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Chinese cinema

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Journal Article
boundary 2 (1 May 2019) 46 (2): 121–137.
Published: 01 May 2019
... Duke University Press 2019 Chinese intellectuals Anti-Rightist Campaign Chinese cinema References Cheng Yin , dir. 1978 . Bagede gushi [The Story of Brother Ba] . Beijing Film Studio . Cowley Malcolm . 1934 . Exile’s Return: A Literary Odyssey of the 1920s . New...
Journal Article
boundary 2 (1 August 2004) 31 (3): 101–124.
Published: 01 August 2004
... national through a careful study of the recent development of Chinese cinema. Two concepts may need clarification here. In terms of globaliza- tion, I refer specifically to China’s integration into global media consumption, which is contingent upon the tensions between the call by the World Trade...
Journal Article
boundary 2 (1 February 2017) 44 (1): 239–265.
Published: 01 February 2017
...Tom Cohen This essay places Bernard Stiegler's conception of arche -cinema in contact with the era of climate change and the impasse that it presents to the American Left today. It views Stiegler's thought as a post-anthropocene writing project yet asks whether the “proletarianization of the senses...
Journal Article
boundary 2 (1 May 2008) 35 (2): 183–206.
Published: 01 May 2008
..., Ethnography, and Contemporary Chinese Cinema (New York: Columbia University Press, 1995); Rey Chow, Writing Dias- pora: Tactics of Intervention in Contemporary Cultural Studies (Indianapolis and Bloom- ington: Indiana University Press, 1993), 22–25. 16. Said, Culture and Imperialism, 262. 17. Etienne...
Journal Article
boundary 2 (1 August 2018) 45 (3): 149–172.
Published: 01 August 2018
... , no. 5 : 2 : 40 – 45 . Lee Tian-duo . 1997 . Taiwan Cinema, Society and History . Taipei : Asia-Pacific Publications . Lin Meng-yi . 2010 . “ Mainland Chinese Are Also Crazy about the TV Drama A Married Woman’s Parental Home .” Business Weekly , no. 1182 , July 19...
Journal Article
boundary 2 (1 August 2001) 28 (3): 19–60.
Published: 01 August 2001
...Arif Dirlik Duke University Press 2001 Postmodernism and Chinese History Arif Dirlik This essay considers questions raised by postmodernism with spe- cific reference to issues in the historiography of China. If I spend...
Journal Article
boundary 2 (1 August 2008) 35 (3): 223–238.
Published: 01 August 2008
.... . There is no shortage of scholarly treatments of the phenomenon of “transnational cinema” in a pan-Chinese setting. Four recent examples are Sheldon H. Lu, ed., Trans- national Chinese Cinemas: Identity, Nationhood, Gender (Honolulu: University of Hawaii Press, 1997); Sheldon H. Lu and...
Journal Article
boundary 2 (1 August 2018) 45 (3): 107–123.
Published: 01 August 2018
... the Politics of Recognition in Contemporary Taiwan .” China Quarterly , no. 148 : 1115 – 40 . Wang Chialan Sharon . 2012 . “ Memories of the Future: Remaking Taiwanese-ness in Cape No. 7 ,” Journal of Chinese Cinemas 6 , no. 2 : 135 – 51 . Wu Nai-teh Chen Ming-tong...
Journal Article
boundary 2 (1 August 2018) 45 (3): 79–105.
Published: 01 August 2018
... . Sterk Darryl . 2014 . “ Ironic Indigenous Primitivism: Taiwan’s First ‘Native Feature’ in an Era of Ethnic Tourism .” Journal of Chinese Cinemas 8 , no. 3 : 209 – 25 . Taipei Economic and Cultural Office . 2013 . “ Taiwan-NZ Trade Agreement to Take Force .” Scoop News , November 22...
Journal Article
boundary 2 (1 August 2008) 35 (3): 239–250.
Published: 01 August 2008
... consolidated by groundless and nonobligatory mergers between neoliberal postulates and the pieties of a so-called tradition. The essay illustrates this phenomenon through some examples from popular Hindi cinema. © 2008 by Duke University Press 2008 Hindutva and Informatic Modernization The...
