1-20 of 25 Search Results for

50/50 en 2020

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Article
Camera Obscura (2021) 36 (1 (106)): 127–153.
Published: 01 May 2021
... achievement award) in the name of other creative directors not yet in the spotlight. In 2018, Varda joined with the 50/50 en 2020 collective, a gender equity campaign, on the Cannes red carpet to call for gender parity and greater transparency in the festival's process of selecting films to screen...
FIGURES | View All (10)
Image
Published: 01 May 2021
Figure 5. 50/50 en 2020, “Comparison of the Last Thirty-Nine Editions—1980–2018” (detail), in “The Role of Women in the Cannes Festival's Competition—A Comparative Study,” collectif5050.com/en/study/cannes More
Image
Published: 01 May 2021
Figure 6. 50/50 en 2020, “Female Directors Selected in Competition,” 1946–2018, in “The Role of Women in the Cannes Festival's Competition—A Comparative Study,” collectif5050.com/en/study/cannes More
Image
Published: 01 May 2021
Figure 7. 50/50 en 2020, “Festival Heads,” in “The Role of Women in the Cannes Festival's Competition—A Comparative Study,” collectif5050.com/en/study/cannes More
Image
Published: 01 May 2021
Figure 8. 50/50 en 2020, Cannes Film Festival female jury presidents, 1946–2018 (detail), in “The Role of Women in the Cannes Festival's Competition—A Comparative Study,” collectif5050.com/en/study/cannes More
Image
Published: 01 May 2021
Figure 9. 50/50 en 2020, “Cannes Film Festival Board of Directors,” in “The Role of Women in the Cannes Festival's Competition—A Comparative Study,” collectif5050.com/en/study/cannes More
Image
Published: 01 May 2021
Figure 4. Members of the 2018 Cannes jury—Ava DuVernay, Robert Guédiguian, Chang Chen, Cate Blanchett, and Khadja Nin—with Thierry Frémaux, the general delegate of the Cannes festival, who presents the signed 50/50 en 2020 Pledge. Gwilym Mumford, “Cannes Film Festival Unveils Equality Charter More
Image
Published: 01 May 2021
Figure 1. Agnès Varda presents speech with Cate Blanchett at the 12 May 2018 Cannes Film Festival demonstration. She stands beside director Céline Sciamma and with members of the French 50/50 en 2020 collective. Clarence Tsui, “French Film Legend Agnès Varda on Faces Places , Her Feminist Vision More
Journal Article
Camera Obscura (2021) 36 (1 (106)): 1–7.
Published: 01 May 2021
... in production and distribution is in many ways inseparable from her feminist politics. In “Agnès Varda and Le Collectif 50/50 en 2020: Power and Protest at the Cannes Film Festival,” Rebecca J. DeRoo provides a new analysis of Varda's late career activism. Weaving together recent documents, including...
Journal Article
Camera Obscura (2020) 35 (3 (105)): 142–153.
Published: 01 December 2020
...Ingrid Ryberg This article provides a critical discussion of the world-famous, much-celebrated gender equality work in the Swedish film industry. Since the Swedish Film Institute launched a program for gender equality in 2013, redesigned in 2016 as the action plan 50/50 by 2020, Sweden has been...
Journal Article
Camera Obscura (2020) 35 (2 (104)): 159–169.
Published: 01 September 2020
..., has come under criticism; recent ini- tiatives to foster gender parity led to the 50/50 by 2020 pledge at the Cannes Film Festival in 2016. While major festivals are finally responding to the demand to program films by women, a vital need for the supportive community fostered by smaller, more...
Journal Article
Camera Obscura (2021) 36 (1 (106)): 109–125.
Published: 01 May 2021
... Production Society), “a Belgian co-producer [Paradise Films] that only gave me 50% of what they pledged”; and 350,000 from a Dutch-Antilles company (Population Film). Ciné-Tamaris contributed another 1 million to the budget, which, for a company that depended on government subvention, was “a lot.” 22...
FIGURES
Journal Article
Camera Obscura (2022) 37 (2 (110)): 59–89.
Published: 01 September 2022
... and Meaning in the Cinema (Bloomington: Indiana University Press, 1969), 77. 20. Timothy Corrigan, A Cinema without Walls: Movies and Culture after Vietnam (New Brunswick, NJ: Rutgers University Press, 1991), 50. 21. Elsaesser, “National, Transnational, and Intermedial,” 23. 22...
FIGURES | View All (4)
Journal Article
Camera Obscura (2020) 35 (1 (103)): 77–107.
Published: 01 May 2020
... of bringing up a child of the marriage, including children from forced pregnancies with a geno- cidal motive, 49 will be considered essential parts of the crime.50 Conclusion This analysis of Red Wedding has proven, first, the exceptional case of forced marriage and rape among other global and more familiar...
Journal Article
Camera Obscura (2020) 35 (3 (105)): 30–59.
Published: 01 December 2020
..., one of which is coincidentally caught on film, is to harness the raw ore from the earth that can be processed (at great environmental risk) and sold Masturbatory Ecologies 47 for immense profits. Roughly 50 percent of American electricity is generated by coal, and West Virginia s deep history...
Journal Article
Camera Obscura (2021) 36 (1 (106)): 155–185.
Published: 01 May 2021
... an article about Varda's look, “The Oscars’ Oldest Ever Nominee Also Wears Gucci like a Boss.” 50 Fashion and lifestyle website The Cut published an article titled “This Eighty-Nine-Year-Old Director Is Our New Style Icon.” The author, Emilia Petrarca, noted, “The world knows Varda for her directorial...
FIGURES | View All (13)
Journal Article
Camera Obscura (2020) 35 (2 (104)): 1–35.
Published: 01 September 2020
... deeper understandings of the role of scopic systems of meaning- making in the construction of contemporary concepts of gender and sex. Notes 1. Buzz Bissinger, He Says Goodbye, She Says Hello, Vanity Fair, July 2015, 50 69, 105 6. 2. Elinor Burkett, What Makes a Woman New York Times, 7 June 2015...
Journal Article
Camera Obscura (2020) 35 (2 (104)): 125–157.
Published: 01 September 2020
... Moments: Affect and the L.A. Rebellion, in Field, Horak, and Stewart, L.A. Rebellion, 225 50; Alessandra Raengo, Encountering the Rebellion: liquid blackness Reflects on the Expansive Possibilities of the L.A. Rebellion Films, in Field, Horak, and Stewart, L.A. Rebellion, 291 318. 10. Raengo...
Journal Article
Camera Obscura (2020) 35 (2 (104)): 37–61.
Published: 01 September 2020
..., Rosa Parks, and the many African American women who led and shaped the movement. Elsewhere, DuVernay has offered a broader view of Selma s cinematic project in 44 Camera Obscura relation to African American history. She reminds us that in the 50 years since Dr. King s death, there has never been...
Journal Article
Camera Obscura (2020) 35 (1 (103)): 109–137.
Published: 01 May 2020
... and as a means of private pleasure and spectacle for the masses fatally and unprecedentedly collide in Mirren s drone drama and Fey s photojournalistic adventure.50 In Eye, the camera is not just mediating the audience and the plot but is literally a central character. The highly mediated performance...