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Marcel Duchamp

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Journal Article
boundary 2 (2017) 44 (1): 53–78.
Published: 01 February 2017
... that is etymologically at the root of the word amateur —that is required for art-work. For Stiegler, Marcel Duchamp is an exemplar of this work precisely because of his libidinal discourse with art, most evident in the readymades, referred to by Stiegler as “not a burning scandal but something like a mute surprise...
Journal Article
boundary 2 (2017) 44 (1): 35–52.
Published: 01 February 2017
... . “The Prospects of Recording.” In The Glenn Gould Reader , edited by Page Tim , 331 – 53 . New York : Vintage . Guénoun Denis . 1998 . Le théâtre est-il nécessaire? Paris : Circé . Guérin Michel . 2008 . Marcel Duchamp: Portrait de l'anartiste . Nîmes : Lucie Éditions...
Journal Article
boundary 2 (2022) 49 (2): 129–151.
Published: 01 May 2022
... . 2019 . “ The Banksy Effect: Revolutionizing Humanitarian Protest Art .” Harvard International Review 40 , no. 2 : 35 – 37 . Camfield William . 1991 . “ Marcel Duchamp's Fountain : Aesthetic Object, Icon, or Anti-Art? ” In The Definitively Unfinished Marcel Duchamp , edited by de...
Journal Article
boundary 2 (2001) 28 (2): 47–51.
Published: 01 May 2001
... most problematically in the work of Marcel Duchamp and in Alfred Hitchcock’s Vertigo. Duchamp’s life- long preoccupation with the nude and the scopic regimes within which it is situated forms the background for much of Nude Memoir. Moriarty alludes to the ‘‘Nude Descending the Staircase in which...
Journal Article
boundary 2 (2017) 44 (1): 1–3.
Published: 01 February 2017
... in sensibility to aesthetic theory proper and art history. Starting from an aesthetic shift in the work of Marcel Duchamp from Nude Descending a Staircase (1912) to Fountain (1917), Stiegler reads this shift through the lens of his philosophy of technics and its effects on human sensibility. Technics...
Journal Article
boundary 2 (2017) 44 (1): 19–34.
Published: 01 February 2017
... as Marcel Duchamp, can only be seen omnitemporally as works of their time—even if, in Duchamp’s case, this was the time of worklessness (désoeuvrement).1 Giotto can no more appear in Leonardo’s time than Duchamp could in our time. But of what does the omnitemporality of the “an-­artist” Duchamp...
Journal Article
boundary 2 (2017) 44 (1): 5–18.
Published: 01 February 2017
... Bernard Stiegler Translated by Arne De Boever What happened to Marcel Duchamp between 1912—Nude Descend- ing a Staircase—and 1917—Fountain? And why should it matter to us? Between 1912 and 1917, Duchamp was increasingly concerned...
Journal Article
boundary 2 (2009) 36 (2): 209–215.
Published: 01 May 2009
... and profound he generously judges their own texts to be. Rieff’s readings of Joyce, Stevens, Marcel Duchamp, Picasso, Kafka, Nietzsche, and many others are often 214  boundary 2  /  Summer 2009 insightful, especially as he traces analytically the circulation of the death drive...
Journal Article
boundary 2 (2021) 48 (4): 155–161.
Published: 01 November 2021
..., Ray DiPalma, Robert Duncan, Johanna Drucker, Marcel Duchamp, Paul Laurence Dunbar, Larry Eigner, Susan Howe, Langston Hughes, Veronica Forrest-Thomson, Lyn Hejinian, Luce Irigeray, June Jordon, Groucho Marx, Velimir Khlebnikov, Jackson Mac Low, Hugh MacDiarmid, Nathaniel Mackey, Bernadette Mayer...
Journal Article
boundary 2 (2015) 42 (3): 79–96.
Published: 01 August 2015
... and strikes—a realization guiding an anticipatory crackdown by a police determined to preserve order. But Akasegawa invokes two dif- ferent events which were seeing their fiftieth anniversary in 1967—Marcel Duchamp’s Fountain (1917), and the Russian Revolution—and recalls them together as a moment...
