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Chinese cinema

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Journal Article
boundary 2 (1 May 2019) 46 (2): 121–137.
Published: 01 May 2019
... Duke University Press 2019 Chinese intellectuals Anti-Rightist Campaign Chinese cinema References Cheng Yin , dir. 1978 . Bagede gushi [The Story of Brother Ba] . Beijing Film Studio . Cowley Malcolm . 1934 . Exile’s Return: A Literary Odyssey of the 1920s . New...
Journal Article
boundary 2 (1 August 2004) 31 (3): 101–124.
Published: 01 August 2004
... national through a careful study of the recent development of Chinese cinema. Two concepts may need clarification here. In terms of globaliza- tion, I refer specifically to China’s integration into global media consumption, which is contingent upon the tensions between the call by the World Trade...
Journal Article
boundary 2 (1 February 2017) 44 (1): 239–265.
Published: 01 February 2017
...Tom Cohen This essay places Bernard Stiegler's conception of arche -cinema in contact with the era of climate change and the impasse that it presents to the American Left today. It views Stiegler's thought as a post-anthropocene writing project yet asks whether the “proletarianization of the senses...
Journal Article
boundary 2 (1 August 2018) 45 (3): 149–172.
Published: 01 August 2018
... : Routledge . Ku Bi-chen . 1992 . “ Asia Satellite No. 1 Helps to Give Birth to Chinese Television Global Village .” China Times Weekly , April 26 , no. 5 : 2 : 40 – 45 . Lee Tian-duo . 1997 . Taiwan Cinema, Society and History . Taipei : Asia-Pacific Publications . Lin...
Journal Article
boundary 2 (1 May 2008) 35 (2): 183–206.
Published: 01 May 2008
..., Ethnography, and Contemporary Chinese Cinema (New York: Columbia University Press, 1995); Rey Chow, Writing Dias- pora: Tactics of Intervention in Contemporary Cultural Studies (Indianapolis and Bloom- ington: Indiana University Press, 1993), 22–25. 16. Said, Culture and Imperialism, 262. 17. Etienne...
Journal Article
boundary 2 (1 August 2001) 28 (3): 19–60.
Published: 01 August 2001
...Arif Dirlik Duke University Press 2001 Postmodernism and Chinese History Arif Dirlik This essay considers questions raised by postmodernism with spe- cific reference to issues in the historiography of China. If I spend...
Journal Article
boundary 2 (1 August 2008) 35 (3): 223–238.
Published: 01 August 2008
.... . There is no shortage of scholarly treatments of the phenomenon of “transnational cinema” in a pan-Chinese setting. Four recent examples are Sheldon H. Lu, ed., Trans- national Chinese Cinemas: Identity, Nationhood, Gender (Honolulu: University of Hawaii Press, 1997); Sheldon H. Lu and...
Journal Article
boundary 2 (1 August 2018) 45 (3): 107–123.
Published: 01 August 2018
... the Politics of Recognition in Contemporary Taiwan .” China Quarterly , no. 148 : 1115 – 40 . Wang Chialan Sharon . 2012 . “ Memories of the Future: Remaking Taiwanese-ness in Cape No. 7 ,” Journal of Chinese Cinemas 6 , no. 2 : 135 – 51 . Wu Nai-teh Chen Ming-tong...
Journal Article
boundary 2 (1 August 2018) 45 (3): 79–105.
Published: 01 August 2018
... . Sterk Darryl . 2014 . “ Ironic Indigenous Primitivism: Taiwan’s First ‘Native Feature’ in an Era of Ethnic Tourism .” Journal of Chinese Cinemas 8 , no. 3 : 209 – 25 . Taipei Economic and Cultural Office . 2013 . “ Taiwan-NZ Trade Agreement to Take Force .” Scoop News , November 22...
Journal Article
boundary 2 (1 August 2008) 35 (3): 239–250.
Published: 01 August 2008
... consolidated by groundless and nonobligatory mergers between neoliberal postulates and the pieties of a so-called tradition. The essay illustrates this phenomenon through some examples from popular Hindi cinema. © 2008 by Duke University Press 2008 Hindutva and Informatic Modernization The...
