...- surable time the gaze takes and the temporality of the event of the gaze? What is the relation between a gaze we would primarily think of in relation to space, of which it is said that it rests on one thing or another, and time and movement? llll A vertigo of intertwined questions...

... The Rings of Saturn Austerlitz Vertigo References Bigsby Christopher . 2001 . Writers in Conversation with Christopher Bigsby: Volume 2 . Norwich : Arthur Miller Centre . Homberger Eric . 2001 . “ W. G. Sebald .” The Guardian . December 17 , 2001 . Jaggi Maya...

... most problematically in the work of Marcel Duchamp and in Alfred Hitchcock’s Vertigo. Duchamp’s life- long preoccupation with the nude and the scopic regimes within which it is situated forms the background for much of Nude Memoir. Moriarty alludes to the ‘‘Nude Descending the Staircase in which...

... to an unexpurgated stream of consciousness, and the reader merely judges the quality of vertigo in this flow. We witness the self speaking to itself without thinking about itself, bearing witness to the outburst of its own irrational exuberance. C. Mannerist Writing Works that embody, as values...

... at a broader readership not only in German but also, beginning with the Dutch edition of Vertigo, in translation. Sebald was neither the first nor the last critic to defect to the undis- covered country of creative writing; what sets his case apart is the combi- nation of the aforementioned moves...

... Widerspruch bei W. G. Sebald . Munich : Edition Text & Kritik . Sebald W. G. 1998 . The Rings of Saturn . Translated by Hulse Michael . New York : New Directions . Sebald W. G. 1999 . Vertigo . Translated by Hulse Michael . New York : New Directions . Sebald...

... Directions . Sebald W. G. 1998 . The Rings of Saturn . Translated by Hulse Michael . New York : New Directions . Sebald W. G. 2000 . Vertigo . Translated by Hulse Michael . New York : New Directions . Sebald W. G. 2001 . Austerlitz . Translated by Bell...

... . Frankfurt : Fischer . Sebald W. G. 1998 . The Rings of Saturn . Translated by Hulse Michael . New York : New Directions . Sebald W. G. 2001a . Austerlitz . Translated by Bell Anthea . New York : Random House . Sebald W. G. 2001b . Vertigo . Translated...

... of red, strawberry, clear, purple) and I’m wondering what he’s discovering there below the vertigo, what formula he’s really making with me out of his saliva. a page turns in the act of opening and closing my legs and I don’t know...

... Michael . New York : New Directions . Sebald W. G. 2001a . Austerlitz . Translated by Bell Anthea . New York : Modern Library . Sebald W. G. 2001b . Austerlitz . Munich and Vienna : Hanser . Sebald W. G. 2002 . Vertigo . Translated by Hulse Michael...

.... Among these are After Nature: An Elementary Poem (Nach der Natur: Ein Elementargedicht, 1988), Vertigo (Schwindel: Gefühle, 1990), The Emigrants: Four Long Stories (Die Ausgewanderten: Vier lange Erzäh- lungen, 1992), The Rings of Saturn: An English Pilgrimage (Die Ringe des Saturn: Eine englische...

..., Pierre, Quicksand, Vertigo, Invisible Man, and I Don’t Have Any Paper So Shut Up or Social Romanticism. Despite this deliber- ately modest focus on ugly feelings, the scope of the book is ambitious, ranging historically from (among others) Herman Melville and Nella Larsen, to Ralph Ellison, John...

... he had been ordered to place a bomb somewhere. Ten people had perished in the attack (184). His symptom, particularly the feeling of vertigo, intensified when he befriended nationals from the former colonizing nation who were sympa- thetic to the national struggle. Reflecting on the case...

... vertigo to equanimity, is denying me my selfhood, my soul. Killing the soul is unjust. It is murder. We must fight the tyranny of bureaucracy over the soul. We need the humanist to stand against the mechanization of the human soul. Lindsay Waters...

...- guage in such a way that words roll off the tongue, hence making it easier to use language (to speak), and (2) in so doing disorients us by means of a linguistic vertigo, if not tongue twisting (speech impediment). “Named Nimble Nester Nascent,” if carried out far enough, has the effect...

...- peatedly. A hand is offered to another, to save the other, but that hand withdraws or slips the grasp, sometimes purposefully, sometimes by acci- dent, as the figure of the other falls into an abyss. Vertigo (1958) offers the most memorable instance in Hitchcock’s cinematic corpus, but there are both...

..., the crucial step the one that marks this encounter as crucial in my aesthetic education is a step in which I suffer vertigo, lose my footing, and fall, before coming to a limited understanding of my feeble ability to comprehend fully what has befallen me. In my manifesto essay for slow reading...

...- eral’’ (21; 14), as celebrated in this modern-archaic ‘‘underwater world’’ (52; 40), Aragon’s narrator confesses himself the ‘‘master-slave of his vertigos’’ (125; 102). ‘‘Everything distracts me indefinably, except from my distraction...

... problematic in a deep sense.21 19. Earlier on, in the Transcendental Analytic, Kant writes of ‘‘problematic judgements’’ as ‘‘those in which affirmation or negation is taken as merely possible (optional (A74– 75/B100). 20. See Christian Kerslake, ‘‘The Vertigo of Philosophy: Deleuze and the Problem...

... to their anxiously exact style. Noting the writer’s commitment to incessant self-­correction, Barthes writes, “It is . . . a matter of vertigo: correction is infinite, it has no sure sanction. The corrective protocols are perfectly sys- tematic . . . but since their points of application are endless, no appease...