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Volume 6, Number 3 (18)

1 September 1988

ISSN 0270-5346

EISSN 1529-1510

In this Issue

On Contemporary China
Review Essays

On Contemporary China

Chinese “Women's Cinema”: Introduction

Chris Berry

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China' New “Women's Cinema”

Chris Berry

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Interview with Zhang Nuanxin

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Interview with Peng Xiaolian

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Interview with Hu Mei

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The Theater of Everyday Life: Ulrike Ottinger's China: The Arts, Everyday Life

Janet Bergstrom

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Review Essays

The Woman's Film and the Female Spectator

Lea Jacobs

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The Mercator of the Postmodern: Mapping the Great Divide

Anne Friedberg

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Film Theory and the Gendered Spectator: The Female or the Feminist Reader?

Diane Waldman

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Painting and Cinema: The Frames of Discourse

Lynne Kirby

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Powers of Vision, Visions of Power

Dana Polan

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The Cinema, Reader of Gilles Deleuze

Marie-Claire Ropars-Wuilleumier

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Historical Critique and History as Criticism

Dudley Andrew

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Brushing Classical Hollywood Narrative Against the Grain of History

Richard Allen

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Film History as Discipline

Richard deCordova

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Contributors

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Books Received

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Index to Camera Obscura/16, 17, 18 (volume 6)

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Front Matter
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Photography, Subjectivity, and the Politics of the Image from Helke Sander to Angela Schanelec

All That Glitters Isn’t Gold: Auma Obama’s Nightmare of Postunification Germany

Willful Women in the Cinema of Maren Ade

Introduction: Revisiting Feminism and German Cinema

Women of DEFA: Gender, Labor, and Precarity in (Post)Socialist Cinema

About Camera Obscura: Feminism, Culture, and Media Studies
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