Abstract
This article constructs a genealogy of anti‐imperialist cultural practice, connecting novels and spoken word projects of David Peace to post–World War II Japanese poetry and to the extreme music practice of the powerviolence band Column of Heaven. By placing Peace's novels in conversation with these different cultural forms, it aims to show how the modernist mystification can augment the radical political effects of popular art during the era of imperialism. The article proposes an alternative route to Marxist cultural criticism via Althusser's understanding of ideological interpellation and his critique of Lenin's classic analysis of imperialism. In this sense, it proposes to link contemporary experimental musical and literary practice to a Marxist politics of anti‐imperialism, in contradistinction to the potentially depoliticizing effects of the popular critique of neoliberalism.
