This essay describes the last work by Chantal Akerman, an installation titled NOW made between January and March 2015 for the 2015 Venice Biennale. The author interrogates an installation work that is not linear and that changes while looking at it, producing thoughts as much as sensations.
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Babette Mangolte; NOW, Chantal Akerman’s Last Work. Camera Obscura 1 May 2019; 34 (1 (100)): 67–73. doi: https://doi.org/10.1215/02705346-7264094
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