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baudelaire

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Journal Article
boundary 2 (1 February 2003) 30 (1): 89–104.
Published: 01 February 2003
...Michael Jennings Duke University Press 2003 y 2 / 30:1 / sheet 93 of 224 6808 boundar On the Banks of a New Lethe: Commodification and Experience in Benjamin’s Baudelaire Book...
Journal Article
boundary 2 (1 February 2003) 30 (1): 31–49.
Published: 01 February 2003
... us about where the arcades fit in Benjamin’s vision of bourgeois society, and even where exploring them might have led. The same cannot be said of the other main topic of the book, Charles Baudelaire; and even less so...
Journal Article
boundary 2 (1 February 2003) 30 (1): 131–142.
Published: 01 February 2003
... on the subject of modernity did not simply cite Charles Baudelaire but 6808 boundar also derived conceptually from Baudelaire, as demonstrated, for example, by his observation in Central Park that ‘‘Baudelaire was perhaps the first to...
Journal Article
boundary 2 (1 February 2003) 30 (1): 1–15.
Published: 01 February 2003
... architectural dream experience historically specific in its overriding social and class confusions and obfuscations. The key object of the second half of The Arcades Project, on the other hand, is Baudelaire. The huge mass of materials in...
Journal Article
boundary 2 (1 May 2001) 28 (2): 259–262.
Published: 01 May 2001
... 2001 Books Received Baer, Ulrich. Remnants of Song: Trauma and the Experience of Modernity in Charles Baudelaire and Paul Celan. Cultural Memory in the Present. Stanford, Calif.: Stanford University Press, 2000. Bharucha, Rustom. The Politics of Cultural Practice: Thinking through...
Journal Article
boundary 2 (1 February 2003) 30 (1): 213–216.
Published: 01 February 2003
...: Temporal Disorders in the Wake of Modernity (Baudelaire and Flaubert). Palo Alto, Calif.: Stanford University Press, 2002. Maxwell, Richard, ed. The Victorian Illustrated Book. Charlottesville: University Press of...
Journal Article
boundary 2 (1 May 2002) 29 (2): 45–67.
Published: 01 May 2002
... the question of the relation between tradition and experience. The elabo- ration of a concept of experience adequate to the present, a renaming of tradition in the present, is broached in Benjamin’s essay ‘‘On Some Motifs in Baudelaire The essay revolves around the opposition of two concepts of...
Journal Article
boundary 2 (1 November 2016) 43 (4): 155–167.
Published: 01 November 2016
... secularism in a manner echoing the position- ing of Charles Baudelaire’s “modernity” alongside modernization and mod- Steinberg / Political Philology 159 ernism. In my usage, and possibly my projection (including a not fully suc- cessful graduate seminar called...
Journal Article
boundary 2 (1 August 2013) 40 (3): 101–137.
Published: 01 August 2013
... enters into the crowd as though it were an immense reservoir of electrical energy. . . . A blockhead! a blockhead! and I despise him! —Charles Baudelaire, “The Painter of Modern Life” In spectacle even alienation is turned into an image for the alienated to consume...
Journal Article
boundary 2 (1 February 2003) 30 (1): 51–66.
Published: 01 February 2003
..., M1,5; O12a,2; H1a,2).8 All these instances of ‘‘intoxicated experi- ence’’ [rauschhafte Erfahrung](AP, M1a,2)—with which Benjamin, at one point, implicitly conjoins Baudelaire’s evocation of the ‘‘religious intoxication of great...
Journal Article
boundary 2 (1 February 2003) 30 (1): 169–190.
Published: 01 February 2003
... resides, liter- ally, in the private urban living space that became standardized during this period. Section 5, ‘‘Baudelaire, or the Streets of Paris takes place less in the streets of Paris than between the margins of the...
Journal Article
boundary 2 (1 November 2016) 43 (4): 147–153.
Published: 01 November 2016
... / November 2016 from being foreign to Benjamin, seems to be one of the central themes of his own writings, be they on Johann Wolfgang von Goethe, Marcel Proust, Franz Kafka, or Charles Baudelaire. The biography is devoted to the life of a person for whom writing has occupied the highest place...
Journal Article
boundary 2 (1 February 2003) 30 (1): 105–130.
Published: 01 February 2003
... Second Empire in Baudelaire in Charles Baudelaire: A Lyric Poet in the Era of High Capitalism, trans. Harry Zohn (London: Verso Editions, 1983), 69; also AP, M13a,2. 9. Benjamin, ‘‘Paris of the Second Empire 48–54. See, as well...
Journal Article
boundary 2 (1 November 2015) 42 (4): 139–158.
Published: 01 November 2015
..., what the culture of Restoration Paris was for Charles Baudelaire, a dark and hideous hellhole from which nonetheless art arose and, with it, the possibility of experience. People contemplating art at a distance but responding to it on the same ground on which it was made did not write...
Journal Article
boundary 2 (1 May 2018) 45 (2): 139–156.
Published: 01 May 2018
... form. Machinery turns animate, while humans become adjuncts to the machine. Film allows a working through of this plastic composite body, motivated as it is by shock and shudder and the shattering disarticula- tions of laughter.4 In a note on Charles Baudelaire in The Arcades Project, Benjamin...
Journal Article
boundary 2 (1 November 2015) 42 (4): 159–185.
Published: 01 November 2015
... Affinities.” Parts of Benjamin’s later “On Some Motifs in Baudelaire” as well many remarks in the Arcades Project are similarly proof of the central place of the task of presenting modern life in common as a field of the manifestation of fate. This is not the place to engage in detail this difficult...
Journal Article
boundary 2 (1 November 2016) 43 (4): 71–125.
Published: 01 November 2016
... identify and characterize these steps. In this case, it’s easy: “The Cubism of Picasso, Braque and Léger completed what Cézanne had begun.”25 Seeing Cézanne as an artist of his time and place—as the painter of modern life for which Charles Baudelaire famously called—requires some intricate...
Journal Article
boundary 2 (1 August 2009) 36 (3): 25–47.
Published: 01 August 2009
... familiar image of cosmopolitan modernism, which Michael Davidson describes as involving personas and characters, like those of Poe, Baudelaire, Henry James, Eliot, Pound, and Stevens, who are “citizens of the world, unmoored from a single place (provincial- ism) or national identity...
Journal Article
boundary 2 (1 August 2011) 38 (3): 27–65.
Published: 01 August 2011
... modernism. Going back to Charles Baudelaire and Walter Benjamin’s charac- 15. Matei Calinescu, Five Faces of Modernity: Modernism, Avant- garde, Decadence, Kitsch, Postmodernism (Durham, NC: Duke University Press, 1987), 140. 16. Hans Robert Jauss, in his critique of...
Journal Article
boundary 2 (1 May 2014) 41 (2): 99–111.
Published: 01 May 2014
... horizon of possibilities among which we can choose. Third, between a past that we leave behind and a future from which we can choose, the present becomes an “imperceptibly short moment of transition,” as Charles Baudelaire wrote in his “The Painter of Modern Life” (1863). Fourth, for the...