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digital audio

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Journal Article
boundary 2 (2017) 44 (2): 127–143.
Published: 01 May 2017
... a tension between music as an emergent social practice and music as means for controlling social practice. Jonathan Sterne's recent book, MP3: The Meaning of a Format , explores the subject of digital audio formats in general and the MP3 in particular. This essay problematizes Sterne's ideas of perceptual...
Journal Article
boundary 2 (2008) 35 (1): 35–65.
Published: 01 February 2008
... from repressed normalcy. Authenticity shifts from the actual fact of an “original” work or performance to the illusion of “being with” the vital meaning of something owned, possessed, and enjoyed in private. Now, in the world of digital music reproduction, audio literacy begins...
Journal Article
boundary 2 (2013) 40 (2): 113–144.
Published: 01 May 2013
... was acquired through an extensive audio interview and email exchanges with Matthaei that took place between January and April 2012. 56. Digital media were used for numerous purposes in Thresholdland, including rule set- ting, narrative exposition, communication among players, and progression...
Journal Article
boundary 2 (2010) 37 (2): 133–153.
Published: 01 May 2010
... with the human—thereby perpetuating Descartes' (other) error, the assumption that animals and/or machines can react but not respond . Finally, the article considers the Voyager Golden Record—a collection of images and audio, curated by NASA in 1977 for the edification of would-be curious extraterrestrials...
Journal Article
boundary 2 (2009) 36 (3): 63–76.
Published: 01 August 2009
...Jennifer Scappettone This article examines the critical ruptures and dilutions of a contemporary “ambient poetic”—a tendency in sonic, visual, and textual arts to aspire toward an atmospheric condition—through analysis of Tan Lin's verse architectonics across book and digital media. Setting...
Journal Article
boundary 2 (2021) 48 (4): 129–137.
Published: 01 November 2021
... a major poetry website and archive, the Electronic Poetry Center, which offered bibliographies, digitized works, audio resources, and links. In 2004, with Al Filreis, he founded PennSound, the largest online archive of recorded poetry and a model of free access: all files are downloadable to facilitate...
Journal Article
boundary 2 (2001) 28 (2): 57–103.
Published: 01 May 2001
... sparkle can, of course, outflank Glenn Gould’s marathon ana- log splicing sessions in search of artistic perfection. In the home studio, with a digital audio workstation, any musician now can become Gould. With enough patience and personal dexterity using mastering software, the aver- age player can...
Journal Article
boundary 2 (2022) 49 (2): 295–313.
Published: 01 May 2022
..., the Work of Mourning, and the New International , translated by Kamuf Peggy . New York : Routledge . Ernst Wolfgang . 2013 . Digital Memory and the Archive , edited and with introduction by Parikka Jussi . Minneapolis : University of Minnesota Press . Fink Bruce . 1997...
Journal Article
boundary 2 (2017) 44 (1): 239–265.
Published: 01 February 2017
....” The Wellek Lectures 3 , University of California , Irvine , May 23 , audio recording. archive.org/details/03DarkEcologyForALogicOfFutureCoexistenceTheWellekLectures3 . Stephenson Wen . 2014 . “From Occupy to Climate Justice.” Nation , February 6 . www.thenation.com/article/178242...
Journal Article
boundary 2 (2022) 49 (1): 263–292.
Published: 01 February 2022
...Jason McGrath In Chinese performance arts, one thing that was largely abandoned in the shift from traditional drama to motion pictures was the suppositionality of Chinese operatic performance, and the transition to digital cinema, particularly in the case of big‐budget blockbusters that compete...
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Journal Article
boundary 2 (2017) 44 (1): 125–147.
Published: 01 February 2017
... Geoffrey Wutz Michael . Stanford, CA : Stanford University Press . Krapp Peter . 2011 . Noise Channels: Glitch and Error in Digital Culture . Minneapolis : University of Minnesota Press . Laruelle François . 1994 . “Le concept d'une ‘technologie première.’” In Gilbert...
Journal Article
boundary 2 (2022) 49 (1): 231–262.
Published: 01 February 2022
...Laura-Zoë Humphreys Following the 1959 revolution, the Cuban state nationalized media outlets on the island and has controlled them ever since. Since 2010, however, this monopoly has been threatened by the paquete (package), one terabyte of pirated digital media collected by independent Cuban...
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Journal Article
boundary 2 (2017) 44 (2): 145–156.
Published: 01 May 2017
.... In a collaboration between the Department of Life Sciences at the Imperial College London and the Media Interaction Group at Japan’s National Institute of Advanced Industrial Sci- ence and Technology, the group “constructed a Darwinian music engine consisting of a population of short audio loops that sexually...
Journal Article
boundary 2 (2017) 44 (2): 213–239.
Published: 01 May 2017
...Brian Reed This review essay takes the occasion of the publication of the Fourth Edition of The Princeton Encyclopedia of Poetry and Poetics to ask what it might mean, in the digital present, to use print as a medium for trying to speak comprehensively and authoritatively about the history...
Journal Article
boundary 2 (2004) 31 (3): 101–124.
Published: 01 August 2004
... of the country’s emerging threat to the established world order. According to some estimates, 91 percent of desktop software used in China in 1999 was pirated, and 95 percent of transactions in audio- visual materials were carried out in the black market.1 The millions of copies of pirated intellectual...
Journal Article
boundary 2 (2022) 49 (1): 71–103.
Published: 01 February 2022
... by Rilke and others to articulate the episteme of audio recording ( 1999 : 38ff.). Synthetic sound, however, marks a qualitatively different ambition. Kittler isolated the models of recording into three different regimes, only coming together in the world of the computer, of electronic media. Yet even here...
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Journal Article
boundary 2 (2016) 43 (1): 107–141.
Published: 01 February 2016
... in acoustic ecology as both practitioners within and theorizers of the field; the global presence of sound collectives employing audio recordings and music scholarship for the purpose of denouncing environmental problems; and the emergence of what are considered “new fields” of study, such as eco...
Journal Article
boundary 2 (2006) 33 (2): 75–90.
Published: 01 May 2006
... the plot to its translation in cinematic audio-visual terms. He rather started with a set of (usually visual) motifs that haunted his imagination, which imposed them- selves as his sinthoms [sic]; he then constructed a narrative that served as the pretext for their use. These sinthoms [sic] provide...
Journal Article
boundary 2 (2017) 44 (4): 33–55.
Published: 01 November 2017
... and indeed create audio- visual data and immediately transmit it—this situation is changing radically. At the same time, the ways in which such transmitted data are “processed” (i.e., received, interpreted, and transformed) are perhaps beginning to call the very notion of “data” itself into question...
Journal Article
boundary 2 (2014) 41 (1): 113–134.
Published: 01 February 2014
... to the financing of coproduction, distribution, and digitization projects among European states. The MEDIA (Measures to Encourage the Development of the Audio Visual Industries) Program, another EU initiative, has pro- vided crucial support for film projects in the areas of training, development...