Journal Article
boundary 2 (1 May 2009) 36 (2): 199–208.
Published: 01 May 2009
... circulates in a global era where we are shown so much but see so little represents a crucial political turn for Cronenberg. Analyzing this turn invites consideration, through a particularly ambitious case, of how commercial narrative cinema might imagine globalized geopolitics after 9/11. These two films...
Journal Article
boundary 2 (1 May 2011) 38 (2): 207–227.
Published: 01 May 2011
... Xiao Wu or Zhantai (Platform) had brought into Chinese cinema both a new geography (the chaotic de- and reindustrializing second- and third-tier­ cities of the northwest) and a new affective language, saw in the semioffi- cial trappings of I Wish I Knew signs of a disappointing transformation...
Journal Article
boundary 2 (1 May 2008) 35 (2): 213–215.
Published: 01 May 2008
... Home and World: A Reader in Hong Kong Cinema (coedited with Esther Cheung) (Hong Kong: Oxford University Press, 2004), and The “China” in Contemporary Western Critical Discourse [in Chinese] (Beijing: People’s University Press, 2006). Alexander Day is an assistant professor in the...
Journal Article
boundary 2 (1 February 2011) 38 (1): 235–237.
Published: 01 February 2011
... coedited Trauma and Cinema (2004) and The Image of China in the American Classroom (2005). His most recent edited volume is Words and Their Stories: Essays on the Language of the Chinese Revo- lution (2010). He has been a research fellow with the National Endowment for the Humanities in 2000 and the...
Journal Article
boundary 2 (1 February 2009) 36 (1): 211–215.
Published: 01 February 2009
... Identity. Seattle: University of Washington Press, 2008. Marion, Jean-Luc. The Erotic Phenomenon. Trans. Stephen E. Lewis. Chicago: Uni- versity of Chicago Press, 2008. McGrath, Jason. Postsocialist Modernity: Chinese Cinema, Literature, and Criticism in the Market Age. Palo Alto, Calif.: Stanford...
Journal Article
boundary 2 (1 August 2008) 35 (3): 263–265.
Published: 01 August 2008
..., Italian Style: Screen Performance and Personality in Italian Cinema. Leo Ou-fan Lee is professor of humanities at the Chinese University of Hong Kong, having retired from Harvard University in 2004. He is the author, most recently, of Shanghai Modern: The Flowering of a New Urban...
Journal Article
boundary 2 (1 May 2011) 38 (2): 235–237.
Published: 01 May 2011
..., and on social space and cultural politics in contemporary Shanghai. His most recent publication is a Chinese-language­ essay “Shehui kongjian dou- zheng” (The struggle for social space), a shortened and edited version of which was published in the collection “Cheng” zhang de...
Journal Article
boundary 2 (1 August 2004) 31 (3): 161–162.
Published: 01 August 2004
... book manuscript. Laikwan Pang is an assistant professor teaching cultural studies at the Chinese Uni- versity of Hong Kong. She is the author of Building a New China in Cinema: The Chi- nese Left-wing Cinema Movement, 1932–37 (2002) and is now preparing a book on 162 boundary 2 / Fall 2004...
Journal Article
boundary 2 (1 May 2006) 33 (2): 239–242.
Published: 01 May 2006
...: Proceedings of the Tenth Seminar of the International Association for Tibetan Studies, 2003 (2006). Valentina Vitali teaches comparative film studies at the University of Ulster (Northern Ireland), where she obtained a PhD for her thesis ‘‘The Aesthetics of Cultural Mod- ernization: Hindi Cinema 1947–1957...
Journal Article
boundary 2 (1 August 2001) 28 (3): 1–18.
Published: 01 August 2001
.... Another extraordinary discovery is the Hong Kong filmmaker Stanley Kwan’s history of Chinese cinema. Stanley had promised us an account of Chinese cinema’s treatment of gender, and particularly its representation of homosexuality, and this is indeed the film he delivers. But his account of the three...