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boundary 2 (2017) 44 (2): 95–125.
Published: 01 May 2017
..., always at a distance from the realm of representation. Documentary practices, I contend, can serve active reflection on the side and site of struggle. The concept of reflection leads to a deeper phenomenological and historical understanding of such documentary footage, as well as an understanding of the...
boundary 2 (2020) 47 (1): 115–143.
Published: 01 February 2020
... Eastern Europe s exhausted bodies and bare spaces screened in multichannel installations), Claude Lanzmann s Shoah (both for the long takes and insistence on filming spaces replete with horror in the present), and Alain Resnais s Night and Fog (for its powerful incorpo- ration of documentary footage into...
boundary 2 (2004) 31 (1): 243–265.
Published: 01 February 2004
... ﬁlm narratives such as Taxi Driver. Beauty Becomes the Beast, her next ﬁlm, focuses on a teenage- runaway, again played by Lydia Lunch. It explores the theme of violence against women, introduced in She Had Her Gun All Ready, but it takes the form of a documentary, disrupted by elements of...
boundary 2 (2008) 35 (3): 63–97.
Published: 01 August 2008
... to the early 1960s. The New Wave in Japan, including Shochiku’s Nûberu bagu (nouvelle vague) with Nagisa Oshima and Kijû Yoshida, as well as Toshio Matsumoto’s documentary group, is widely known, but simultaneously, in a sphere completely removed from the major film...
boundary 2 (2009) 36 (2): 155–175.
Published: 01 May 2009
... Sara Guyer What we call mortal remains escapes common categories. —Maurice Blanchot, “The Two Versions of the Imaginary” In Alain Resnais’s documentary Night and Fog, the failure to see what occurred at Auschwitz, the failure to see despite the new technologies of...
boundary 2 (2003) 30 (3): 123–140.
Published: 01 August 2003
... in the image of Mattel’s Barbie, yet mixing it with documentary images of Karen’s performance and illness, the ﬁlm produces a weird empathy with the doll, while at the same time reinforc- ing the enigma of illness that it...
boundary 2 (2017) 44 (4): 155–178.
Published: 01 November 2017
... Oppenheimer Joshua , eds. 2012 . Killer Images: Documentary Film, Memory and the Performance of Violence . New York : Wallflower Press . Väliaho Pasi . 2014 . Biopolitical Screens: Image, Power, and the Neoliberal Brain . Cambridge, MA : MIT Press . Van Creveld Martin . 2000...