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Volume 33, Number 3 (99)

2018

Issue Editors

Hester Baer

Hester Baer

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Angelica Fenner

Angelica Fenner

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ISSN 0270-5346

EISSN 1529-1510

In this Issue

In Practice

Women’s Film Authorship in Neoliberal Times: Revisiting Feminism and German Cinema

Introduction: Revisiting Feminism and German Cinema

Hester Baer; Angelica Fenner

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Women of DEFA: Gender, Labor, and Precarity in (Post)Socialist Cinema

Faye Stewart

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Photography, Subjectivity, and the Politics of the Image from Helke Sander to Angela Schanelec

Mary Hennessy

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All That Glitters Isn’t Gold: Auma Obama’s Nightmare of Postunification Germany

Priscilla Layne

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Willful Women in the Cinema of Maren Ade

Muriel Cormican

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In Practice

Representation Matters: Tatjana Turanskyj on Women’s Filmmaking and the Pro Quote Film Movement

Hester Baer; Angelica Fenner

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Women’s Interventions in the Contemporary German Film Industry

Sebastian Heiduschke

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Willful Women in the Cinema of Maren Ade

Introduction: Revisiting Feminism and German Cinema

Women of DEFA: Gender, Labor, and Precarity in (Post)Socialist Cinema

Women’s Interventions in the Contemporary German Film Industry

Representation Matters: Tatjana Turanskyj on Women’s Filmmaking and the Pro Quote Film Movement

About Camera Obscura: Feminism, Culture, and Media Studies
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Online ISSN 1529-1510
Print ISSN 0270-5346
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