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Journal Article
Photography, Subjectivity, and the Politics of the Image from Helke Sander to Angela Schanelec
Available to Purchase
Camera Obscura (2018) 33 (3 (99)): 49–73.
Published: 01 December 2018
...Mary Hennessy This article retraces a genealogy from the contemporary Berlin School back to German feminist film culture of the 1970s. It focuses on two films with female protagonists: Helke Sander’s watershed feminist film of the New German Cinema, Die allseitig reduzierte Persönlichkeit—Redupers...
Journal Article
Camera Obscura (2018) 33 (3 (99)): 1–19.
Published: 01 December 2018
... of women’s cinema at present, visible in the rise of the Berlin School, the development of women-oriented production collectives, and the resurgence of feminist organizing on behalf of gender parity in the contemporary German film industry. feminist film theory German women’s movement neo-liberalism...
Journal Article
Women Filmmakers in West Germany: A Catalog
Available to Purchase
Camera Obscura (1980) 2 (3 (6)): 122–152.
Published: 01 December 1980
... ohne Ton [A Thousand Muted Sonfs]
90min., 16 mm, b/w
Distributor: C. Holldack (Mommsenstr. 64, 1000 Berlin 12)
Iselore (twenty years old) is poor but robust and imagnative. She is work-
ing her way through school to become a teacher, she is experienced with men,
but she...
Journal Article
From Elif to Esty? Unorthodox and Turkish German Cinema's Captivity Narrative
Available to Purchase
Camera Obscura (2022) 37 (2 (110)): 119–147.
Published: 01 September 2022
... escape are inseparable corollaries of the captivity narrative. Not part of Feldman's story, the events that unfold in present-day Berlin are fictionalized, including Esty's swift befriending of a diverse group of music school students. While Berlin is certainly an international city, this group of young...
FIGURES
Journal Article
Women Filmmakers in West Germany: A Catalog (Part 2)
Available to Purchase
Camera Obscura (1983) 4 (2 (11)): 132–145.
Published: 01 September 1983
... in
Frankfurt, Berlin, Kassel, Munich. Film studies at the School of Design in Ulm
1964-1966. On the editorial staff of a youth magazine 1966-1968. Six year stay in
Canada 1968-1974. Scriptwriter and director at the ZDF TV-network, 1976-1978,
specializing in young people's programming...
Journal Article
Gertrud Koch
Available to Purchase
Camera Obscura (1989) 7 (2-3 (20-21)): 209–212.
Published: 01 December 1989
... to the aesthetic theories of the
Frankfurt School.
This perspective is largely due to the fact that I began work on film
and film theory as a film critic. In other words, I was concerned mainly
with the problem of aesthetic judgment and questions of a critique...
Journal Article
History Is Not a Matter of Generations: Interview with Harun Farocki
Available to Purchase
Camera Obscura (2001) 16 (1 (46)): 47–75.
Published: 01 May 2001
... the
editors. The political group was forced out in 1969 at the point
02-Halle.V2sh 5/29/01 12:34 PM Page 71
History Is Not a Matter of Generations • 71
where the new film schools, especially Berlin, were beginning...
Journal Article
Archiving Feeling in Yvonne Rainer's Journeys from Berlin/1971
Available to Purchase
Camera Obscura (2023) 38 (1 (112)): 133–163.
Published: 01 May 2023
...Helena Shaskevich Abstract Yvonne Rainer's third and most explicitly political feature‐length film, Journeys from Berlin/1971 (US/UK/West Germany, 1979) explores the relationship between personal and political trauma through the lens of the instability and violence that ravaged West Germany during...
FIGURES
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Journal Article
Contributors
Available to Purchase
Camera Obscura (1992) 10 (2 (29)): 244–246.
Published: 01 May 1992
... at the
11th Annual Meeting of the Society of Magnetic Resonance in Medicine
(Berlin, August 1992). She is currently a resident in Gynecology and Obstetrics
at Emory University School of Medicine.
Ann Barry Flood, Ph.D., is currently Director of Health Policy Studies at the
Center...
Journal Article
How EXPRMNTL Made the Small Coastal Town of Knokke the Scene for Radical Artistic New Waves and Political Sea Changes
Available to Purchase
Camera Obscura (2012) 27 (3 (81)): 169–179.
Published: 01 December 2012
..., while the
audience encouraged them, laughing and screaming slogans. One
of the festival organizers (a former minister of justice) tried to stop
the mayhem, but Lebel and his companions had blocked the doors
and cut the phone lines.
Soon a group of students from the Berlin Film Academy...
