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Journal Article
boundary 2 (1 May 2011) 38 (2): 155–187.
Published: 01 May 2011
... control by entertainment rather than oppression. Indeed, not only did Woju enjoy huge audience popularity, it also benefited from considerable tolerance of the State Administration of Radio, Film, and Television (SARFT), which, according to the website Danwai, allowed the drama to “slip” through its...
Journal Article
boundary 2 (1 February 2009) 36 (1): 61–94.
Published: 01 February 2009
...Roberto Fernández Retamar This essay on Cuba's national poet, José Martí, written originally in the early 1960s for a non-Cuban audience in the wake of the victory of the Cuban Revolution, acquires a new context with the neo-imperialism of the Bush regime and the recent resurgence of the Latin...
Journal Article
boundary 2 (1 August 2016) 43 (3): 159–219.
Published: 01 August 2016
...Serguei Alex. Oushakine Using children's picture books published in early Soviet Russia as its main visual and textual source, this essay explores the process of translation through which artists and writers adopted and adapted key Marxist ideas for illiterate or semiliterate audiences. © 2016 by...
Journal Article
boundary 2 (1 May 2015) 42 (2): 135–151.
Published: 01 May 2015
... advocates more attention to the different modes in which Antigone and those around her speak to the audience and to one another. I am grateful to Deme Kasimis, Miriam Leonard, and Jim Porter for searching and acute feedback on this essay. Thank you, too, to Keri Walsh, for organizing the panel at the...
Journal Article
boundary 2 (1 May 2015) 42 (2): 195–209.
Published: 01 May 2015
...Karen Melvin John O’Malley’s Trent: What Happened at the Council offers English-speaking audiences the first concise and scholarly history of the council that did much to shape the modern Catholic Church. O’Malley’s narrative of the Council of Trent (1545–47, 1551–1552, 1562–1563) masterfully...
Journal Article
boundary 2 (1 May 2019) 46 (2): 221–233.
Published: 01 May 2019
... state and commercial sectors. Further distinguishing Grass Stage’s practice is a commitment to discussion, including the lengthy “after-theater” discussions with audiences, new forms of space, and a new and distinctive politics of the body. He also traces Grass Stage’s work with like-minded groups...
Journal Article
boundary 2 (1 August 2019) 46 (3): 199–218.
Published: 01 August 2019
...Rob Wilson; Rob Wilson; Paul A. Bové Crazed with extremity of affect, thriller action, and a cosmopolitical style as befits the Korean-global blockbuster mode of auteur production, Bong Joon-ho’s 2013 film Snowpiercer also prods its audience to confront looming conditions of global warming...
Journal Article
boundary 2 (1 May 2011) 38 (2): iii.
Published: 01 May 2011
... readers’ comments and advice as we try to develop exchanges over the issues that matter to our audience and contributors. The web page is very much a work in progress, so we ask for patience as well as help in its development.—Ed. ...
Journal Article
boundary 2 (1 November 2015) 42 (4): 118–120.
Published: 01 November 2015
... prince of fire to myself, pinto & an audience of roaches white goo within us the undulation of dead boys whom febrônio murdered each boy abbreviating god charity virtue sanctity life magnet of life each welted letter a mother’s tear febrônio tattooed into the boys’ chests imagining himself a...
Journal Article
boundary 2 (1 February 2003) 30 (1): 199–212.
Published: 01 February 2003
... Steve Allen Show, on 1 July 1956. What transpired when Elvis sang the song on the Milton Berle Show was just preparation for the Allen show.13 The talk to the audience in Las Vegas—recorded and easily available on 6808 boundar the...
Journal Article
boundary 2 (1 August 2006) 33 (3): 61–72.
Published: 01 August 2006
..., and, in the third act, the courthouse. The church and the court house are on opposite sides of a southern street; the audience should always be aware, during the first two acts, of the dome of the courthouse and the American flag. During the final act, the audience should...
Journal Article
boundary 2 (1 August 2008) 35 (3): 63–97.
Published: 01 August 2008
... very fine documentarist, and sometimes his narrative cinema is also of a very high level, politically and humanistically. But, at the same time, he wanted to put everything within a frame. I said no: the frame will be there, but, at the same time, the audience should decide. It is fine for the...
Journal Article
boundary 2 (1 August 2004) 31 (3): 101–124.
Published: 01 August 2004
....12 Originally designed to maintain the central government’s absolute surveillance, this triangular and hierarchical network gradually evolved into a huge, inefficient, and bureau- cratic system detached from the real audience. While China Film Corpora- tion had little data on where its films ended...
Journal Article
boundary 2 (1 August 2002) 29 (3): 43–46.
Published: 01 August 2002
... experimental text will serve as way to explore the ideas and intentions at play in this particular piece of mine, along with some of the comments and feedback that I was so grateful to receive from the audience. boundary 2 29:3, 2002...
Journal Article
boundary 2 (1 May 2018) 45 (2): 139–156.
Published: 01 May 2018
... Benjamin’s other spatialized con- cepts, such as Leibraum and Bildraum, body space and image space, which interpenetrate in the modern age, as, for example, in cinema, where an audience encounters the dynamic film image, and the collective body of the spectators is innervated by the forces of the...
Journal Article
boundary 2 (1 May 2000) 27 (2): 21–44.
Published: 01 May 2000
... contemporary commercial film expensively coproduced ($30 million) and distributed by a U.S. company (Warner), the film has designs on an international audience. More than a conventional genre film, that is, a historical film, more...
Journal Article
boundary 2 (1 February 2003) 30 (1): 51–66.
Published: 01 February 2003
... Bildung (that is, ‘‘trainingthe training of expert judgment—replaces ‘‘cul- ture and instead of distraction there is ‘‘group formation’’ [Gruppierung], which refers to the formation of both a well-informed audience and a highly...
Journal Article
boundary 2 (1 August 2008) 35 (3): 223–238.
Published: 01 August 2008
... critics would grant Lee “auteur” status comparable to, say, Wong Kar-wai, because Lee’s films do not have the distinct stamp of a personal vision. At best he is a good film craftsman who somehow chooses unusual subjects for treatment. Chinese audiences and critics, on the other hand, all...
Journal Article
boundary 2 (1 August 2001) 28 (3): 117–123.
Published: 01 August 2001
... of her answers on con- ceptually difficult matters of audience, form, convention, and the ruses of the American poetry scene. She knows what she is up to, goes her own way, and remains tough-minded yet willing to share this crafty and spiritual knowledge with male and female, old and young, dumb...
Journal Article
boundary 2 (1 February 2004) 31 (1): 243–265.
Published: 01 February 2004
..., and the Whitney Museum. No Wave filmmakers, however, initially addressed new audiences through screenings in clubs and bars, often showing their films between perfor- mances by punk bands. The movement was supported by the emergence 6. Amy Taubin, ‘‘The Other Cinema: Films by Vivienne Dick Soho...