This piece follows the author's journey of making a film about the segregated roads in Palestine, and the ways in which queer subjectivity and radical politics inform the work we produce regardless of subject matter. Offering a counter-narrative to the Israeli government's dissimulation as a democratic and progressive nation in its advancement of queer-rights (commonly referred to as pinkwashing), “Notes from the Field” exposes the realities of occupation and its impact on the lives of Palestinians, including queers and their profound interventions. Through a critique of the impact of neoliberalism on current queer politics, the piece winds its way toward a suturing of queer identity and questions of nation.
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elle flanders; Road Movie: Notes from the Field. Camera Obscura 1 September 2012; 27 (2 (80)): 165–175. doi: https://doi.org/10.1215/02705346-1597267
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