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Volume 31, Number 1 (91)
May 1, 2016
Issue Cover
ISSN 0270-5346
EISSN 1529-1510
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Collectivity, Part 1

Collectivity: Part 1
the Camera Obscura collective
View articletitled, Collectivity: Part 1
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A Permeable Practice: Shortbus and the Politics of Cinematic Collaboration
Corinn Columpar
View articletitled, A Permeable Practice: <em>Shortbus</em> and the Politics of Cinematic Collaboration
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The Asexual-Single and the Collective: Remaking Queer Bonds in (A)sexual, Bill Cunningham New York, and Year of the Dog
Marc Francis
View articletitled, The Asexual-Single and the Collective: Remaking Queer Bonds in <em>(A)sexual, Bill Cunningham New York</em>, and <em>Year of the Dog</em>
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Machinic Intimacies and Mechanical Brides: Collectivity between Prosthesis and Surrogacy in Jonathan Mostow's Surrogates and Spike Jonze's Her
Alla Ivanchikova
View articletitled, Machinic Intimacies and Mechanical Brides: Collectivity between Prosthesis and Surrogacy in Jonathan Mostow's <em>Surrogates</em> and Spike Jonze's <em>Her</em>
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Raised Fists: Politics, Technology, and Embodiment in 1970s French Feminist Video Collectives
Ros Murray
View articletitled, Raised Fists: Politics, Technology, and Embodiment in 1970s French Feminist Video Collectives
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The Implications of How to Survive a Plague
Richard C. Cante
View articletitled, The Implications of <em>How to Survive a Plague</em>
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In Practice

New Day Films, Digital Distribution, and Collective Aesthetics
Elizabeth Coffman; Erica Stein
View articletitled, New Day Films, Digital Distribution, and Collective Aesthetics
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Collectivity in (Stop-)Motion: Lift Animation, Lantern Software, and the Making of Community
Donna Kornhaber
View articletitled, Collectivity in (Stop-)Motion: Lift Animation, Lantern Software, and the Making of Community
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Memory Resurrected in HD: Collective Digital Video Filmmaking as Production of Counterhistory in the Folk Memory Project
Jinying Li
View articletitled, Memory Resurrected in HD: Collective Digital Video Filmmaking as Production of Counterhistory in the Folk Memory Project
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Photography Consists of Collaboration: Susan Meiselas, Wendy Ewald, and Ariella Azoulay
Ariella Azoulay
View articletitled, Photography Consists of Collaboration: Susan Meiselas, Wendy Ewald, and Ariella Azoulay
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