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cinematic

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Journal Article
boundary 2 (2022) 49 (1): 137–163.
Published: 01 February 2022
... cinematic textuality but also through the social experiences people have with cinema: not just by seeing national bodies laboring and cooperating with other peoples but also by viewing them together in a presentational space, by experiencing a film program with overlapping and conflicting thematics...
FIGURES
Journal Article
boundary 2 (2016) 43 (1): 209–218.
Published: 01 February 2016
.... Drawing on Karl Marx's and Sigmund Freud's theories of fetishism, but also taking into account Jacques Derrida's generalization of the very concept of fetish, Szendy then suggests that the condition of possibility for musicality in general (or cinematicity, for that matter) is a certain type of striated...
Journal Article
boundary 2 (2017) 44 (1): 107–123.
Published: 01 February 2017
..., as Theodor Adorno and Max Horkheimer already argued, but pharmacologically (in Plato's sense). The pharmacological character of Contempt can be demonstrated through its manifold recapitulations of cinematic and literary history, including Alberto Moravia's novel, Homer's Odyssey , and quotations from...
Journal Article
boundary 2 (2017) 44 (1): 239–265.
Published: 01 February 2017
... how the “senses” themselves have been engineered in what can be called the cin -anthropocene era. Using Stiegler's opposition between a cinema of stereotypes and one of traumatypes, I trace how this might be applied to what I call a cinematic politics of extinction in today's “consciousness industry...
Journal Article
boundary 2 (2019) 46 (2): 121–137.
Published: 01 May 2019
...Dai Jinhua; Lennet Daigle The logic behind the fluctuating fortunes of Chinese intellectuals in the early PRC—from hero to scapegoat, prisoner to honored guest—is clarified by examining both the representations of intellectuals in literary and cinematic fictions of the period, and the writing...
Journal Article
boundary 2 (2020) 47 (1): 115–143.
Published: 01 February 2020
... as cinematic documentaries about the Nazi murder of European Jews by Alain Resnais, Claude Lanzmann, and Jean-Luc Godard. By focusing on contemporary Terezín, Blaufuks also brings to light aspects of memorialization within post-totalitarian societies investigated by filmmakers Petra Epperlein and Chantal...
Journal Article
boundary 2 (2020) 47 (3): 133–163.
Published: 01 August 2020
...Isa Murdock-Hinrichs The essay analyzes Grant Gee’s and Stan Neumann’s transformations of W. G. Sebald’s The Rings of Saturn and Austerlitz into the cinematic medium. In reproducing Sebald’s methods, both filmmakers undermine traditional filmmaking conventions. By translating and appropriating...
Journal Article
boundary 2 (2003) 30 (3): 123–140.
Published: 01 August 2003
... connections between the young and adult human body, the cinematic body, and the body politic. His films destabilize normative responses to the world that conventional forms of cinematic representation produce. Through the cinematic...
Journal Article
boundary 2 (2022) 49 (1): 263–292.
Published: 01 February 2022
...” world augured by digital cinematography. In that now-canonized essay (Ding 2002 : 720–36), Chen hailed computer imagery for providing cinematic expression with a “genuine freedom” in which cinema no longer rests on a foundation of realism: “Digital imagery leads to the collapse of Bazin's ontological...
FIGURES | View All (7)
Journal Article
boundary 2 (2008) 35 (3): 239–250.
Published: 01 August 2008
... a civil society. In this environment of “information,” Hindi cinematic traditions acquired fresh idioms, vocabularies, and practices. Forms and genres responded to a novel, suddenly much more worldly dispensation of things, technologies, images, and desires. The traditional...
Journal Article
boundary 2 (2002) 29 (2): 157–179.
Published: 01 May 2002
... globally; the interior carnage of the war did not. Three Kings supplements the visual prosthesis that yields the aesthetics of television with that which yields the modern- ist aesthetics of blindness. Three Kings goes from the surface—the skin— through the cinematic crosshairs to the hidden organs...
Journal Article
boundary 2 (2007) 34 (1): 115–133.
Published: 01 February 2007
...), the second film in Park Chan-wook’s “revenge trilogy,” can be said to be such a Korean film of this global cinematic order. Sympathy for Lady Vengeance (2005), considered a box-office draw wrought with hybrid fascination and stylized elegance from Seoul to the festival cir- cuit in Venice and Toronto...
Journal Article
boundary 2 (2008) 35 (1): 85–108.
Published: 01 February 2008
... to labor in the fields, but with a deep association of having played a role in the Haitian Revolution (thus, simul- taneously resonant with the categories of slave and slave rebellion and there is also the zombie, the American importation of the monster, which in its cinematic incarnation has...
Journal Article
boundary 2 (2008) 35 (3): 263–265.
Published: 01 August 2008
... images of violence in postwar Japan, with a particular focus on cinematic representations and critical writings. His article “Ichi- kawa Kon’s ‘Tokyo Olympiad’: The Olympic Body of Memory,” appears in Olympic Japan: Ideals and Realities of (Inter)nationalism, ed. Andreas Niehaus and Max...
Journal Article
boundary 2 (2008) 35 (3): 99–131.
Published: 01 August 2008
... workers.”18 Visconti was to continue his Gramscian cinematic involvement with the Southern Question through his historical films set during the Risorgi- mento, in Senso (1954) and Il gattopardo (The Leopard, 1963). The issues that Gramsci wrote about in the Prison Notebooks concerning passive...
Journal Article
boundary 2 (2022) 49 (1): 5–23.
Published: 01 February 2022
.... Television was relegated to cultural studies, and video, along with the increasing presence of moving image works in gallery spaces, was taken up largely within art history. Discussions of pre-cinematic media, from the magic lantern and the phantasmagoria to the phenakistoscope and the zoetrope, were either...
Journal Article
boundary 2 (2006) 33 (2): 159–176.
Published: 01 May 2006
.... For if frontality is indeed part of the narrative stock avail- able to all cinemas, how should we grasp the ways in which this, along with other devices, functions in cinematic formations very diverse in kind? How should we establish with some accuracy the factors that determine the sub- stance of the same...
Journal Article
boundary 2 (2022) 49 (1): 71–103.
Published: 01 February 2022
... different cinematic practices. Ultimately, synthetic sound amounted to mere novelty, finding its primary home in films like Sergei Eisenstein and Grigori Aleksandrov's avant-garde short Romance Sentimentale (1930), animated cartoons like Ub Iwerks's Village Barber (1930), 8 and genre pictures like...
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Journal Article
boundary 2 (2009) 36 (2): 199–208.
Published: 01 May 2009
...—and writes that redefini- tion on the body, in blood—it constitutes the latest iteration of Cronenberg’s long-standing cinematic project. This project will be recognizable to anyone observing Cronenberg’s career since it began with the experimental mini- features Stereo (1969) and Crimes of the Future...
Journal Article
boundary 2 (2000) 27 (2): 21–44.
Published: 01 May 2000
... expression, and conceptions of gender and sexuality.3 One gauge of these political and cultural transformations is the cinema. Until recently, cinematic portraits of Ireland have been governed...