Journal Article
boundary 2 (1 May 2009) 36 (2): 199–208.
Published: 01 May 2009
... circulates in a global era where we are shown so much but see so little represents a crucial political turn for Cronenberg. Analyzing this turn invites consideration, through a particularly ambitious case, of how commercial narrative cinema might imagine globalized geopolitics after 9/11. These two films...
Journal Article
boundary 2 (1 May 2011) 38 (2): 207–227.
Published: 01 May 2011
... Xiao Wu or Zhantai (Platform) had brought into Chinese cinema both a new geography (the chaotic de- and reindustrializing second- and third-tier­ cities of the northwest) and a new affective language, saw in the semioffi- cial trappings of I Wish I Knew signs of a disappointing transformation...
Journal Article
boundary 2 (1 May 2008) 35 (2): 213–215.
Published: 01 May 2008
... Home and World: A Reader in Hong Kong Cinema (coedited with Esther Cheung) (Hong Kong: Oxford University Press, 2004), and The “China” in Contemporary Western Critical Discourse [in Chinese] (Beijing: People’s University Press, 2006). Alexander Day is an assistant professor in the...
Journal Article
boundary 2 (1 February 2011) 38 (1): 235–237.
Published: 01 February 2011
... coedited Trauma and Cinema (2004) and The Image of China in the American Classroom (2005). His most recent edited volume is Words and Their Stories: Essays on the Language of the Chinese Revo- lution (2010). He has been a research fellow with the National Endowment for the Humanities in 2000 and the...
Journal Article
boundary 2 (1 August 2008) 35 (3): 263–265.
Published: 01 August 2008
..., Italian Style: Screen Performance and Personality in Italian Cinema. Leo Ou-fan Lee is professor of humanities at the Chinese University of Hong Kong, having retired from Harvard University in 2004. He is the author, most recently, of Shanghai Modern: The Flowering of a New Urban...
Journal Article
boundary 2 (1 May 2011) 38 (2): 235–237.
Published: 01 May 2011
..., and on social space and cultural politics in contemporary Shanghai. His most recent publication is a Chinese-language­ essay “Shehui kongjian dou- zheng” (The struggle for social space), a shortened and edited version of which was published in the collection “Cheng” zhang de...
Journal Article
boundary 2 (1 August 2004) 31 (3): 161–162.
Published: 01 August 2004
... book manuscript. Laikwan Pang is an assistant professor teaching cultural studies at the Chinese Uni- versity of Hong Kong. She is the author of Building a New China in Cinema: The Chi- nese Left-wing Cinema Movement, 1932–37 (2002) and is now preparing a book on 162 boundary 2 / Fall 2004...
Journal Article
boundary 2 (1 February 2009) 36 (1): 211–215.
Published: 01 February 2009
... Identity. Seattle: University of Washington Press, 2008. Marion, Jean-Luc. The Erotic Phenomenon. Trans. Stephen E. Lewis. Chicago: Uni- versity of Chicago Press, 2008. McGrath, Jason. Postsocialist Modernity: Chinese Cinema, Literature, and Criticism in the Market Age. Palo Alto, Calif.: Stanford...
Journal Article
boundary 2 (1 May 2006) 33 (2): 239–242.
Published: 01 May 2006
...: Proceedings of the Tenth Seminar of the International Association for Tibetan Studies, 2003 (2006). Valentina Vitali teaches comparative film studies at the University of Ulster (Northern Ireland), where she obtained a PhD for her thesis ‘‘The Aesthetics of Cultural Mod- ernization: Hindi Cinema 1947–1957...
Journal Article
boundary 2 (1 February 2014) 41 (1): 229–231.
Published: 01 February 2014
... © 2014 by Duke University Press 2014 Books Received Amar, Paul. The Security Archipelago: Human-­Security States, Sexuality Politics, and the End of Neoliberalism. Durham, NC: Duke University Press, 2013. Anderson, Crystal S. Beyond the Chinese Connection: Contemporary Afro-Asian­...