (2 (65)): 158–165.
Published: 01 September 2007
... and the Golden Age of French Cinema and Hollywood Diva: A Biography of Jeanette MacDonald . He is currently researching a book on contemporary French theater. Isabelle Huppert; or, The Gallic Valkyrie Who Bewitched Brooklyn Edward Baron Turk It is October 2005. I am seated in the eighth row...
Journal Article
Camera Obscura (2021) 36 (3 (108)): 1–31.
Published: 01 December 2021
...Taylor Cole Miller Abstract At the same time the 1960s sitcom Bewitched aired in reruns next to drag queens on LOGOtv, a cable channel targeted to LGBTQ viewers, it also aired on the former National Christian Network channel (FamilyNet) immediately preceding a lineup of church programs featuring...
FIGURES | View All (6)
Image
Published: 01 December 2021
Figure 1. LOGOtv's “Witch, Please!” social media campaign for Bewitched. More
Image
Published: 01 December 2021
Figure 2. LOGOtv's Facebook posts joke about the queer identities of Bewitched 's stars and characters, while FamilyNet's posts emphasize the family-friendly patriarchal nature of the show, highlighting here that its signature opening animations were made by a kid-friendly animation studio. More
Image
Published: 01 December 2021
Figure 5. Like FamilyNet before it, FETV's social media campaign for Bewitched primarily features Samantha's use of magic for women's work. More
Journal Article
Camera Obscura (1988) 6 (1 (16)): 203–225.
Published: 01 January 1988
...); with commercials. MOB: 2 episodes; 1962 (premiere), 1971. Bewitched. ABC; 1964-1972. This sit-com stars Elizabeth Montgomery as a pretty young witch who marries a mortal and tries earnestly to leave her supernatural powers behind. In 1966 the couple's first child, Tabitha, was born...
Journal Article
Camera Obscura (2008) 23 (1 (67)): 89–111.
Published: 01 May 2008
... as talented and fresh as the original company which was here in 1943.” 22. William Hawkins, “ ‘Oklahoma!’ Revisited Is Still a Great Show,” New York World-Telegram, 24 December 1947. 23. Samuel Marx and Jan Clayton, Rodgers and Hart: Bewitched, Bothered, and Bedevilled (London: W. H...
Journal Article
Camera Obscura (1989) 7 (1 (19)): 86–107.
Published: 01 January 1989
..., or learning how to use that new computer graphics program. That is, thirtysomething shows us a nostalgic rep- resentation of advertising in the age of Bewitched rather than in the late ’80s. Of course, this extremely pre-postmodern depiction disas- sociates advertising from...
Journal Article
Camera Obscura (2000) 15 (2 (44)): 177–201.
Published: 01 September 2000
... coffin as she is drawn to those disruptive, bewitching African rhythms overlaying her self-esteem tape. As the scene will go on to demonstrate, it is the process of projection that matters, even if one’s projection screen disappoints on some days. What she...
Journal Article
Camera Obscura (2014) 29 (3 (87)): 65–91.
Published: 01 December 2014
... before he averts himself, finally, from this bewitching dance of color. And it is with an image of this dance of red-­and-­black cacophony, in the end taking up almost the entire visual field — a dance in which the color merges with Eva’s face to the point that one becomes the other...
Journal Article
Camera Obscura (1986) 5 (3 (15)): 110–136.
Published: 01 December 1986
... double she plays the role of muse. At least one Surrealist text allegorizes this in a strikingly comparable, idealized way. Breton’s “Nadja” is such a woman, discovered and made to speak by the power of this writer’s genius. His inspiration is heightened by her bewitching example, and by her own...
Journal Article
Camera Obscura (1989) 7 (1 (19)): 24–53.
Published: 01 January 1989
... of the “director-as-magician” and a bewitched public. Only consciousness can fight the sway of magic in all its forms. Only consciousness can form a man of firm opinion, firm conviction. We need conscious men, not an unconscious mass submissive to any passing suggestion...
Journal Article
Camera Obscura (1989) 7 (1 (19)): 108–133.
Published: 01 January 1989
... for. You have the loveliest voice of all down here upon the bottom of the sea, and no doubt you think you will be able to bewitch him with it, but that voice you must give to me. The best thing you possess will I have in return for my precious drink! For I must give you my own blood...
Journal Article
Camera Obscura (1989) 7 (1 (19)): 54–85.
Published: 01 January 1989
... to something which can only be described, despite the peculiarity of ending this essay with such a word, as utopia. NOTES 1. Christian Braad Thomsen, “Five Interviews with Fassbinder,” Fassbinder, ed. Tony Rayns (London: B.F.I., 1980) 86. 2. “Bewitched by the Holy Whore,” October...
Journal Article
Camera Obscura (1990) 8 (2 (23)): 148–175.
Published: 01 May 1990
... on this observation to explore the ways that space-age imagery was “domesticated” within the popular discourse and the fantastic sitcoms (Bewitched, I Dream of Jeannie, The Jetsons) of the 1960Not only did such programs familiarize their futuristic or fantastic imagery so that they fit more comfortably...
Journal Article
Camera Obscura (2007) 22 (2 (65)): 39–71.
Published: 01 September 2007
... Today, 31 October 2003). But most found the musical “lumbering, overstuffed,” and “murky” (Charles Isherwood, “More Bothered Than Bewitched by Wicked,” Variety, 3 November 2003, 30). 8. While Wicked needs an enormous number of spectators for such massive success, its...
Journal Article
Camera Obscura (2016) 31 (2 (92)): 27–59.
Published: 01 September 2016
... that feature housewives and secretaries, the 1960s programs featuring women who are slightly more disruptive to the domestic sphere like Bewitched (ABC, 1964 – 72) and I Dream of Jeannie (NBC, 1965 – 70), the shows of the 1970s depicting a more transparent emergence of “spunky women” and feminism...
Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 32–69.
Published: 01 May 1979
.... There is no doubt that Hitchcock identifies with Mitch, who interrogates Melanie’s look and allows himself to be bewitched by it, but there is even less doubt that Hitchcock identifies with Melanie, whose eyes bear the phantasy whose effects Hitchcock narrates...
Journal Article
Camera Obscura (1995) 12 (2 (35)): 52–84.
Published: 01 May 1995
..., as demonstrated by lesbian camp icons such as Agnes Moorehead's Endora in Bewitched, Thelma Ritter, and Eve Arden-all sidekick characters associated with playing older (that is, older than the star) sisters, aunts, various "spinsters," mothers, and mother-in-laws who invariably are the smartest, and most...