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Babette Mangolte

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Journal Article
Camera Obscura (2019) 34 (1 (100)): 31–57.
Published: 01 May 2019
...Janet Bergstrom For this interview, cinematographer, photographer, and filmmaker Babette Mangolte agreed to focus on her collaborations as cinematographer with Belgian filmmaker Chantal Akerman on her 1970s New York films. Besides Jonas Mekas and Anthology Film Archives, Mangolte brought in the art...
Journal Article
Camera Obscura (1977) 1 (2 (2)): 131–136.
Published: 01 September 1977
...Constance Penley © 1977 by Camera Obscura 1977 What Maisie Knew by Babette Mangolte CHILDHOOD AS POINT-OF-VIEW Babette Mangolte describes What Maisie Knew as 'a film made around the subjective camera, the vision of a child, and a re-reading of the Henry ]ames novel...
Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 194–197.
Published: 01 May 1979
...Constance Penley Copyright © 1979 by Camera Obscura 1979 The Camera ; Je (0Babette Mangolte, 1975) The Camera:]e/La Camkra: Eye (Babette Mangolte) Constance Pen ley And, if it has to do with time, it has to do with psychology, which means it has to do...
Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 198–210.
Published: 01 May 1979
... Copyright © 1979 by Camera Obscura 1979 Camera Obscura Interview with Babette Mangolte Babette Mangolte began living and working in New York in 1970. From childhood she had been interested in novelistic fiction and says that this is the reason for her ongoing involvement...
Journal Article
Camera Obscura (2019) 34 (1 (100)): 1–11.
Published: 01 May 2019
... to the special issue by such Akerman scholars as Janet Bergstrom, Kelley Conway, Sandy Flitterman-Lewis, Ute Holl, Eva Kuhn, Brenda Longfellow, Ivone Margulies, and Maureen Turim; interviews with Akerman’s collaborators, editor Claire Atherton, cinematographer Babette Mangolte, and cellist and composer Sonia...
Journal Article
Camera Obscura (2019) 34 (1 (100)): 67–73.
Published: 01 May 2019
...Babette Mangolte This essay describes the last work by Chantal Akerman, an installation titled NOW made between January and March 2015 for the 2015 Venice Biennale. The author interrogates an installation work that is not linear and that changes while looking at it, producing thoughts as much...
Journal Article
Camera Obscura (1980) 2 (2 (5)): 116–118.
Published: 01 September 1980
...-17s. Interview with Babette Mangolte. Vol. I, no. 3-4;pp. 198-210. Interview with The Legend of Maya Deren Project. Vol. I, no. 3-4;pp. 177-191. Review: mlf. Vol. I, no. 3-4;pp. 233-237, Cine-Femmes International (Rosine Grange and Vivian Ostrovsky...
Journal Article
Camera Obscura (1976) 1 (1 (1)): 128–139.
Published: 01 May 1976
... films are available from Serious Business Company, 1609jaynesSt., Berkeley, Calif. 94703. BABETTE MANGOLTE Born in Montmorot aura), France. Took her Baccalaureat in Dijon. She re- discovered film at the showings of the Cinematheque Francaise in Paris, during three years...
Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 3–4.
Published: 01 May 1979
... for the conference, in the three weeks preceding it, the Co-op had screened several films which have been important to our work: Yvonne Rainer’s Film About a Woman Who.. ., Jackie Raynal’s Deux Fois, Chantal Akerman’s News from Home, Marguerite Duras’s India Song and Babette Mangolte’s What Maisie Knew...
Journal Article
Camera Obscura (1977) 1 (2 (2)): 147.
Published: 01 September 1977
..., 135:Photographsfrom WhatMaisieKnewcopyright © Babette Mangolte. We would like to express our appreciation to Audio Brandon (Oakland) for their generous help. ...
Journal Article
Camera Obscura (1984) 4 (3 (12)): 126–129.
