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cinema

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Journal Article
boundary 2 (1 February 2017) 44 (1): 239–265.
Published: 01 February 2017
...Tom Cohen This essay places Bernard Stiegler's conception of arche -cinema in contact with the era of climate change and the impasse that it presents to the American Left today. It views Stiegler's thought as a post-anthropocene writing project yet asks whether the “proletarianization of the senses...
Journal Article
boundary 2 (1 May 2000) 27 (2): 21–44.
Published: 01 May 2000
...Marcia Landy Duke University Press 2000 6084 boundary 2 27:2 / sheet 29 of 227 The International Cast of Irish Cinema: The Case of Michael Collins Marcia...
Journal Article
boundary 2 (1 August 2004) 31 (3): 101–124.
Published: 01 August 2004
...Laikwan Pang Duke University Press 2004 Piracy/Privacy: The Despair of Cinema and Collectivity in China Laikwan Pang China’s ‘‘barbarous’’ copyright offenses are generally considered one of the manifestations...
Journal Article
boundary 2 (1 February 2017) 44 (1): 107–123.
Published: 01 February 2017
...Daniel Ross Bernard Stiegler's account of aesthetics is rooted in André Leroi-Gourhan's concept of exteriorization, Gilbert Simondon's concept of individuation, and Edmund Husserl's concepts of retention and protention. Cinema takes up a singular place in this account, both in terms of its...
Journal Article
boundary 2 (1 May 2018) 45 (2): 139–156.
Published: 01 May 2018
... objects of Benjamin’s thinking: (1) film and cinema, where, through the actions of technology, time and space are exploded and realigned in ways that provoke reflection and action in modernity; (2) radio, a developing form into which Benjamin intervenes with educational lectures and playful learning...
Journal Article
boundary 2 (1 August 2008) 35 (3): 239–250.
Published: 01 August 2008
... consolidated by groundless and nonobligatory mergers between neoliberal postulates and the pieties of a so-called tradition. The essay illustrates this phenomenon through some examples from popular Hindi cinema. © 2008 by Duke University Press 2008 Hindutva and Informatic Modernization The...
Journal Article
boundary 2 (1 May 2009) 36 (2): 199–208.
Published: 01 May 2009
... circulates in a global era where we are shown so much but see so little represents a crucial political turn for Cronenberg. Analyzing this turn invites consideration, through a particularly ambitious case, of how commercial narrative cinema might imagine globalized geopolitics after 9/11. These two films...
Journal Article
boundary 2 (1 February 2014) 41 (1): 113–134.
Published: 01 February 2014
... expansion of postcolonial discourse to Europe’s own backyard needs to be matched by an expansion of research methods and objects. Postcolonial studies’ traditional commitment to theory and to textual analysis of literature and art cinema is beneficially complemented by engaging with popular media, such as...
Journal Article
boundary 2 (1 February 2017) 44 (1): 213–237.
Published: 01 February 2017
... are as incapacitating as they are enabling. This leaves the problem of the decision regarding the future as at once ungrounded while also bounded by the archive of the human species. © 2017 by Duke University Press 2017 pharmakon technè deconstruction cinema tertiary retention...
Journal Article
boundary 2 (1 May 2019) 46 (2): 121–137.
Published: 01 May 2019
... Duke University Press 2019 Chinese intellectuals Anti-Rightist Campaign Chinese cinema References Cheng Yin , dir. 1978 . Bagede gushi [The Story of Brother Ba] . Beijing Film Studio . Cowley Malcolm . 1934 . Exile’s Return: A Literary Odyssey of the 1920s . New...
Journal Article
boundary 2 (1 August 2004) 31 (3): 161–162.
Published: 01 August 2004
... essays have appeared or are forthcoming in French Review, Esprit Créateur, Colby Quarterly, The Eighteenth Century: Theory and Interpretation, L’Année stendhalienne, and NWSA Journal. She has contributed a chapter on French film director François Ozon to Queer Cinema in Europe (ed. Robin Griffiths...
Journal Article
boundary 2 (1 August 2008) 35 (3): 263–265.
Published: 01 August 2008
... 2008 Contributors Masao Adachi is a prominent experimental filmmaker who first appeared in the Japanese New Wave movement of the 1950s and 1960s, and was associated with Nagisa Oshima, Kiju Yoshida, and others who forged the formation of new cinema devoted to probing the...
Journal Article
boundary 2 (1 February 2004) 31 (1): 243–265.
Published: 01 February 2004
... Council for the Humanities and Social Sciences. I am grateful to Luke Gibbons and Stephanie McBride for their comments on an earlier draft of this text, and I also thank Vivienne Dick, Sunniva O’Flynn (of the Irish Film Archive), Maretta Dillon (of Access Cinema, formerly the Federation of Irish...
Journal Article
boundary 2 (1 May 2000) 27 (2): 217–218.
Published: 01 May 2000
... Pittsburgh. She is author of Fascism in Film: The Italian Commercial Cinema, 1930– 1943 (1986); British Genres: Cinema and Society, 1930–1960 (1991); Film, Politics, and Gramsci (1994); Cinematic Uses of the Past (1996); The Folklore of Consensus...
Journal Article
boundary 2 (1 May 2006) 33 (2): 159–176.
Published: 01 May 2006
... against the remnants of feudalism 1 This understanding of melodrama rests on three assump- tions that are highly problematic, however: namely, (1) that the historical dynamics underpinning Euro-American cinema involve a linear trajectory from European feudalism to North American postmodernity; (2...
Journal Article
boundary 2 (1 February 2003) 30 (1): 217–219.
Published: 01 February 2003
... to Celan (1996). Tom Gunning is Edwin A. and Betty L. Bergman Distinguished Service Professor in the Art History Department and a member of the Cinema and Media Committee at the University of Chicago. Author of D...
Journal Article
boundary 2 (1 May 2006) 33 (2): 239–242.
Published: 01 May 2006
...: Proceedings of the Tenth Seminar of the International Association for Tibetan Studies, 2003 (2006). Valentina Vitali teaches comparative film studies at the University of Ulster (Northern Ireland), where she obtained a PhD for her thesis ‘‘The Aesthetics of Cultural Mod- ernization: Hindi Cinema 1947–1957...
Journal Article
boundary 2 (1 February 2007) 34 (1): 67–77.
Published: 01 February 2007
... keynote lecture at an international conference on Japanese cinema jointly hosted by the Kinema Club and the Japan Foundation in Tokyo. Not being a specialist, I chose as my topic Akira Kurosawa’s film No Regrets for Our Youth (1946), based on the controversy of the dismissal, in 1933, of a Kyoto...
Journal Article
boundary 2 (1 August 2015) 42 (3): 201–203.
Published: 01 August 2015
... Generation. Durham, NC: Duke University Press, 2014. Veggian, Henry. Understanding Don DeLillo. Columbia: University of South Carolina Press, 2014. White, Patricia. Women’s Cinema, World Cinema: Projecting Contemporary Femi- nisms. Durham, NC: Duke University Press, 2014. Wilder, Gary. Freedom Time...
Journal Article
boundary 2 (1 February 2014) 41 (1): 229–231.
Published: 01 February 2014
... Cultural Production. Jackson: University Press of Mississippi, 2013. Badiou, Alain. Cinema. Malden, MA: Polity, 2013. Badiou, Alain. Philosophy and the Event. Malden, MA: Polity, 2013. Bernstein, Richard J. Violence: Thinking without Banisters. Malden, MA: Polity, 2013. Biswas, Santanu, ed. The...