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1970s feminisms

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Journal Article
Camera Obscura (2000) 15 (1 (43)): 45–93.
Published: 01 May 2000
... functions were conferred upon gender representation and racial representation in 1970s television. These two epistemological functions continue to inflect the most sophisticated thinking about feminism, antiracist projects, and representational politics...
Journal Article
Camera Obscura (2022) 37 (3 (111)): 31–57.
Published: 01 December 2022
... of Strand's film in relation to the transnational, cross-cultural, and affective ranges that go unnoticed when the scope of 1970s feminisms is painted in broad brushstrokes. Accordingly, the article emphasizes that Strand's nonteleological approach to history and ethnography in her film at once challenges...
FIGURES
Journal Article
Camera Obscura (2012) 27 (3 (81)): 101–135.
Published: 01 December 2012
...Greg Youmans Since 2005, a number of video artists have mined the essentialist iconography and practices associated with 1970s lesbian feminism, such as central-core imagery, rural separatism, and Goddess rites. These artists have produced work that is pointedly queer in sensibility and that brings...
Journal Article
Camera Obscura (2021) 36 (3 (108)): 105–117.
Published: 01 December 2021
...Ronald Gregg Abstract Lesbian filmmaker Barbara Hammer turned from experimental filmmaking to feature-length documentaries in the early 1990s. These late documentaries illustrate her distinct perspective on queer history and affect, which was influenced by 1970s lesbian feminism and queer...
FIGURES
Journal Article
Camera Obscura (1994) 11-12 (3-1 (33-34)): 6–11.
Published: 01 May 1994
... consists of rewriting 1970s feminism as 1980s female yuppiedom.” Feuer trains a critical gaze on Lifetime’s presentations of thirtysomething, China Beach, and L.A. Law, as well as The Burning Bed and the network’s own documentary on domestic violence, Prisoners of Wedlock. Laura Stempel Mumford’s...
Journal Article
Camera Obscura (2006) 21 (2 (62)): 192–195.
Published: 01 September 2006
... been cut, or whole programs (including feminist studies) sim- ply cancelled. A new gap — between the academic institutions and the public — is opening up. But whereas in the 1970s feminism was political, public, and visible, the 1980s and 1990s might be char- acterized by an institutionalization...
Journal Article
Camera Obscura (1994) 11-12 (3-1 (33-34)): 132–145.
Published: 01 May 1994
... of rewriting 1970s feminism as 1980s female yuppiedom. NOTES 1. With the exception of certain scholars working in television studies. See for example Robert C. Allen, Speaking ofsoap Operas (Chapel Hill: U of North Carolina P, 1985). 2. I say “quasi-feminist because only a certain...
Journal Article
Camera Obscura (2022) 37 (2 (110)): 31–57.
Published: 01 September 2022
... feminist voices did break through, beginning in the late 1960s and early 1970s, dominant media outlets like the television networks and the national news magazines tended to ridicule the movement. See Bonnie J. Dow, Watching Women's Liberation, 1970: Feminism's Pivotal Year on the Network News (Urbana...
FIGURES | View All (5)
Journal Article
Camera Obscura (2003) 18 (3 (54)): 3–38.
Published: 01 December 2003
..., Tampa, France, and Belgium.1 An expression of the burgeoning feminism of the 1970s and proof of the increasing availability and popularity of low-cost video technology, the festival is uniquely situated at the inter- section of two histories, video’s and feminism’s, and yet it has received...
Journal Article
Camera Obscura (2009) 24 (3 (72)): 111–151.
Published: 01 December 2009
..., expression, and effects, feminism is a politics, a political theory, an ideology, a critical framework, and a social movement. Its material force in postwar media culture can be dis- cerned by the structures of opportunity and funding enabled by feminist activism and discourse throughout the 1970s...
Journal Article
Camera Obscura (2007) 22 (1 (64)): 197–208.
Published: 01 May 2007
... and Politics , she is currently working on a new feature film about the women's art movement at the center of the debates about art and politics in New York in the 1970s. A R C H I V E F O R T H E F U T U R E Feminism and Video: A View from the Village Joan...
Journal Article
Camera Obscura (2011) 26 (3 (78)): 35–61.
Published: 01 December 2011
... on Broadway, Alda turned to minor film and television roles in the early 1970s. These appearances have been largely overlooked in discussions of Alda’s feminism, despite their temporal location in his “activist” period. Indeed, the roles certainly complicate understandings of that activism. Jenny...
Journal Article
Camera Obscura (2001) 15 (3 (45)): 1–33.
Published: 01 December 2001
... could be supplanted by good or true ones.6 Yet this line of thinking, associated with the intersection of feminism with poststructuralism, has tended to exacerbate feminism’s gen- erational factionalism and misconstrue 1970s feminist art...
Journal Article
Camera Obscura (2007) 22 (3 (66)): 185–191.
Published: 01 December 2007
... and Media Studies. Kaplan has written many books and articles on topics in cultural studies, media, and women's studies, including Women in Film: Both Sides of the Camera (1983/2000), Motherhood and Representation: The Mother in Popular Culture and Melodrama (1992/2002), Looking for the Other: Feminism...
Journal Article
Camera Obscura (2006) 21 (2 (62)): 170–176.
Published: 01 September 2006
... characteristic “double address,” in which the gains of feminism are savored while feminism itself is repudiated, a wide variety of films now incorporate a feminism that is at once achieved and abjured (including romantic come- dies [Two Weeks Notice, dir. Marc Lawrence, US, 2002], family films...
Journal Article
Camera Obscura (1991) 9 (3 (27)): 148–165.
Published: 01 September 1991
...Amelia Jones Vision and Difference: Femininity, Feminism and the Histories of Art , Griselda Pollock. London and New York: Routledge, 1988. Visual and Other Pleasures , Laura Mulvey. Bloomington and Indianapolis: Indiana University Press, 1989. Love for Sale: The Words and Pictures...
Journal Article
Camera Obscura (2007) 22 (3 (66)): 1–23.
Published: 01 December 2007
... Readings (1993). She edited America First: Naming the Nation in US Film (2007) and After Diana (1998), and she coedited (with Chris Townsend) The Art of Tracey Emin (2002) and (with Naomi Segal and Elizabeth Wright) Coming out of Feminism? (1998). Photo courtesy Ron Hagell Mulvey’s Manifesto...
Journal Article
Camera Obscura (2020) 35 (2 (104)): 125–157.
Published: 01 September 2020
...Jamie Ann Rogers This article traces the development of Afrocentric feminist aesthetics within the LA Rebellion, a film movement made up primarily of Black film students at UCLA from 1970 to the late 1980s. It argues that these aesthetics are integral to the movement’s heterogeneous but radical...
Journal Article
Camera Obscura (2003) 18 (3 (54)): 177–211.
Published: 01 December 2003
...Anikó Imre Camera Obscura 2003 Anikó Imre teaches film studies at the University of Washington in Tacoma. She has published articles and book chapters on Eastern and Central European film and feminism, postcoloniality, and whiteness in various venues, including Screen and Framework...
Journal Article
Camera Obscura (1990) 8 (1 (22)): 138–149.
Published: 01 January 1990
...Constance Balides Copyright © 1990 by The Johns Hopkins University Press 1990 Foucault in the Fie1 of Ferninism Constance Balides If the intellectual marriage of the 1970s was marxism and feminism, disaffections and preferences shifted in the 1980s to produce a com...