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Journal Article
boundary 2 (2017) 44 (1): 239–265.
Published: 01 February 2017
...Tom Cohen This essay places Bernard Stiegler's conception of arche -cinema in contact with the era of climate change and the impasse that it presents to the American Left today. It views Stiegler's thought as a post-anthropocene writing project yet asks whether the “proletarianization of the senses...
Journal Article
boundary 2 (2017) 44 (1): 213–237.
Published: 01 February 2017
..., CA : Stanford University Press . ———. 2011 . The Decadence of Industrial Democracies . Translated by Ross Daniel . Cambridge : Polity . ———. 2013a . “The Organology of Dreams and Arche-Cinema,” translated by Ross Daniel . Screening the Past 36 . www.screeningthepast.com...
Journal Article
boundary 2 (2017) 44 (1): 107–123.
Published: 01 February 2017
... and Arche-Cinema.” Translated by Ross Daniel . Screening the Past 36 . www.screeningthepast.com/2013/06/the-organology-of-dreams-and-arche-cinema/ . ———. 2013b . Uncontrollable Societies of Disaffected Individuals. Vol. 2 of Disbelief and Discredit . Translated by Ross Daniel...
Journal Article
boundary 2 (2020) 47 (1): 115–143.
Published: 01 February 2020
... of Michelangelo s fortress designs; war and filmmaking, the subject of Jean- Luc Godard s many- layered Histoire(s) du Cinéma and its heir, Daniel Blau- 1. See also Elam 2017 and Mussolin 2017. By starting with Michelangelo s design, I too have inadvertently repeated a pattern discerned by Morris (2016...
Journal Article
boundary 2 (2014) 41 (1): 113–134.
Published: 01 February 2014
... expansion of postcolonial discourse to Europe’s own backyard needs to be matched by an expansion of research methods and objects. Postcolonial studies’ traditional commitment to theory and to textual analysis of literature and art cinema is beneficially complemented by engaging with popular media...
Journal Article
boundary 2 (2003) 30 (1): 105–130.
Published: 01 February 2003
... into semblance, that is, illusion. But Benjamin also dialectically develops this tradition by understanding optical devices (including the cinema) as not simply deceiving or creating illusion but as articulating the dialectic...
Journal Article
boundary 2 (2004) 31 (3): 47–73.
Published: 01 August 2004
... and, moreover, how France has inscribed or written itself as the nation, the model or essential nation next to which no other measures up. France’s national narrative is in many ways an arch- or hyper-narrative according to which France is not the instantiation of a nation...