Search Results for Berlin School

...Mary Hennessy This article retraces a genealogy from the contemporary Berlin School back to German feminist film culture of the 1970s. It focuses on two films with female protagonists: Helke Sander’s watershed feminist film of the New German Cinema, Die allseitig reduzierte Persönlichkeit—Redupers...

... of women’s cinema at present, visible in the rise of the Berlin School, the development of women-oriented production collectives, and the resurgence of feminist organizing on behalf of gender parity in the contemporary German film industry. feminist film theory German women’s movement neo-liberalism...

... ohne Ton [A Thousand Muted Sonfs] 90min., 16 mm, b/w Distributor: C. Holldack (Mommsenstr. 64, 1000 Berlin 12) Iselore (twenty years old) is poor but robust and imagnative. She is work- ing her way through school to become a teacher, she is experienced with men, but she...

... escape are inseparable corollaries of the captivity narrative. Not part of Feldman's story, the events that unfold in present-day Berlin are fictionalized, including Esty's swift befriending of a diverse group of music school students. While Berlin is certainly an international city, this group of young...

... in Frankfurt, Berlin, Kassel, Munich. Film studies at the School of Design in Ulm 1964-1966. On the editorial staff of a youth magazine 1966-1968. Six year stay in Canada 1968-1974. Scriptwriter and director at the ZDF TV-network, 1976-1978, specializing in young people's programming...

... to the aesthetic theories of the Frankfurt School. This perspective is largely due to the fact that I began work on film and film theory as a film critic. In other words, I was concerned mainly with the problem of aesthetic judgment and questions of a critique...

... the editors. The political group was forced out in 1969 at the point 02-Halle.V2sh 5/29/01 12:34 PM Page 71 History Is Not a Matter of Generations • 71 where the new film schools, especially Berlin, were beginning...

...Helena Shaskevich Abstract Yvonne Rainer's third and most explicitly political feature‐length film, Journeys from Berlin/1971 (US/UK/West Germany, 1979) explores the relationship between personal and political trauma through the lens of the instability and violence that ravaged West Germany during...

... at the 11th Annual Meeting of the Society of Magnetic Resonance in Medicine (Berlin, August 1992). She is currently a resident in Gynecology and Obstetrics at Emory University School of Medicine. Ann Barry Flood, Ph.D., is currently Director of Health Policy Studies at the Center...

..., while the audience encouraged them, laughing and screaming slogans. One of the festival organizers (a former minister of justice) tried to stop the mayhem, but Lebel and his companions had blocked the doors and cut the phone lines. Soon a group of students from the Berlin Film Academy...

... on death in motion pictures at the Cohn Institute for the History and Philosophy of Science and Ideas and the Shirley and Leslie Porter School of Cultural Studies at Tel Aviv University. Eyal (Lior Ashkenazi) pulls out a handgun and blows his cover in Walk on Water (dir. Eytan Fox, Israel/Sweden, 2004...

... writers. I found this a very democratic way to deal with the matter. Hierarchies were broken down; in being both active and creative, readers and writers could become equal. Since 1974, I’ve gone to the Berlin Film Festival every year as a film journalist. I...

... their deaths, and Lola has similarly left behind the notion of family, with all of its entrap- ping forces. The two lovers move through the unnaturally empty Berlin streets with the wonder of the new. Cinematically, the clos- ing escape tableaux in The Princess and the Warrior (Der Krieger und die...

...Jane M. Gaines Camera Obscura 2007 Jane M. Gaines is professor of literature and English at Duke University, where she founded the Film/Video/Digital Program, and in 2007-8 is visiting professor in the Film Division, School of the Arts, Columbia University. She is the author of two...

... for the newest fashions. —Hugo Münsterberg, The Film: A Psychological Study In a profound sense, Berlin audiences act truthfully when they increasingly shun these art events [that claim the status of high art] . . . preferring instead the surface glamour of the stars, films, revues, and spectacular shows...

... equal. Since 1974, I’ve gone to the Berlin Film Festival every year as a film journalist. I was especially attracted to the section which is called “Internationales Forum des Jungen Films’’ (International Forum of Young Cinema). The Forum became my “film school...

....” Silverstein, “Cannes Film Festival Signs Pledge.” 31. For example, Agnès Poirier, author and critic who contributes to the Cannes Festival's informal preselection network, argued: “We have reached gender parity in film schools, but there is still a problem with funding. It's still more difficult...

... to be a Frankfurt School view of social operations more or less modified by selected Lacanian developments in cinema semiotics. Elsaesser began with a critique of Kracauer’s notions of social reflection. He then argued that in Ger- man silent cinema recurrent Oedipal themes were...

... and the Female Bodyscape Giuliana Bruno The world panorama . . . towers in the arcade like the anatomy. Siegfried Kracauer In a passage on Berlin’s Linden Arcade, Siegfried Kracauer-a theorist...

... newspapers and attention from other film organizations all around the US, and it took on the role of “prototype for other community film and video centers,” as it stated in its materials.5 The students screened their films at wom- en’s film festivals in Washington, DC, Toronto, Halifax, and Berlin...