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Journal Article

Editorial Office Workers’ Statement Regarding the UC System-Wide Strike

Casey Coffee, Lizzy Hogenson, Kyna McClenaghan, Chelsea Kai Roesch
Camera Obscura (2023) 38 (3 (114)): 1–5.
DOI: https://doi.org/10.1215/02705346-10772547
Published: 01 December 2023
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Journal Article

Green's Clues, or What's Queer about Clue ?

Gabriel Bloomfield
Camera Obscura (2023) 38 (3 (114)): 7–33.
DOI: https://doi.org/10.1215/02705346-10772561
Published: 01 December 2023
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Journal Article

What's Your Color? Mood Conditioning the Postwar Domestic Interior

Lida Zeitlin-Wu
Camera Obscura (2023) 38 (3 (114)): 35–75.
DOI: https://doi.org/10.1215/02705346-10772575
Published: 01 December 2023
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Journal Article

Reading Border through Desire: Queer Indigenous Theory, Nordic Settler Colonialism, and Trans Aesthetics

Kata Kyrölä
Camera Obscura (2023) 38 (3 (114)): 77–105.
DOI: https://doi.org/10.1215/02705346-10772589
Published: 01 December 2023
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Journal Article

Their Bodies, Their Selves: Reflexivity and Embodiment in 2010s Women's Autobiographical Author-Performer TV Dramedies

Yael Levy
Camera Obscura (2023) 38 (3 (114)): 107–139.
DOI: https://doi.org/10.1215/02705346-10772603
Published: 01 December 2023
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Journal Article

Becoming User: Oracle, Barbara Gordon, and Representations of the User in Popular Culture

Zara Dinnen
Camera Obscura (2023) 38 (3 (114)): 141–171.
DOI: https://doi.org/10.1215/02705346-10772617
Published: 01 December 2023
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Journal Article

Self-Suspension in Frames: Hito Steyerl's Lovely Andrea

Lou Silhol-Macher
Camera Obscura (2023) 38 (3 (114)): 173–201.
DOI: https://doi.org/10.1215/02705346-10772631
Published: 01 December 2023
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Journal Article

Cinema, Taliban, and Being a Woman in Today's Afghanistan: An Interview with Sahraa Karimi

Pınar Fontini
Camera Obscura (2023) 38 (3 (114)): 203–212.
DOI: https://doi.org/10.1215/02705346-10772645
Published: 01 December 2023
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Academic workers at the UC Santa Barbara picket line on day one of the UAW ...

Academic workers at the UC Santa Barbara picket line on day one of the UAW ...

in Editorial Office Workers’ Statement Regarding the UC System-Wide Strike > Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2023
Figure 1. Academic workers at the UC Santa Barbara picket line on day one of the UAW 2865 strike. Photo by Kayla Li for The Daily Nexus . More
Image
Hava, Maryam, Ayesha (dir. Sahraa Karimi, France/Afghanistan, 2019)

Hava, Maryam, Ayesha (dir. Sahraa Karimi, France/Afghanistan, 2019)

in Cinema, Taliban, and Being a Woman in Today's Afghanistan: An Interview with Sahraa Karimi > Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2023
Figure 1. Hava, Maryam, Ayesha (dir. Sahraa Karimi, France/Afghanistan, 2019) More
Image
Sahraa Karimi. Courtesy of Sahraa Karimi

Sahraa Karimi. Courtesy of Sahraa Karimi

in Cinema, Taliban, and Being a Woman in Today's Afghanistan: An Interview with Sahraa Karimi > Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2023
Figure 2. Sahraa Karimi. Courtesy of Sahraa Karimi More
Image
Yvette and Mr. Green consider the attic stairs. Clue (dir. Jonathan Lynn,...

Yvette and Mr. Green consider the attic stairs. Clue (dir. Jonathan Lynn,...

in Green's Clues, or What's Queer about Clue ? > Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2023
Figure 1. Yvette and Mr. Green consider the attic stairs. Clue (dir. Jonathan Lynn, US, 1985) More
Image
Mr. Green confesses. Clue (dir. Jonathan Lynn, US, 1985)

Mr. Green confesses. Clue (dir. Jonathan Lynn, US, 1985)

in Green's Clues, or What's Queer about Clue ? > Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2023
Figure 2. Mr. Green confesses. Clue (dir. Jonathan Lynn, US, 1985) More
Image
The “accident-prone” Mr. Green showers Mrs. Peacock with champagne. Clue ...

The “accident-prone” Mr. Green showers Mrs. Peacock with champagne. Clue ...

in Green's Clues, or What's Queer about Clue ? > Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2023
Figure 3. The “accident-prone” Mr. Green showers Mrs. Peacock with champagne. Clue (dir. Jonathan Lynn, US, 1985) More
Image
The “homosexual” identity card. The Last of Sheila (dir. Herbert Ross, US...

The “homosexual” identity card. The Last of Sheila (dir. Herbert Ross, US...

in Green's Clues, or What's Queer about Clue ? > Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2023
Figure 4. The “homosexual” identity card. The Last of Sheila (dir. Herbert Ross, US, 1973) More
Image
“Now I'm going to go home and sleep with my wife.” Clue (dir. Jonathan Ly...

“Now I'm going to go home and sleep with my wife.” Clue (dir. Jonathan Ly...

in Green's Clues, or What's Queer about Clue ? > Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2023
Figure 5. “Now I'm going to go home and sleep with my wife.” Clue (dir. Jonathan Lynn, US, 1985) More
Image
Issa rapping in front of the mirror ( Insecure , HBO, pilot, “Insecure as F...

Issa rapping in front of the mirror ( Insecure , HBO, pilot, “Insecure as F...

in Their Bodies, Their Selves: Reflexivity and Embodiment in 2010s Women's Autobiographical Author-Performer TV Dramedies > Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2023
Figure 1. Issa rapping in front of the mirror ( Insecure , HBO, pilot, “Insecure as Fuck,” written by Issa Rae and Larry Wilmore, directed by Melina Matsoukas, 2016) More
Image
Sam on a set ( Better Things , FX, pilot, “Sam/Pilot,” written by Pamela Ad...

Sam on a set ( Better Things , FX, pilot, “Sam/Pilot,” written by Pamela Ad...

in Their Bodies, Their Selves: Reflexivity and Embodiment in 2010s Women's Autobiographical Author-Performer TV Dramedies > Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2023
Figure 2. Sam on a set ( Better Things , FX, pilot, “Sam/Pilot,” written by Pamela Adlon and Louis C. K., directed by Louis C. K., 2016) More
Image
Vore (Eero Milonoff, left ) and Tina (Eva Melander) falling in love. Grän...

Vore (Eero Milonoff, left ) and Tina (Eva Melander) falling in love. Grän...

in Reading Border through Desire: Queer Indigenous Theory, Nordic Settler Colonialism, and Trans Aesthetics > Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2023
Figure 1. Vore (Eero Milonoff, left ) and Tina (Eva Melander) falling in love. Gräns ( Border , dir. Ali Abbasi, Sweden, 2018). Used with permission from Nadim Carlsen More
Image
Tina smells Vore's approach. Gräns ( Border , dir. Ali Abbasi, Sweden, 20...

Tina smells Vore's approach. Gräns ( Border , dir. Ali Abbasi, Sweden, 20...

in Reading Border through Desire: Queer Indigenous Theory, Nordic Settler Colonialism, and Trans Aesthetics > Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2023
Figure 2. Tina smells Vore's approach. Gräns ( Border , dir. Ali Abbasi, Sweden, 2018). Used with permission from Nadim Carlsen More