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Ann Hui

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Journal Article
Camera Obscura (2019) 34 (2): 133–161.
Published: 01 September 2019
... bearers of emotion, and on a crisis in intimate relations, the three films by Chantal Akerman, Claire Denis, and Ann Hui considered here reconsider melodrama’s possibilities. They all broach ways of rethinking Oedipal fantasy, moving beyond a story of the fraught emergence of the individual to one focused...
Journal Article
Camera Obscura (2009) 24 (1 (70)): 7–35.
Published: 01 May 2009
...Wendy Hui Kyong Chun Camera Obscura 2009 Wendy Hui Kyong Chun is associate professor of modern culture and media at Brown University. She has studied both systems design engineering and English literature, which she combines and mutates in her current work on digital media. She is author...
Journal Article
Camera Obscura (2009) 24 (3 (72)): 111–151.
Published: 01 December 2009
...- ryn Bigelow, Antonia Bird,  Jane Campion, Gurinder Chadha, Mar- tha Coolidge, Busi Cortés,  Julie Dash, Claire Denis, Doris Dörrie, Su Friedrich, Bette Gordon, Marleen Gorris, Leslie Harris, Mona Hartoum, Amy Heckerling, Agnieszka Holland, Ann Hui, Barbara Kopple, Diane Kurys, Clara Law, Deepa...
Journal Article
Camera Obscura (2013) 28 (2 (83)): 151–175.
Published: 01 September 2013
... of Social Networking Technologies Jonathan Cohn While N. Katherine Hayles, Wendy Hui Kyong Chun, and Sadie Plant have brought to light the central role of women in the cre- ation and use of many of the first computers, histories of the beginning of the Internet and digital...
Journal Article
Camera Obscura (1988) 6 (3 (18)): 67–79.
Published: 01 September 1988
...Anne Friedberg The Mercator of the Postmodern: Mapping the Great Divide Anne Friedberg Andreas Huyssen, After the Great Divide: Modernism, Mass Culture, Post• modernism (Bloomington: Indiana University Press, 1986) The cover of Andreas Huyssen's After the Great Divide...
Journal Article
Camera Obscura (2008) 23 (3 (69)): 35–79.
Published: 01 December 2008
...Anne Anlin Cheng This article tells the stories of architect Adolf Loos and cabaret/film icon Josephine Baker in order to trace the philosophic intimacy between modernist preoccupation with the nude surface and the staging of exposed, racialized skin in the early twentieth century. The racial or...
Journal Article
Camera Obscura (2008) 23 (2 (68)): 141–166.
Published: 01 September 2008
... identification with the character and her suffering. What, then, does it mean for a gay man to find pleasure in the identification with the female character through his tears, especially when, as E. Ann Kaplan puts it, “ ‘complicit’ women’s melodramas are ulti- mately enunciated from a patriarchal...
Journal Article
Camera Obscura (2013) 28 (2 (83)): 1–43.
Published: 01 September 2013
... itself to its source, which, as Mary Ann Doane reminds us, was always part of Charles Peirce’s conception of the index as both a trace and a shifter.20 It is this second modality of the index that is more powerfully mobilized here: this shadow does not deliver the body that has cast it but...
Journal Article
Camera Obscura (2019) 34 (3): 1–29.
Published: 01 December 2019
Journal Article
Camera Obscura (2009) 24 (1 (70)): 135–175.
Published: 01 May 2009
Journal Article
Camera Obscura (2011) 25 (3 (75)): 143–177.
Published: 01 December 2011