...Oleg Gelikman Duke University Press 2006 Bourdieu’s Rules, Flaubert’s Style, Mallarmé’s Game: The Rules of Art and the ‘‘Unmasking Turn of Mind’’ Oleg Gelikman Analysis of the interpretative element which is inherent even in...

... necessitates working outside of conventional constraints? © 2015 by Dawn Lundy Martin 2015 race innovation experiment poetry poetics On Race and Innovation The Rules of the Game: An Editor’s Note...

...Patrick Jagoda Throughout the developed world, in which digital media have achieved a ubiquitous status for many people, games have become an exemplary cultural form that serves as a prominent metaphor of everyday competition and success. This essay explores gamification —a term that derives from...

...—the field of aesthetics. This essay considers Harun Farocki's installation Serious Games as an index into the emergence of a newfangled military aesthetic regime. Charting the institutional collaborations between the military and the creative industries in the twenty-first century, the essay examines...

... psychological romance, the modern psychomachia, of narration amid the personae of character, narrator (and what kind of narrator), implicated author, and a newly activated and yet indulgently consuming reader, participates in a widespread game of aesthetic interpellation that leads to what contemporary...

... a radical text to the form of its idea. All aspects of both intentionality and expressiveness now find themselves governed not by the whim of a poet but by the rule of a game— a “language-game,” like the kind discussed by Ludwig Wittgenstein, who argues that, when playing such a game, “we...

... Opposite. Durham, NC: Duke University Press, 2015. Milburn, Colin. Mondo Nano: Fun and Games in the World of Digital Matter. Durham, NC: Duke University Press, 2015. Miller, J. Hillis. Communities in Fiction. New York: Fordham University Press, 2014. Novak, David, and Matt Sakakeeny, eds. Keywords...

... Inquiry. Jagoda’s research concerns network aesthetics and new media theory. His art practice focuses on transmedia game design and digital storytelling in a number of contexts, including the Game Changer Chicago initiative (cofounded with Melissa Gilliam in 2011) and an ongoing pervasive play...

... inversion is made explicit during the Eschaton game young members of Enfield Tennis Academy (E.T.A.) play. Eschaton is a war game in the classically nuclear sense, simulating and then developing the conditions that would lead up to global nuclear war, and then further simulating how exactly such a...

...? Why not the reader’s time? Logosphere as process: the evolver space. The codes create channels which create codes which create channels: a self-sustaining energy matrix. Wittgenstein taught us about language games, but every word is a game, word is nothing but game. It flips...

... English and Film and Media Studies at Yale University and author of Speaking into the Air (1999), Courting the Abyss (2005), The Marvelous Clouds (2015), and, with the late Kenneth Cmiel, Pro- miscuous Knowledge: Information, Image, and Other Truth Games in History (2020). Simon Ryle is associate...

... Lindsay Waters’s retrieval of its aftermath? What are the stakes of the game? Have its players become exhausted? Waters thinks not, and his (revived) irritation about all of this is evident: ‘‘I suggest that many of us liberal-minded souls delighted in the exorcism of de Man that began three years...

... shifting requirements of a field of action, or a game of go; one poem would, as it were, elicit another poem in response; poems come upon by accident would seem to force their way into the book and thereby change its boundaries however slightly. It was a question of focusing intently on what each...

... would make with the M25. The commuters are process- ing around—what else?—a roundabout, their hands on imaginary steering wheels in a V position, their wingback loafers shuffling on the tarmac, the black road. They are playing a game; evening editions of regional news- papers tucked sharply under...

... Kristeva’s character Dan (representing Bulgarian theo- retician Tzvetan Stoyanov) tries to convince Olga (Kristeva’s youthful alter ego, freshly arrived in Paris) to go back to her despotic motherland rather than defect to the West, where intellectual turmoil is “just a game. They protest because...

... dead, dead or fugitives. stop this infernal game! Richard Reich keeps laughing from the mirror, at the shadow of a gallows where I find Nerval, or the little broken windowpane where, when I was opening my legs—and my eyes—I could...

... media, with a spe- cial interest in (post)socialist Europe. Her books include Identity Games: Globaliza- tion and the Transformation of Media Cultures in the New Europe (2009) and the coedited volume Popular Television in Eastern Europe during and since Socialism (2012). Miglena Nikolchina is a...

... to mind to bring things to mind (do you want to hear the great voice of the oracle?—Surrealist Game, 1942 but I’m thinking more of the Dadaists (the poem will resemble you—“Dada Manifesto on Feeble Love and Bitter Love,” c. 1920 In the case of Weiner’s clairvoyant writing, she...

... new discipline of “natural securitya field that trans- forms the exceptional “necessity” of the “War on Terror” into the organic truth of life itself. A Genealogy of Environmentality: Climate Change War Games Military interest in the environment spans the entire length of...

... Profanations is also not a new concern for Agamben, as the historical evolution from rite to game, which is also the profanation of sacred practices, is something he systematically studied as early as the chapter “In Playland: Reflections on History and Play” in Infancy and History.20 Picking up...