...Bruce Robbins In this interview, conducted at Columbia University in the fall of 2013, Turkish Nobel Prize winner Orhan Pamuk discusses the trajectory of his own novels, what has and has not changed in the genre's social aspirations and challenges, its characteristic topics and settings, its...

...R. A. Judy “Literature,” Orhan Pamuk once remarked, “is the greatest treasure we, humanity, have to discuss and to understand ourselves; and now, the most popular, most intelligent, most flexible form of literature today, in the last two hundred years in fact, is the great art of the novel...

... about European literature in Istan- bul, a city where East and West at once collide and merge, would prove to stimulate dynamic and active reading. The Turkish novelist Orhan Pamuk sees East and West as the “two spirits of Turkey as one.” He also views the “eternal fight between East and West...

... Tolstoy’s Anna Karenina , edited by Knapp L. Mandelker A. , 60 – 66 . New York : Modern Language Association of America . Pamuk Orhan . 2004 . Snow . Translated by Freely Maureen . New York : Random House . Rancière Jacques . 2003 . The Philosopher and His Poor...

.... All seems insipid and worthless.” More recently, Orhan Pamuk wryly commented in an interview, “When Proust wrote on love, everybody read it as universal love; when I write about love, they call it Turkish love.”12 He does not mention how strenuously and craftily Proust advocates for his idea...

..., Oh Jung-hee, Sung Suk-je, Paik Nakchung, and Kim Seong-kon from Korea, and Ngũgĩ wa Thiong’o, Le Clézio, Margaret Drabble, Gary Snyder, Oe Kenzaburo, Jean Baudrillard, Orhan Pamuk, Bei Dao, and others from boundary 2 34:1 (2007)  DOI 10.1215/01903659-2006-033  © 2007 by Duke University Press...

... to stage their political implications. So, in a very different context, they erupt into the fury of the lead Islamist in Snow, Orhan Pamuk’s politi- cal novel about the battles around religion in contemporary Turkey. In the 158 boundary 2 / Spring 2013 novel, Blue, the charismatic Islamist, cries...

... canon of world literature, writers like Orhan Pamuk, Roberto Bolaño, and Yoko Tawada have displaced Italo Calvino, Gabriel García Márquez, and Assia Djebar as focuses of interest. It might even be able to explore differences in the worldwide reception of a particular contemporary writer, say...

... was meeting a friend. I've worked with quite a few award winners! I copyedited two Nobel Prize winners—Kenzaburō Ōe and Orhan Pamuk. I didn't communicate directly with them but through b2 editors, so I wouldn't say that I developed any professional rapport with them while working on their issues. But it's...

... the crest of the print revolution, may come in Victor Hugo’s Notre Dame, in the boast “this will kill that”: the book will replace architecture as the people’s teacher. A recent, extraordinarily complex instance of this struc- ture, no longer so confident, comes in Orhan Pamuk’s Snow...

..., fueled his works impacts on Friedrich Nietzsche, André Gide, Marcel Proust, Thomas Mann, Virginia Woolf, D. H. Lawrence, Jean- Paul Sartre, Richard Wright, Albert Camus, and Ralph Ellison. Without all the turbulence that Dostoevsky inflicted on those writers, a turbulence still active in Orhan Pamuk s...

... Man, Fredric Jameson—must rely on translations for the Koran, Orhan Pamuk, Dostoyevsky, The Tale of Genji And I think it would be a shame if critics stimulated by work from all over the planet felt disqualified from comment on anything in languages in which they lack ‘‘literary competence...

... is another. They both switched their mother language for the lan- guage of their choice. Orhan Pamuk is yet another example—he didn’t have to switch languages. Yet these are above all moral issues, it seems to me. This is to say that Nabokov and Conrad did not really universalize or glob- alize...

... Pamuk's celebrated novel Snow (2002), which for the past one thousand years has been ruled by a bewildering succession of Armenian, Byzantine, Seljuk Turkish, Anatolian, Armenian-Georgian, Mongol, Iranian Safavid, Ottoman, Russian, Armenian and lastly, with the 1921 treaty of Kars, Turkish rulers—often...

... with a different imagination.32 In a discussion of the difficulty of accounting for the opaque and uneven periods between a definitive change in the meanings and values attached to words, Gayatri Spivak reflects on the Sanskrit word lãsya in the context of female temple ously), pamuk (great fighter...