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Chinese cinema

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Journal Article
boundary 2 (2022) 49 (1): 263–292.
Published: 01 February 2022
...Jason McGrath In Chinese performance arts, one thing that was largely abandoned in the shift from traditional drama to motion pictures was the suppositionality of Chinese operatic performance, and the transition to digital cinema, particularly in the case of big‐budget blockbusters that compete...
FIGURES | View All (7)
Journal Article
boundary 2 (2004) 31 (3): 101–124.
Published: 01 August 2004
.... Focusing on China’s movie piracy as a case study, I will discuss two larger cultural problems: the internal contra- dictions of globalization manifested in contemporary Chinese culture, and the impact of movie piracy on a collective identity, or Chineseness, which has been forged in cinema...
Journal Article
boundary 2 (2022) 49 (1): 293–294.
Published: 01 February 2022
... of Environment in Modern China.” She coedits the Journal of Chinese Cinemas and the Film Theory in Media History book series published by Amsterdam University Press. Jennifer Blaylock is visiting assistant professor in cinema studies at Oberlin College. Her research has appeared in the Journal of African...
Journal Article
boundary 2 (2008) 35 (2): 213–215.
Published: 01 May 2008
... Home and World: A Reader in Hong Kong Cinema (coedited with Esther Cheung) (Hong Kong: Oxford University Press, 2004), and The “China” in Contemporary Western Critical Discourse [in Chinese] (Beijing: People’s University Press, 2006). Alexander Day is an assistant professor...
Journal Article
boundary 2 (2018) 45 (3): 107–123.
Published: 01 August 2018
... No. 7 ,” Journal of Chinese Cinemas 6 , no. 2 : 135 – 51 . Wu Nai-teh Chen Ming-tong . 1993 . “ Jengchuan juanyi han jingyingliudong: taiwandifangjingying de lizhixingcheng” (“Change of Regime and Shift of Local Leadership: A Historical Review of the Formation of Local Political...
Journal Article
boundary 2 (2022) 49 (1): 5–23.
Published: 01 February 2022
... prepared—for example, on the history of Chinese film theory—the aim is to move the terrain of film studies from one dominated by the United States and Western Europe in order to see other models of cinema and theory that provide alternate accounts of what the medium is and can do. In their work, these new...
Journal Article
boundary 2 (2008) 35 (3): 223–238.
Published: 01 August 2008
... treatments of the phenomenon of “transnational cinema” in a pan-Chinese setting. Four recent examples are Sheldon H. Lu, ed., Trans- national Chinese Cinemas: Identity, Nationhood, Gender (Honolulu: University of Hawaii Press, 1997); Sheldon H. Lu and Emilie Yueh-yu Yeh, eds., Chinese-Language Film...
Journal Article
boundary 2 (2019) 46 (2): 121–137.
Published: 01 May 2019
... by Duke University Press 2019 Chinese intellectuals Anti-Rightist Campaign Chinese cinema References Cheng Yin , dir. 1978 . Bagede gushi [The Story of Brother Ba] . Beijing Film Studio . Cowley Malcolm . 1934 . Exile’s Return: A Literary Odyssey of the 1920s . New...
Journal Article
boundary 2 (2009) 36 (1): 211–215.
Published: 01 February 2009
... Identity. Seattle: University of Washington Press, 2008. Marion, Jean-Luc. The Erotic Phenomenon. Trans. Stephen E. Lewis. Chicago: Uni- versity of Chicago Press, 2008. McGrath, Jason. Postsocialist Modernity: Chinese Cinema, Literature, and Criticism in the Market Age. Palo Alto, Calif.: Stanford...
Journal Article
boundary 2 (2001) 28 (3): 1–18.
Published: 01 August 2001
...- lution to make it a religious experience, this film accomplishes what many books and articles could never do. Another extraordinary discovery is the Hong Kong filmmaker Stanley Kwan’s history of Chinese cinema. Stanley had promised us an account of Chinese cinema’s treatment of gender...
