...Yiannis Papatheodorou Cavafy's barbarians constitute a peculiar metaphor for the (self-)censoring process of revealing and hiding the voices of Others in the colonial order of the archive. The theme recurs in three of his works—an “unwritten” poem, a “hidden” poem, and a poem included in the canon...

... Theodor W. Adorno's fear that the “administered world” that arose in the twentieth century might “strangle all spontaneity,” artists embraced chance, open‐endedness, and indeterminacy. In the process, experimental artists went beyond negating the rationalized postwar social order; their work also...

... mandate of self-conscious self-assertion in order to explore the readymade potential of the “uncreative.” They resort to a diverse variety of antiexpressive, antidiscursive strategies (including the use of forced rules, random words, copied texts, boring ideas, and even cyborg tools), doing so in order...

... trade, imperial networks of exchange, and the settler colonial seizure and parcelization of indigenous lands in order to form the United States. The book continually deploys a quantitative language of number and measure, I argue, in order to highlight how emergent capitalist social relations bind...

... that in approaching the relation between society and the technical system as the very question of the pharmakon (that which is both poisonous and curative), Stiegler’s work allows ethical questions to eschew sites of transcendental judgment as well as ethical absolutes in order to instead become questions of art...

...Bruce Robbins War photography, a pervasive aspect of the militarization of everyday life, seems to work on the commonsensical premise that the world needs to know in order to be able to make proper decisions, in order to act. But what happens when war photographs age, when the events they recorded...

.... The “postsocialist” here marks modes of personhood and locution that are perverse with respect to the reproductive aims of the post-1989 order. Deriving from the socialist past but not reducible either to its official doctrines or to its official dissident cultures, these modes persist in the present and disable...

... of social order caused by the pitting of order against freedom. Such consequences suggest a strong need for China to develop the value of freedom. But it is possible and important to do so in a critical spirit, as I argue through a critical analysis of the place of freedom in a liberal society. © 2011...

... Benjamin such as “profane illumination” and “the order of the profane.” In his Homo Sacer project, this idea of the profane has followed Agamben's studies of the sacred like a shadow. With this new work, however, it has moved to the center of his reflections and in doing offers his reader a glimpse...

... thinking outlines a practice of criticism that responds to our moment not by rejecting or reducing the presence of the theological but rather by thinking through the very heart of it in order to expose the totalizing logics within the theologico-political, all the while locating and mobilizing those...

... entity. Machines preside over—and embody—the ritualistic state of transition to the age of technology. There is a spiritual cost to this material transformation. Apocalyptic imagery permeates the novels' climactic scenes, as the natural order is turned upside down, man falls from the garden, and paradise...

... the subfield of media hauntology are still too anthropocentric, given the continued investment in human exceptionalism (albeit of an abject kind). Rather, the cybernetic interdependence of humans, animals, and machines should be fully acknowledged and appreciated in order to avoid the conflation of pathos...

... the framework of any integral literary tradition in order to discover global styles; (2) how to, with such a philology, then begin tracking a species history of intelligence. © 2010 by R. A. Judy 2010 Reading with Discrepant Engagement R. A. Judy...

... an ordering of the globe along racial lines. Though these flashes contain hope for a world-to-come, the essay calls for a corresponding cosmopolitan vision that is not blinded by this global promise, but is willing to see through it to confront the fractured local ground of the postcolonial present...

... blatantly turn away from standard English in order to say something about English. This article argues that literature in English in the '90s is distinctive for the number of works that turn away from standard English by including other languages and/or are written mainly in the pidgins or creoles...

... engagement with Byzantine iconoclasm and argues that by appropriating elements of Byzantine Aristotelian theology in order to undergird a postsecularist argument, the modern critic dehistoricizes ideas that were firmly rooted in East Roman social, political, and cultural contexts in a manner that ultimately...

... on action actually comes into conflict with another ethical tradition that runs throughout traditional fiction: the idea of anonymous tacit agreement, or sensus communis. In order to sketch out how this ethical tradition operates in storytelling, the essay turns to an analysis of a usually overlooked genre...

... in order to ask which features of the realist novel we could imagine repurposing to planetary ends. Is it really all that hard to conceive, say, of a multiplot Mansfield Park —an Austen novel reunited with its twelve mislaid Caribbean chapters? What are the various ways in which regional and national...

...) a vision of contemporary and future Chinese and global urbanism, as well as signifying to the world, as the Beijing Olympics had done, China's massive presence in the global arena. Ideologically, its thematics of material and architectural innovation, sustainability, harmoniousness, urban order, cultural...

... as well as groups, and in the collective national memory as well. In order to have a clear view of the significance of this extraordinary early twenty-first-century Tunisian event, the historian must dig deep, before January 14, 2011. © 2012 by Ahmed Jdey 2012 A History of Tunisia, January 14, 2011...