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Volume 29, Number 1 (85)
May 1, 2014
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Therese Davis
Therese Davis
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Belinda Smaill
Belinda Smaill
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ISSN 0270-5346
EISSN 1529-1510
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The Place of the Contemporary Female Director

Introduction: The Place of the Contemporary Female Director
Therese Davis; Belinda Smaill
View articletitled, Introduction: The Place of the Contemporary Female Director
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The Male Sojourner, the Female Director, and Popular European Cinema: The Worlds of Susanne Bier
Belinda Smaill
View articletitled, The Male Sojourner, the Female Director, and Popular European Cinema: The Worlds of Susanne Bier
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The Minor Transnationalism of Queer Asian Cinema: Female Authorship and the Short Film Format
Olivia Khoo
View articletitled, The Minor Transnationalism of Queer Asian Cinema: Female Authorship and the Short Film Format
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“Becoming-Girl” in the New Russian Cinema: Youth and Valeria Gai Germanika's Films and Television
Julia Vassilieva
View articletitled, “Becoming-Girl” in the New Russian Cinema: Youth and Valeria Gai Germanika's Films and Television
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Between Worlds: Indigenous Identity and Difference in the Films of Darlene Johnson
Therese Davis
View articletitled, Between Worlds: Indigenous Identity and Difference in the Films of Darlene Johnson
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The Kids Are All Right, the Pursuits of Happiness, and the Spaces Between
Jodi Brooks
View articletitled, <em>The Kids Are All Right</em>, the Pursuits of Happiness, and the Spaces Between
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Beyond Indiewood: The Everyday Ethics of Nicole Holofcener
Claire Perkins
View articletitled, Beyond Indiewood: The Everyday Ethics of Nicole Holofcener
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