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Norman O. Brown
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Image
Published: 01 August 2022
Figure 4. Letter from Norman O. Brown to Robert Duncan, ca. 1959, by Norman O. Brown. University of California, Santa Cruz. Reproduced with permission.
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Image
Published: 01 August 2022
Figure 5. Letter from Norman O. Brown to Robert Duncan, ca. 1959, by Norman O. Brown. University of California, Santa Cruz. Reproduced with permission.
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Image
Published: 01 August 2022
Figure 6. Letter from Norman O. Brown to Robert Duncan, October 19, 1963, by Norman O. Brown. University of California, Santa Cruz. Reproduced with permission.
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Image
Published: 01 August 2022
Figure 7. Letter from Norman O. Brown to Robert Duncan, October 19, 1963, by Norman O. Brown. University of California, Santa Cruz. Reproduced with permission.
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Journal Article
boundary 2 (2022) 49 (3): 77–97.
Published: 01 August 2022
...Stephen Carter Abstract This essay explores Norman O. Brown's conception of politics and metapolitics. Brown describes politics via Freud's family romance, as a sphere of conflict between fathers and sons. The first part of the argument focuses on Brown's notion of the fraternal—collectivities...
Journal Article
boundary 2 (2022) 49 (3): 157–158.
Published: 01 August 2022
...Michael Davidson Abstract The following selections from letters exchanged between Robert Duncan and Norman O. Brown display the range and interest of their extensive correspondence. The correspondence was generative for both figures, and shows a degree of mutual affection and personal concern...
Journal Article
boundary 2 (2022) 49 (3): 99–116.
Published: 01 August 2022
...Rob Wilson Abstract By a transfigurative recoding of selfhood and quasi-biblical analogizing of historical events across space and time, Bob Dylan enacted in his poetic name change from Zimmerman to Dylan (as he would writing across the larger body of his song-poetry) what Norman O. Brown had...
Journal Article
boundary 2 (2022) 49 (3): 159–173.
Published: 01 August 2022
...Figure 4. Letter from Norman O. Brown to Robert Duncan, ca. 1959, by Norman O. Brown. University of California, Santa Cruz. Reproduced with permission. ...
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Image
Published: 01 August 2022
Figure 1. Letter from Robert Duncan to Norman O. Brown, July 15, 1960, by Robert Duncan. © 1960 The Jess Collins Trust. Reproduced with permission.
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Image
Published: 01 August 2022
Figure 2. Letter from Robert Duncan to Norman O. Brown, March 1, 1969, by Robert Duncan. © 1960 The Jess Collins Trust. Reproduced with permission.
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Image
Published: 01 August 2022
Figure 3. Letter from Robert Duncan to Norman O. Brown, ca. 1966–67, by Robert Duncan. © 1966 The Jess Collins Trust. Reproduced with permission.
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Journal Article
The Poetry of Origins and the Origins of Poetry: Norman O. Brown's Giambattista Vico and James Joyce
boundary 2 (2005) 32 (3): 119–137.
Published: 01 August 2005
...David Greenham Duke University Press 2005 The Poetry of Origins and the Origins of Poetry:
Norman O. Brown’s Giambattista Vico and James Joyce
David Greenham
This essay is an attempt to recuperate and to begin to understand...
Journal Article
boundary 2 (2022) 49 (3): 45–53.
Published: 01 August 2022
...Michael Davidson Abstract This essay explores the close relationship between the poet Robert Duncan and Norman O. Brown. Their long friendship and shared intellectual interests were generative for both, allowing Brown at one point to remark that the “poetry of Robert Duncan had made the writing...
Journal Article
boundary 2 (2022) 49 (3): 1–4.
Published: 01 August 2022
...Isaac Blacksin Abstract This special issue introduction addresses the current stakes and possibilities of the work of Norman O. Brown. Beginning with a reflection on a recent Norman O. Brown conference, the introduction elaborates Brown's major theoretical interventions before providing brief...
Journal Article
boundary 2 (2022) 49 (3): 123–132.
Published: 01 August 2022
...Andrew Schelling Abstract Andrew Schelling recalls and discusses a college course, “World Poetry,” which Norman O. Brown taught at University of California, Santa Cruz, in 1974. The turbulent politics and weird, harrowing culture changes of North America set a context. Brown's class met weekly...
Journal Article
boundary 2 (2022) 49 (3): 205–214.
Published: 01 August 2022
...Norman O. Brown Abstract This lecture, a tribute to the Muses, was delivered by Norman O. Brown for his class of 1971, “To Greet the Return of the Gods.” It is spoken with the preacher's rhythmic diction and charmed hieratic voice, and is transcribed here to include Brown's intentional pauses...
Journal Article
boundary 2 (2022) 49 (3): 39–44.
Published: 01 August 2022
...Daniel Tiffany Abstract This short essay makes inquiries and observations about how Norman O. Brown understands the confluence of poetry and prophecy, especially concerning the sorts of language he associates with “prophetic” poetry. Specifically, the essay attempts to identify more clearly...
Journal Article
boundary 2 (2022) 49 (3): 65–76.
Published: 01 August 2022
...T. C. Marshall Abstract In his late unpublished essay “Dionysus in 1992,” Norman O. Brown arrived at the ancient Greek term “spoudaiogeloion” to express his idea of a “serious laughter” that could respond to dialectical tensions without unbalancing them. Brown had, in 1959, converted Freud's Witz...
Journal Article
boundary 2 (2022) 49 (3): 147–154.
Published: 01 August 2022
...Jay Cantor Abstract In this version of a talk at the Norman O. Brown conference, Jay Cantor traces the path from Life Against Death into and through Love's Body to outline the liberatory impulse that animated Brown's entire opus. The anti-identitarian character of this liberation found Brown...
Journal Article
boundary 2 (2022) 49 (3): 29–38.
Published: 01 August 2022
...Jed Rasula Abstract This article addresses the turn in Norman O. Brown's intellectual orientation during the 1960s, a reorientation reflecting his newfound alliance with poets, and an internalization of a spirit of poetry that he explicitly derived from the heady atmosphere of the 1960s...
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