...Tracie Morris “Rakim's Performativity” considers the influence and relevance of pioneering Rapper Rakim's influential track “Follow the Leader” through the lens of J. L. Austin's theory of performativity presented in his philosophical work How to Do Things with Words . The author reflects...

...Austin Carder Abstract Microliths They Are, Little Stones: Posthumous Prose (2020) represents the culmination of Pierre Joris's fifty‐year effort of translating the work of Paul Celan into English. The book contains a small library: aphorisms, fiction, dialogues and notes for dramatic works...

..., The Younger Pitt: The Reluctant Transition (London: Constable, 1982), 157–71. 13. J. L. Austin routinely cites alarms as performatives; see How to Do Things with Words: The William James Lectures Delivered...

... of the Lacanian Compass. Petre Petrov is an assistant professor of Russian at the University of Texas at Austin. His published work addresses aspects of Soviet socialist realism, Stalinist ideology, Russian and European modernism, and cultural theory. He is the author of Auto- matic for the Masses: The Death...

... generation’s poetics, considering trends and resistance to inno- vative poetry practice, with special reference to Craig Dworkin; Herman Rapaport goes against the grain in taking on the aesthetics of sentimental poetry and sweet nothings; Tracie Morris writes on hip-hop and J. L. Austin...

... . . . would be . . . the Victorian matron saying ‘You can't take Amelia for long walks, Mr. Jones; she's delicate ’” (Empson 2021b : 49). In this respect, Empson comes closer to the Oxford ordinary language practice of J. L. Austin than to Williams. The new Oxford edition devotes several pages of its...

... a critical perspective. Charles Bernstein's work was the subject of “The Poetry of Idiomatic Insistences,” edited by Paul Bové, the fall 2021 issue of boundary 2 . He is the author of Topsy-Turvy (2021) and Pitch of Poetry (2016). Austin Carder is a writer and translator based in San Francisco...

... in Austin, Texas. In addition to his work on American music, he is completing a book-length analysis of the structures of feeling produced in a business culture as they are revealed in greeting cards. Hortense Spillers is the F. J. Whiton Professor of English at Cornell University. She has recently...

... and Latino Art and Culture. Austin: University of Texas Press, 2009. Stringer, Dorothy. “Not Even Past”: Race, Historical Trauma, and Subjectivity in Faulkner, Larsen and Van Vechten. New York: Fordham University Press, 2009. Sutton, Damian. Photography, Cinema, Memory: The Crystal Image of Time...

....: Duke University Press, 2007. Nericcio, William Anthony. Tex{t}-Mex: Seductive Hallucinations of the “Mexican” in America. Austin: University of Texas Press, 2007. O’Connor, Laura. Haunted English: The Celtic Fringe, the British Empire, and De- Anglicization. Baltimore, Md.: Johns Hopkins...

..., Mel Y. Animacies: Biopolitics, Racial Mattering, and Queer Affect. Durham, NC: Duke University Press, 2012. Codrescu, Andrei. Bibliodeath: My Archives (with Life in Footnotes). Austin, TX: Anti- bookclub, 2012. de Fontenay, Élisabeth. Without Offending Humans: A Critique of Animal Rights. Trans...

... University Press, 2011. Brandom, Robert B. Perspectives on Pragmatism: Classical, Recent, and Contem- porary. Cambridge, MA: Harvard University Press, 2011. Briefel, Aviva, and Sam J. Miller, eds. Horror after 9/11: World of Fear, Cinema of Ter- ror. Austin: University of Texas Press, 2011. boundary 2...

... book on the same sub- ject, New Art in Cuba (Austin: University of Texas Press, 1994), and it has also been used in exhibition titles: for example, at the Whitechapel Art Gallery, London, 1995 New Art...

... is an associate professor of humanities and media at Pratt Institute. She is completing an academic work, WhoDo with Words, on the work of philosopher J. L. Austin; a poetry collec- tion, Rhyme Scheme; and an untitled CD with music. Marjorie Perloff recently retired from the Sadie D. Patek Chair...

... might be ending, is a snapshot of U.S. youth culture in 1976, at the center of the seventies transition. In most respects it conforms to youth-film generic requirements—it features moral dilemmas, coming-of- age, and the triumph of an antiadult youthful élan. It is set in Austin, Texas...

... . Lewis Gilbert N. 1926 . The Anatomy of Science . New Haven, CT : Yale University Press . MacCallum Robert M. Mauch Matthias Burt Austin Leroi Armand M. . 2012 . “Evolution of Music by Public Choice.” Proceedings of the National Academy of Sciences 109 , no. 30...

...-militarization-internet-transcript.html . Austin J. L. 1975 . How to Do Things with Words . 2nd ed. Cambridge, MA : Harvard University Press . Berkes Anna . 2009 . “Spurious Quotations: ‘Tyranny Is Defined as That Which Is Legal for the Government.’” Monticello.org , March 17...

... of performative. Apter, a bit like J. L. Austin with his bewilderingly proliferating taxonomy of performatives, offers us the Untranslatable under such headings as “mistranslation,” “translation failure,” “incommensurability,” “neologism,” “semantic dissonance,” “mis- fired speech-­acts,” “translation...

... Nguyen studied poetics at New College of California in San Francisco. With the poet Dale Smith, Nguyen founded Skanky Possum, a poetry journal and book imprint in Austin, Texas, their home of fourteen years. She is the author of nine books and chapbooks, including As Long as Trees Last (Wave...

... and Other Late Essays, trans. Vern W. McGee, ed. Caryl Emerson and Michael Holquist (Austin: University of Texas Press, 1986), 167–68. 11. For a related critique pointing out the inadequacy of the recognition paradigm, albeit in a different register, see Pheng Cheah, “The Biopolitics of Recognition...