This essay describes the last work by Chantal Akerman, an installation titled NOW made between January and March 2015 for the 2015 Venice Biennale. The author interrogates an installation work that is not linear and that changes while looking at it, producing thoughts as much as sensations.

Chantal Akerman, spectatorship and installation, creative concept opposing sound and image, immersive work, global culture
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Copyright © 2019 Camera Obscura
2019
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