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arche-cinema

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Journal Article
boundary 2 (1 February 2017) 44 (1): 239–265.
Published: 01 February 2017
...Tom Cohen This essay places Bernard Stiegler's conception of arche -cinema in contact with the era of climate change and the impasse that it presents to the American Left today. It views Stiegler's thought as a post-anthropocene writing project yet asks whether the “proletarianization of the senses...
Journal Article
boundary 2 (1 February 2017) 44 (1): 107–123.
Published: 01 February 2017
... Dreams and Arche-Cinema.” Translated by Ross Daniel . Screening the Past 36 . www.screeningthepast.com/2013/06/the-organology-of-dreams-and-arche-cinema/ . ———. 2013b . Uncontrollable Societies of Disaffected Individuals. Vol. 2 of Disbelief and Discredit . Translated by Ross Daniel...
Journal Article
boundary 2 (1 February 2017) 44 (1): 213–237.
Published: 01 February 2017
... Collins George . Stanford, CA : Stanford University Press . ———. 2011 . The Decadence of Industrial Democracies . Translated by Ross Daniel . Cambridge : Polity . ———. 2013a . “The Organology of Dreams and Arche-Cinema,” translated by Ross Daniel . Screening the Past 36...
Journal Article
boundary 2 (1 February 2014) 41 (1): 113–134.
Published: 01 February 2014
... expansion of postcolonial discourse to Europe’s own backyard needs to be matched by an expansion of research methods and objects. Postcolonial studies’ traditional commitment to theory and to textual analysis of literature and art cinema is beneficially complemented by engaging with popular media, such as...
Journal Article
boundary 2 (1 February 2003) 30 (1): 105–130.
Published: 01 February 2003
... into semblance, that is, illusion. But Benjamin also dialectically develops this tradition by understanding optical devices (including the cinema) as not simply deceiving or creating illusion but as articulating the dialectic of...
Journal Article
boundary 2 (1 August 2004) 31 (3): 47–73.
Published: 01 August 2004
... two islands. 50 boundary 2 / Fall 2004 and cinema.7 What has not evolved in this new and ‘‘positive’’ representa- tion of France’s colonial other, however, is the image and paradox of the ‘‘big child which, I will suggest, amounts to the equally paradoxical image of a living dead, a ‘‘civil...