Steven Cohan; Masquerading As the American Male in the Fifties: Picnic, William Holden and the Spectacle of Masculinity in Hollywood Film. Camera Obscura 1 September 1991; 9 (1-2 (25-26)): 41–72. doi: https://doi.org/10.1215/02705346-9-1-2_25-26-41
Download citation file:
Advertisement
Sign In or Create an Account
/10.1215_02705346-9-1-2_25-26-41/2/ddco_9_1-2_25-26_41.pdf.gif?Expires=1571885389&Signature=0HfsQD-pjVMNJLyFsfOacJtwaGnfryyiN4NklDhONzfFWmpPTRQQ0dXmO65pEQ0CqoUTYkOsIMSVTc9Kbg14-eHsHdseCF6se7Covnn79T-jwn9CaTfpxaJ8kp2pd-X6DqXxDz6iulswEZR6o5ve1kgnYX21RJA57ziLBrn0qIqEnHqi1dmfbpFGAbC5oqX2GFAWbE~A1aXrfC~RbAciHLbb-el8iPCc6wBLzs~pb7zWMoZzWPKdNbZWZY5n~6gIp4tXFcc~HTdnLuPIm2TjrtWyBMZ9e2HjJ6oLLR~go1UKOHicsPq~TGErxafnuKsqQdCEqi35mYXxzetONwEiWA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)