Published: 01 December 1984
... bateau and Born in Flames, one can see the laughter of Medusa shattering form and decorum alike. Shot by Babette Mangolte in black and white and co-starring Julie Christie and Colette Laffont, the film is well synopsized by Potter herself “In The Gold Dzggers two women are searching...
Journal Article
Camera Obscura (2007) 22 (3 (66)): 185–191.
Published: 01 December 2007
... Visual Culture” and “Screening Older Women: Desire, Shame and the Body.” Renfren Neff and John Erdman in Yvonne Rainer’s A Film about a Woman Who . . . (US, 1974). Courtesy of Babette Mangolte ...
Journal Article
Camera Obscura (1995) 12 (2 (35)): 186–221.
Published: 01 May 1995
...-the exquisite chiaroscuro of Babette Mangolte's cinematography, most obviously, and the memo- rable voices of Christie and Lafont-kept The Gold Diggers from achieving anything like the audience Potter had hoped for. Indeed, the film was so unsuccessful that it threatened to end Potter's career, and brought...
Journal Article
Camera Obscura (1976) 1 (1 (1)): 53–70.
Published: 01 May 1976
... and theoretical concerns-what she sawas the problematic of dance-in articles and interviews. Lives ofPer- formers, her first feature film, was made in 1972, and in 1974 she made Filmaboutawoman who (both with cinematograher Babette Mangolte). Rainer has just completed her third film Kristina Talking...
Journal Article
Camera Obscura (1976) 1 (1 (1)): 76–96.
Published: 01 May 1976
.... I used found photos of a real Polish lion tamer named Kristina, and also Babette Mangolte made photos for it. The lion tamer is sometimes played by herself and sometimes by me in photos. I have her discuss questions of art and film, things like Godard, the acting in Godard's films...
Journal Article
Camera Obscura (2023) 38 (1 (112)): 55–79.
Published: 01 May 2023
... (London: Wallflower Press, 2009), 1. 37. Rascaroli, Personal Camera , 3, 25. 38. See Akerman, Criterion interview. 39. Babette Mangolte, “ NOW , Chantal Akerman's Last Work,” Camera Obscura , no. 100 (2019): 69. 40. Agamben, Nudities , 102. 41. Sergei Prozorov...
FIGURES
Journal Article
Camera Obscura (2015) 30 (2 (89)): 1–27.
Published: 01 September 2015
...  and listed BREAKAWAY alongside Deren’s Study, Shirley Clarke’s Dance in the Sun (US, 1953), Ed Emshwiller’s Dance Chromatic (US, 1959) and Thanatopsis (US, 1962), Hilary Harris’s Nine Variations on a Dance Theme (US, 1966), Babette Mangolte’s WaterMotor (US, 1978) (featuring...
Journal Article
Camera Obscura (2006) 21 (1 (61)): 1–25.
Published: 01 May 2006
...- en’s alternative production, something also emphasized in the journal. As noted, the first issue of the journal showcased films by Jackie Raynal and Yvonne Rainer;4 the second included work on films by Chantal Akerman, Marguerite Duras, and Babette Mangolte;5 the double third-and-fourth issue...
Journal Article
Camera Obscura (2020) 35 (3 (105)): 60–87.
Published: 01 December 2020
... at the same time, and in a certain way, every time) and blank affect are paired with Babette Mangolte s station- ary camera, offering the viewer no respite from the Sisyphean labor in which its protagonist finds her being. The static camera and the drawn- out, real- time durational quality of the film casts...
Journal Article
Camera Obscura (1977) 1 (2 (2)): 2–33.
Published: 01 September 1977
... finding the most 'ad- vanced' solution to formal problems which motivates filmmakers like Chantal Akerman, Marguerite Duras, Yvonne Rainer, Babette Mangolte, Jackie Raynal and others, to make films involving 'an action at the limits of narrative within the narrative film, at the limits of its...