Journal Article
boundary 2 (2008) 35 (2): 183–206.
Published: 01 May 2008
..., “The National Longing for Form,” in Nation and Narration, ed. Homi Bhabha (London and New York: Routledge, 1990), 45. 15. Rey Chow, Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema (New York: Columbia University Press, 1995); Rey Chow, Writing Dias- pora: Tactics...
Journal Article
boundary 2 (2005) 32 (2): 169–200.
Published: 01 May 2005
... Comparability as Historico-cultural Mentalité In the introduction to his anthology on Chinese film, Yingjin Zhang proposes that a proper archaeology of knowledge about prerevolutionary Chinese cinema—proper, in the sense that it would dispense with the politi- cization that has generally contained film...
Journal Article
boundary 2 (2018) 45 (3): 79–105.
Published: 01 August 2018
... .” In Taiwan: A New History , edited by Rubinstein Murray A. , 27 – 44 . Armonk, NY : M. E. Sharpe . Sterk Darryl . 2014 . “ Ironic Indigenous Primitivism: Taiwan’s First ‘Native Feature’ in an Era of Ethnic Tourism .” Journal of Chinese Cinemas 8 , no. 3 : 209 – 25 . Taipei...
Journal Article
boundary 2 (2007) 34 (1): 115–133.
Published: 01 February 2007
... of minority affiliation and interpretation to grasp such global/local forms. While a recent work of Chinese cinema by director Dai Sijie has been praised by an American film critic as a “film [that] is virtually apolitical, with the Cultural Revolution treated as a mere backdrop,” Balzac...
Journal Article
boundary 2 (2006) 33 (2): 239–242.
Published: 01 May 2006
... of the International Association for Tibetan Studies, 2003 (2006). Valentina Vitali teaches comparative film studies at the University of Ulster (Northern Ireland), where she obtained a PhD for her thesis ‘‘The Aesthetics of Cultural Mod- ernization: Hindi Cinema 1947–1957’’ (2001). Her work has appeared in Inter...
Journal Article
boundary 2 (2022) 49 (1): 25–69.
Published: 01 February 2022
... through the Chinese e-commerce platform Taobao, despite its meager success, remind us of the intricate imbrication between the global and the local in post-socialist China and offer evidence of the interpenetration between old and new cultural techniques. By framing cinema in the operative chain...
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Journal Article
boundary 2 (2008) 35 (3): 263–265.
Published: 01 August 2008
... Contributors Masao Adachi is a prominent experimental filmmaker who first appeared in the Japanese New Wave movement of the 1950s and 1960s, and was associated with Nagisa Oshima, Kiju Yoshida, and others who forged the formation of new cinema devoted to probing...
Journal Article
boundary 2 (2011) 38 (2): 207–227.
Published: 01 May 2011
...: Haishang chuanqi, literally meaning “marvels of Shanghai” or “sea-­ borne marvels”) should not be seen as an official expo film, but many did see it as such, and some one-time­ fans of the director, who in films such as Xiao Wu or Zhantai (Platform) had brought into Chinese cinema both a new...
Journal Article
boundary 2 (2018) 45 (3): 149–172.
Published: 01 August 2018
... – 45 . Lee Tian-duo . 1997 . Taiwan Cinema, Society and History . Taipei : Asia-Pacific Publications . Lin Meng-yi . 2010 . “ Mainland Chinese Are Also Crazy about the TV Drama A Married Woman’s Parental Home .” Business Weekly , no. 1182 , July 19 . http...
Journal Article
boundary 2 (2010) 37 (3): 207–210.
Published: 01 August 2010
.... Beauvais, Chantal, Richard Feist, and Rajesh Shukla, eds. Technology and the Changing Face of Humanity. Ottawa, Ont.: University of Ottawa Press, 2010. Chang, Elizabeth Hope. Britain’s Chinese Eye: Literature, Empire, and Aesthetics in Nineteenth-Century Britain. Stanford, Calif.: Stanford...