Journal Article
boundary 2 (2013) 40 (3): 87–98.
Published: 01 August 2013
... with Greenblatt’s “subversion” is that it is not subver- sion; it’s long been, in his hands and the hands of others, a doctrine. Its subversiveness has become doctrinaire, and thus, by definition, it is no longer subversive but conservative of the status quo. It’s Marcel Duchamp’s Fountain become Andres...
Journal Article
boundary 2 (2013) 40 (1): 137–153.
Published: 01 February 2013
... and the irreverent performativity of Marcel Duchamp come easily to mind. Far from being deconstructive, Duchamp’s ready-­mades are iconic renamings. They don’t bar the image in order to preserve the ideal sacred of an allegedly noncommodified space. Rather, they desacralize the contextual space of the image...
Journal Article
boundary 2 (2009) 36 (3): 133–158.
Published: 01 August 2009
... pronoun marks of quotation noun marks of quotation verb comma adverb and noun taken as an adverbial phrase passive participle split from its verb by inframince qualification” (P, 214). Huh? Inframince is a word coined by the visual artist Marcel Duchamp that is usually...
Journal Article
boundary 2 (2009) 36 (3): 105–120.
Published: 01 August 2009
.... But, of course, Williams was just following in an avant-garde tradition that has been quite keen on foreclos- ing sentiment. Note, for example, the work of Alexander Rodchenko, Marcel Duchamp, Fernand Léger, Piet Mondrian, Nicolas de Stael, Yves Klein, Sol LeWitt, Richard Serra, Agnes Martin, and so...
Journal Article
boundary 2 (2018) 45 (2): 187–202.
Published: 01 May 2018
... is strictly limited. Where the avant-garde­ artist led, the intellectual is to follow. The invasion of aesthetic space by the everyday environment—whether that be tram tickets in a Dadaist collage or Marcel Duchamp’s urinal in the art gallery—points the way for a parallel dismantling...
Journal Article
boundary 2 (2009) 36 (3): 235–240.
Published: 01 August 2009
... diverticulitis, 25 Bordeaux (bottle), 12 dollhouse, 23–24 Brautigan, Richard (Trout Fishing in dorm rooms, 15 America), 1–223 passim Douglas, Ann, Breton, André, 8 Ducasse, Alain, 70 briansbelly.com, 58 Duchamp, Marcel, 10 bromide, 25...
Journal Article
boundary 2 (2016) 43 (3): 133–157.
Published: 01 August 2016
... constellation in which old reference points proved useless.”39 Here, irresistibly, comes to mind again Marcel Duchamp’s idea, or joke, Dadaist perhaps, revolutionary perhaps, but certainly relevant to Lenin and the camps: take a book, a textbook best of all, hang it on the porch of your house (it could...
Journal Article
boundary 2 (2021) 48 (4): 255–278.
Published: 01 November 2021
... poetry to a cardiac stress test, in the way Marcel Duchamp's “Fountain” interrogated the status of art: You write, the walls are our floors. How can the walls be floors if the floors refer to the part of the room which forms its enclosing surface and upon which one walks? In and the floors...
Journal Article
boundary 2 (2019) 46 (4): 63–93.
Published: 01 November 2019
... for artistic modernism of the eve of World War I, as anyone from Gino Severini and Giacomo Balla to Marcel Duchamp and Kazimir Malevich would readily attest.7 All of this is noted not in order to brand Goncharova s painting as derivative but to say that my brief reading of it gestures toward a much broader...
Journal Article
boundary 2 (2023) 50 (2): 61–91.
Published: 01 May 2023
... the artist is not aware of. —Marcel Duchamp, “The Creative Act” In an address titled “The March into Socialism,” delivered just days before his death in early 1950, the economist Joseph A. Schumpeter rehearsed his famous prediction that capitalism would eventually give way to a form of bureaucratic...