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50/50 by 2020 campaign

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Journal Article
Camera Obscura (2020) 35 (3 (105)): 142–153.
Published: 01 December 2020
... directors around the globe have signed on to the 50/50 by 2020 campaign with no evidence of the goal being within reach. As much as the current mobilization for change is worth applauding, it is crucial to critically examine Gender Equality in Swedish Film 149 actual measures and push for redistributive...
Journal Article
Camera Obscura (2021) 36 (1 (106)): 127–153.
Published: 01 May 2021
... achievement award) in the name of other creative directors not yet in the spotlight. In 2018, Varda joined with the 50/50 en 2020 collective, a gender equity campaign, on the Cannes red carpet to call for gender parity and greater transparency in the festival's process of selecting films to screen...
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Journal Article
Camera Obscura (2021) 36 (1 (106)): 155–185.
Published: 01 May 2021
..., “The Oscars’ Oldest Ever Nominee Also Wears Gucci like a Boss.” 50 Fashion and lifestyle website The Cut published an article titled “This Eighty-Nine-Year-Old Director Is Our New Style Icon.” The author, Emilia Petrarca, noted, “The world knows Varda for her directorial abilities, but her style has made...
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Journal Article
Camera Obscura (2020) 35 (2 (104)): 37–61.
Published: 01 September 2020
... cinematic project in 44 Camera Obscura relation to African American history. She reminds us that in the 50 years since Dr. King s death, there has never been a feature film casting him as a protagonist. That s a jaw dropper. 19 One need not be an apologist for strategic essentialism to appreciate Selma s...
Journal Article
Camera Obscura (2020) 35 (3 (105)): 30–59.
Published: 01 December 2020
... that can be processed (at great environmental risk) and sold Masturbatory Ecologies 47 for immense profits. Roughly 50 percent of American electricity is generated by coal, and West Virginia s deep history with coal mining makes it the perfect case study. Stephens also hails from West Virginia, where her...
Journal Article
Camera Obscura (2021) 36 (1 (106)): 109–125.
Published: 01 May 2021
..., the equivalent of 350,000 from the postproduction service provider SFT (French Production Society), “a Belgian co-producer [Paradise Films] that only gave me 50% of what they pledged”; and 350,000 from a Dutch-Antilles company (Population Film). Ciné-Tamaris contributed another 1 million to the budget, which...
FIGURES
Journal Article
Camera Obscura (2020) 35 (1 (103)): 109–137.
Published: 01 May 2020
... historically distinct functions of the camera that both Susan Sontag and John Berger define as an instrument of state surveillance and as a means of private pleasure and spectacle for the masses fatally and unprecedentedly collide in Mirren s drone drama and Fey s photojournalistic adventure.50 In Eye...
Journal Article
Camera Obscura (2021) 36 (3 (108)): 1–31.
Published: 01 December 2021
... subtext, will delight contemporary audiences as much or more than when it first premiered almost 50 years ago. . . . Added to the mix are nosey neighbor Gladys Kravitz (Sandra Gould) who spends the majority of her time trying to “out” Samantha as a witch to her husband Abner Kravitz (George Tobias...
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Journal Article
Camera Obscura (2021) 36 (2 (107)): 65–97.
Published: 01 September 2021
... songs that “should make niggas wan’ go and commit felonies,” he exhorts his listeners: “If you a gangsta, this is how you prove it to me (uhh, uhh!) / Nigga just get violent / This is death of auto-tune, moment of silence.” 50. These and other lyrics from the song are taken from website...
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Journal Article
Camera Obscura (2020) 35 (2 (104)): 1–35.
Published: 01 September 2020
... deeper understandings of the role of scopic systems of meaning- making in the construction of contemporary concepts of gender and sex. Notes 1. Buzz Bissinger, He Says Goodbye, She Says Hello, Vanity Fair, July 2015, 50 69, 105 6. 2. Elinor Burkett, What Makes a Woman New York Times, 7 June 2015...
Journal Article
Camera Obscura (2020) 35 (2 (104)): 125–157.
Published: 01 September 2020
... Najuma Stewart, The L.A. Rebellion Plays Itself, in Field, Horak, and Stewart, L.A. Rebellion, 251 290; Samantha N. Sheppard, Bruising Moments: Affect and the L.A. Rebellion, in Field, Horak, and Stewart, L.A. Rebellion, 225 50; Alessandra Raengo, Encountering the Rebellion: liquid blackness...
Journal Article
Camera Obscura (2010) 25 (1 (73)): 69–95.
Published: 01 May 2010
... this seems nearly inarguable.50 The scene is that of Roy meeting his maker, Tyrell, nominating him the “God of biomechanics,” and Tyrell referring to Roy as the “prodigal son.” It is at once familial and religious, with Roy making repeated references to his sins and Tyrell acting like a proud father...