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Berlin School

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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2018) 33 (3 (99)): 49–73.
Published: 01 December 2018
...Mary Hennessy This article retraces a genealogy from the contemporary Berlin School back to German feminist film culture of the 1970s. It focuses on two films with female protagonists: Helke Sander’s watershed feminist film of the New German Cinema, Die allseitig reduzierte Persönlichkeit—Redupers...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2018) 33 (3 (99)): 1–19.
Published: 01 December 2018
... women’s cinema at present, visible in the rise of the Berlin School, the development of women-oriented production collectives, and the resurgence of feminist organizing on behalf of gender parity in the contemporary German film industry. Copyright © 2018 Camera Obscura 2018 This content is made freely...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1992) 10 (2 (29)): 244–246.
Published: 01 May 1992
... Meeting of the Society of Magnetic Resonance in Medicine (Berlin, August 1992). She is currently a resident in Gynecology and Obstetrics at Emory University School of Medicine. Ann Barry Flood, Ph.D., is currently Director of Health Policy Studies at the Center for the Evaluative Clinical...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1980) 2 (3 (6)): 122–152.
Published: 01 December 1980
... Moglichkeiten peIllusion of Possibilities] 1977 Tausend Lieder ohne Ton [A Thousand Muted Sonfs] 90min., 16 mm, b/w Distributor: C. Holldack (Mommsenstr. 64, 1000 Berlin 12) Iselore (twenty years old) is poor but robust and imagnative. She is work- ing her way through school to become a...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1983) 4 (2 (11)): 132–145.
Published: 01 September 1983
.... Professional engagements in Frankfurt, Berlin, Kassel, Munich. Film studies at the School of Design in Ulm 1964-1966. On the editorial staff of a youth magazine 1966-1968. Six year stay in Canada 1968-1974. Scriptwriter and director at the ZDF TV-network, 1976-1978...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 209–212.
Published: 01 December 1989
... essay with recourse to the aesthetic theories of the Frankfurt School. This perspective is largely due to the fact that I began work on film and film theory as a film critic. In other words, I was concerned mainly with the problem of aesthetic judgment and questions...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2012) 27 (3 (81)): 169–179.
Published: 01 December 2012
... in Canada and abroad. Since 2007 she has taught film in Toronto at the School of Image Arts of Ryerson University. She is also a freelance film programmer for art galleries or artist collectives. For more information, see www.gerdacammaer.com . © 2012 by Camera Obscura 2012 Figure #31;. Poster...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 160–165.
Published: 01 December 1989
... writers. I found this a very democratic way to deal with the matter. Hierarchies were broken down; in being both active and creative, readers and writers could become equal. Since 1974, I’ve gone to the Berlin Film Festival every year as a film journalist. I was...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2001) 16 (1 (46)): 47–75.
Published: 01 May 2001
... agenda. When we were shooting Leben BRD in a school class, the Turkish youngsters were fighting the “Christian-Europeans” (those from Poland and Yugoslavia, together with some young- sters from Berlin). Their means were tape players and the music...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2008) 23 (2 (68)): 103–139.
Published: 01 September 2008
... dissertation on death in motion pictures at the Cohn Institute for the History and Philosophy of Science and Ideas and the Shirley and Leslie Porter School of Cultural Studies at Tel Aviv University. Eyal (Lior Ashkenazi) pulls out a handgun and blows his cover in Walk on Water (dir. Eytan Fox, Israel/Sweden...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 155–160.
Published: 01 December 1989
... writers. I found this a very democratic way to deal with the matter. Hierarchies were broken down; in being both active and creative, readers and writers could become equal. Since 1974, I’ve gone to the Berlin Film Festival every year as a film journalist. I was...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2006) 21 (2 (62)): 108–143.
Published: 01 September 2006
... escaped their deaths, and Lola has similarly left behind the notion of family, with all of its entrap- ping forces. The two lovers move through the unnaturally empty Berlin streets with the wonder of the new. Cinematically, the clos- ing escape tableaux in The Princess and the Warrior (Der Krieger...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2007) 22 (3 (66)): 171–178.
Published: 01 December 2007
...Jane M. Gaines Camera Obscura 2007 Jane M. Gaines is professor of literature and English at Duke University, where she founded the Film/Video/Digital Program, and in 2007-8 is visiting professor in the Film Division, School of the Arts, Columbia University. She is the author of two award...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1982) 3-4 (2-3-1 (8-9-10)): 223–233.
Published: 01 December 1982
... developing what seemed to be a Frankfurt School view of social operations more or less modified by selected Lacanian developments in cinema semiotics. Elsaesser began with a critique of Kracauer’s notions of social reflection. He then argued that in Ger- man silent cinema...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1992) 10 (1 (28)): 238–261.
Published: 01 January 1992
... Female Bodyscape Giuliana Bruno The world panorama . . . towers in the arcade like the anatomy. Siegfried Kracauer In a passage on Berlin’s Linden Arcade, Siegfried Kracauer-a theorist...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2002) 17 (2 (50)): 41–67.
Published: 01 September 2002
... newest fashions. —Hugo Münsterberg, The Film: A Psychological Study In a profound sense, Berlin audiences act truthfully when they increasingly shun these art events [that claim the status of high art] . . . preferring instead the surface glamour of the stars, films, revues, and spectacular shows...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1996) 13 (3 (39)): 34–51.
Published: 01 September 1996
... Montgomery was raped at gunpoint when she was 17; Age 12: Love with a Little L returns to the blitheful primary-school eroticism of a first lesbian experience, punctured when her love, aligned with a snooty girls' clique, rejects her in junior high. Only I, a Lamb is not...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2013) 28 (1 (82)): 125–133.
Published: 01 May 2013
... the role of “prototype for other community film and video centers,” as it stated in its materials.5 The students screened their films at wom- en’s film festivals in Washington, DC, Toronto, Halifax, and Berlin, and reviews and mentions of WMM appeared in feminist publica- tions such as off our...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1976) 1 (1 (1)): 128–139.
Published: 01 May 1976
.... Travelledfor six months: stayed in London and Italy (1970-71) ; spent two years in the "Film in the Cities Project" in Minneapolis (a program of teaching filmmaking to junior and senior high school students which grew into a storefront studio, involved with teaching all ages.) OPENING/ CLOSING...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1988) 6 (3 (18)): 67–79.
Published: 01 September 1988
... "historical avant-garde" (which includes Russian constructivism, Berlin Dada, futurism, French sur• realism) would be Huyssen's chosen progenitor of the postmodern. But to exile the avant-garde to the realm of the merely "historical" would seem to endorse the rhetoric of its death...