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Beau Geste Press

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Published: 01 September 2021
Figure 5. Carolee Schneemann working on Parts of a Body House Book at Beau Geste Press, Cullompton, UK, 1972. From left to right: Allen Fisher, Elaine Fisher (obscured), Matthias Ehrenberg, Carolee Schneemann, and Felipe Ehrenberg. Photograph by Anthony McCall Figure 5. Carolee Schneemann More
Image
Published: 01 September 2021
Figure 6. Carolee Schneemann, Parts of a Body House Book (Cullompton, UK: Beau Geste Press, 1972). Front cover. Courtesy of the Carolee Schneemann Foundation; P•P•O•W, New York; Galerie Lelong, New York; and Hales Gallery, London. © 2021 Carolee Schneemann Foundation / Artists Rights Society More
Journal Article
Camera Obscura (2021) 36 (2 (107)): 185–197.
Published: 01 September 2021
...Figure 5. Carolee Schneemann working on Parts of a Body House Book at Beau Geste Press, Cullompton, UK, 1972. From left to right: Allen Fisher, Elaine Fisher (obscured), Matthias Ehrenberg, Carolee Schneemann, and Felipe Ehrenberg. Photograph by Anthony McCall Figure 5. Carolee Schneemann...
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Journal Article
Camera Obscura (2001) 16 (3 (48)): 59–81.
Published: 01 December 2001
... l’impression de la fête du soleil et de la gloire de l’Art du gest. Musidora.” 37. My use of the term performative here is influenced by J. L. Austin, “Performative Utterances,” Philosophical Papers (London: Oxford University Press, 1970), 233–52; John R. Searle, Speech Acts: An Essay...
Journal Article
Camera Obscura (2002) 17 (3 (51)): 1–29.
Published: 01 December 2002
... might be capable of saving the honor of reality contravenes one of the founding assumptions of Copyright © 2002 by Kaja Silverman Camera Obscura 51, Volume 17, Number 3 Published by Duke University Press 1 2 • Camera Obscura poststructuralist thought—the assumption that representation...
Journal Article
Camera Obscura (2004) 19 (2 (56)): 141–169.
Published: 01 September 2004
... newfound popularity, but also uplifting its Copyright © 2004 by Camera Obscura Camera Obscura 56, Volume 19, Number 2 Published by Duke University Press 141 142 • Camera Obscura audience, speaking to it in a “voiceless language” capable of en- gaging some of the era’s key social problems...
Journal Article
Camera Obscura (2017) 32 (3 (96)): 63–91.
Published: 01 December 2017
... by Camera Obscura Published by Duke University Press 63 64 • Camera Obscura an artifact of the present that gazes back toward the past, offsets contemporary cultural trends by recuperating Capote’s white gay male femininity. I argue that in our moment of queer liberalism and gay progress...
Journal Article
Camera Obscura (2003) 18 (2 (53)): 57–91.
Published: 01 September 2003
... commentary on The Passion of Joan Copyright © 2003 by Camera Obscura Camera Obscura 53, Volume 18, Number 2 Published by Duke University Press 57 58 • Camera Obscura of Arc revolves around this dynamic. According to Paul Schrader, for example, “The architecture of Joan’s world literally...
Journal Article
Camera Obscura (2010) 25 (1 (73)): 97–129.
Published: 01 May 2010
... was termed an Camera Obscura 73, Volume 25, Number 1 doi 10.1215/02705346-2009-016  © 2010 by Camera Obscura Published by Duke University Press 97 98  •  Camera Obscura “appreciation society,” as opposed to a fan club, was a unique move away from supposed celebrity worship, one...
Journal Article
Camera Obscura (2013) 28 (2 (83)): 1–43.
Published: 01 September 2013
... and the Cinemas of Performance: Powers of Affection (Edinburgh: Edinburgh University Press, 2008). 50. I derive this idea from Del Rio’s employment of the Deleuzian concept of the molecular  to account for the diffused eroticism of Claire Denis’s Beau Travail (France, 1999). Elena...
Journal Article
Camera Obscura (2009) 24 (2 (71)): 1–41.
Published: 01 September 2009
... 71, Volume 24, Number 2 doi 10.1215/02705346-2009-001  © 2009 by Camera Obscura Published by Duke University Press 1 2  •  Camera Obscura ple makes plain, the unspoken aesthetic judgment hardly lacks for political implications. In subjecting its fashion model protagonist to on-screen...