Journal Article
Male Weeping as Performative: The Crying Mossad Assassin in Walk on Water
Available to Purchase
Camera Obscura (2008) 23 (2 (68)): 103–139.
Published: 01 September 2008
... on death in motion pictures at the Cohn Institute for the History and Philosophy of Science and Ideas and the Shirley and Leslie Porter School of Cultural Studies at Tel Aviv University. Eyal (Lior Ashkenazi) pulls out a handgun and blows his
cover in Walk on Water (dir. Eytan Fox, Israel/Sweden, 2004...
Journal Article
Annette Förster
Available to Purchase
Camera Obscura (1989) 7 (2-3 (20-21)): 160–165.
Published: 01 December 1989
... writers. I found this a very democratic way to deal
with the matter. Hierarchies were broken down; in being both active
and creative, readers and writers could become equal.
Since 1974, I’ve gone to the Berlin Film Festival every year as a film
journalist. I...
Journal Article
Melodrama's Other: Entrapment and Escape in the Films of Tom Tykwer
Available to Purchase
Camera Obscura (2006) 21 (2 (62)): 108–143.
Published: 01 September 2006
... their deaths, and Lola
has similarly left behind the notion of family, with all of its entrap-
ping forces. The two lovers move through the unnaturally empty
Berlin streets with the wonder of the new. Cinematically, the clos-
ing escape tableaux in The Princess and the Warrior (Der Krieger und
die...
Journal Article
Sad Songs of Nitrate: Women's Work in the Silent Film Archive
Available to Purchase
Camera Obscura (2007) 22 (3 (66)): 171–178.
Published: 01 December 2007
...Jane M. Gaines Camera Obscura 2007 Jane M. Gaines is professor of literature and English at Duke University, where she founded the Film/Video/Digital Program, and in 2007-8 is visiting professor in the Film Division, School of the Arts, Columbia University. She is the author of two...
Journal Article
Consuming Distractions in Prix de beauté
Available to Purchase
Camera Obscura (2002) 17 (2 (50)): 41–67.
Published: 01 September 2002
... for the newest fashions.
—Hugo Münsterberg,
The Film: A Psychological Study
In a profound sense, Berlin audiences act truthfully when they
increasingly shun these art events [that claim the status of high
art] . . . preferring instead the surface glamour of the stars,
films, revues, and spectacular shows...
Journal Article
Sandy Flitterman-Lewis
Available to Purchase
Camera Obscura (1989) 7 (2-3 (20-21)): 155–160.
Published: 01 December 1989
... equal.
Since 1974, I’ve gone to the Berlin Film Festival every year as a film
journalist. I was especially attracted to the section which is called
“Internationales Forum des Jungen Films’’ (International Forum of
Young Cinema). The Forum became my “film school...
Journal Article
Agnès Varda and Le Collectif 50/50 en 2020: Power and Protest at the Cannes Film Festival
Available to Purchase
Camera Obscura (2021) 36 (1 (106)): 127–153.
Published: 01 May 2021
....” Silverstein, “Cannes Film Festival Signs Pledge.” 31. For example, Agnès Poirier, author and critic who contributes to the Cannes Festival's informal preselection network, argued: “We have reached gender parity in film schools, but there is still a problem with funding. It's still more difficult...
FIGURES
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Journal Article
Cinema Histories, Cinema Practices Asilomar Conference
Available to Purchase
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 223–233.
Published: 01 December 1982
... to be a Frankfurt School
view of social operations more or less modified by selected Lacanian
developments in cinema semiotics. Elsaesser began with a critique of
Kracauer’s notions of social reflection. He then argued that in Ger-
man silent cinema recurrent Oedipal themes were...
Journal Article
Spectatorial Embodiments: Anatomies of the Visiable and the Female Bodyscape
Available to Purchase
Camera Obscura (1992) 10 (1 (28)): 238–261.
Published: 01 January 1992
... and the Female Bodyscape
Giuliana Bruno
The world panorama . . . towers in the arcade
like the anatomy.
Siegfried Kracauer
In a passage on Berlin’s Linden Arcade, Siegfried Kracauer-a theorist...
Journal Article
More Than “Just Talk”: The Chelsea Picture Station in the 1970s
Available to Purchase
Camera Obscura (2013) 28 (1 (82)): 125–133.
Published: 01 May 2013
... newspapers and attention
from other film organizations all around the US, and it took on the
role of “prototype for other community film and video centers,” as
it stated in its materials.5 The students screened their films at wom-
en’s film festivals in Washington, DC, Toronto, Halifax, and Berlin...
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