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Journal Article
boundary 2 (2016) 43 (1): 5–41.
Published: 01 February 2016
...Amy Cimini; Jairo Moreno Music, sound, and aurality appear to be valuable for their inexhaustibility. With the notion of fiduciary aurality, we assess how this inexhaustibility is both mobilized and attenuated when music and sound are presumed to work on behalf of politics. In the early 1990s...
Journal Article
boundary 2 (2016) 43 (1): 75–105.
Published: 01 February 2016
...-political potential of the sonic presupposes a division that inheres within aurality between the ear and the voice: between the resonant spacing that is Nancy's being-with and the sonorous residue of the capacity not to speak in Agamben. This leads to asking what form of politics can emerge if an unheard...
Journal Article
boundary 2 (2003) 30 (2): 97–114.
Published: 01 May 2003
... a machinic materiality, one that acutely destabilized any notion of an ‘‘absolute music’’ and called attention to other forms of aural embodiment, whether a concert stage, a musical score, or a human body. It is precisely this conflict between the phonograph’s material and ephemeral dimensions, as well...
Journal Article
boundary 2 (2016) 43 (1): 251–253.
Published: 01 February 2016
... the production of knowledge with sound and aurality as its basis and materiality and technics as central concerns, and on the political wagers on such knowledge in European modernity and in the contemporary Americas. He is currently finishing “Syncopated Modernities: Musical Latin Americanisms...
Journal Article
boundary 2 (2015) 42 (3): 201–203.
Published: 01 August 2015
...: How J. Edgar Hoover’s Ghostreaders Framed African American Literature. Princeton, NJ: Princeton University Press, 2015. Naranch, Bradley, and Geoff Eley, eds. German Colonialism in a Global Age. Dur- ham, NC: Duke University Press, 2015. Ochoa Gautier, Ana Maria. Aurality: Listening and Knowledge...
Journal Article
boundary 2 (2003) 30 (2): 21–45.
Published: 01 May 2003
..., the self into the experience of radical otherness, promising only a certain transformation— a certain death—of that self. This auto-annihilation opens onto an aural afterlife not accessible to the logic of the properly authorial ‘‘I The liquidation of the creative subject of composition...
Journal Article
boundary 2 (2016) 43 (1): 173–208.
Published: 01 February 2016
... (Chicago: University of Chi- cago Press, 2003). 47. Arthur Singleton [Henry Cogswell Knight], Letters from the South and West (Boston: Richardson and Lord, 1824), 101. 194 boundary 2 / February 2016 cination with what would seem to be merely an aural accommodation to the mechanisms of labor...
Journal Article
boundary 2 (2022) 49 (1): 71–103.
Published: 01 February 2022
... our aural experience sphere by giving us entirely unknown sound values” (Passuth 1985 : 314), in Fischinger's dream of conjuring “new perceptions that until now were overlooked and remained neglected” (Avraamov 1932 : 46), and in a commercial patent filed in 1929 by the American animation director...
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Journal Article
boundary 2 (2024) 51 (2): 19–38.
Published: 01 May 2024
..., the artifactual noises in recordings are valued for their evidentiary status. For example, the so-called sixty-cycle-hum, an aural simulacrum of the electrical current used to power a recording device and the bane of audio engineers who seek to suppress it, has been used to authenticate audio recordings in court...
Journal Article
boundary 2 (2008) 35 (3): 99–131.
Published: 01 August 2008
... to visually and aurally cre- ate a “realization of the theory of trasformismo,”20 the absorption of mem- bers from other social classes into the ruling class. Adapted from Giuseppe Di Lampedusa’s novel, Visconti’s The Leop- ard is an assemblage of various techniques that derive from other art forms...
Journal Article
boundary 2 (2023) 50 (2): 61–91.
Published: 01 May 2023
... of world history,” Attali spends much of Noise reconstructing an aural world-spirit in which transformation-heralding ruptures within successive codes of music overtake the dialectical movement of the concept as the key to history. Finally, though, the payoff of Attali's music-as-herald conceit...
Journal Article
boundary 2 (2001) 28 (2): 57–103.
Published: 01 May 2001
... much our life’s experience, for intelligent or merely distractive purposes, is mediated by sound. It may seem odd to note, as well, the aural illiteracy of our culture. That is a topic that deserves its own examination. But the index I point to here operates among such facts and musical textures. I...
Journal Article
boundary 2 (2003) 30 (3): 123–140.
Published: 01 August 2003
... challenging is its exploration of the ‘‘complex, fraught, symbiotic relationship between image and ‘reality 2 In Superstar, the treatment of the visual and aural image central to the film’s investigative modes includes the uses...
Journal Article
boundary 2 (2023) 50 (4): 75–96.
Published: 01 November 2023
... efforts in translation, and I know very well just how impossible it can be—but for me, Joris's translations are unparalleled in their potency, activating an electric nerve in Celan's poetry that carries and ferries over aurally and textually with remarkable results, through a shared translingual pulse...
Journal Article
boundary 2 (2007) 34 (1): 115–133.
Published: 01 February 2007
... one of her body parts to a fellow prisoner, to win sympathy for her devious plot of revenge due to injured or lost innocence in which a range of Korean participants (not to mention the audience) become empathetically enlisted. This latest movie offers richly visual and aural...
Journal Article
boundary 2 (2003) 30 (1): 105–130.
Published: 01 February 2003
... says, ‘‘The space disguises itself’’ (AP, I2,6). Ultimately the interior cannot withstand the exterior; it can only transform the nature of its looming invasion optically. While the aural summons of the ringing door- bell may...
Journal Article
boundary 2 (2004) 31 (1): 73–92.
Published: 01 February 2004
... as a potential market for American interests, a market in which every High Street eventually has its McDonald’s and its Starbucks, where American popular music, punctuated only by the ringing of mobile phones playing tunes from populist Hollywood movies, is the aural backdrop. In what follows...
Journal Article
boundary 2 (2010) 37 (1): 179–200.
Published: 01 February 2010
... to her discourse that causes it to resonate in a decidedly unacademic way. That is, in a way that brings the body into play. For example, try saying “let me put it this way” (even sub- vocally) without moving your head or intoning the words in their distinct aural signature. Taken together...
Journal Article
boundary 2 (2010) 37 (2): 133–153.
Published: 01 May 2010
..., however, might not be the melancholy afforded by a trace of an unknown individual human life (one that lingers as an aural version of Barthes’ punctum) but rather the fact that we take the recording and broadcast of intangible, immaterial aspects of ourselves for granted. What...
Journal Article
boundary 2 (2002) 29 (2): 157–179.
Published: 01 May 2002
..., Russell lifts the cathode rays from our eyes and lowers the IHADSS monitor to show what one mere bullet can do to one mere body. The scale moves from the macrotechnology of CNN/long-range weaponry to the microtechnology of metal bullets hurling through space, most often evoked aurally rather than...