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Published: 01 January 1999
DOI: 10.1215/9780822398516-008
EISBN: 978-0-8223-9851-6
...5. Postrevolutionary leftovers Zhang Xianliang and Ah Cheng Compared with the revolutionary narrative of hunger as a whole, the most striking feature in Zhang Xianliang's "Mimosa" and Ah Cheng's "The Chess King" is the foregrounded relationship of food with words...
Published: 19 April 2002
DOI: 10.1215/9780822383383-008
EISBN: 978-0-8223-8338-3
... Zhang Dali’s Dialogue: Conversation with a City Wu Hung A public controversy surfaced in Beijing’s newspapers in early 1998. At its center was an image that had become familiar to the city’s many urban residents: a spray-painted profile of a large bald head, sometimes two meters...
Published: 03 January 2007
DOI: 10.1215/9780822388579-015
EISBN: 978-0-8223-8857-9
... 11 Techniques behind Lies and the Artistry of Truth: Writing about the Writings of Zhang Dachun Kim-chu Ng The road leading up and the road leading down are ultimately the same road. Heraclitus A favorite of the Taiwanese literary world of the...
Published: 07 March 2007
DOI: 10.1215/9780822390008-013
EISBN: 978-0-8223-9000-8
... zhang yuan’s imaginary cities and the Theatricalization of the Chinese ‘‘Bastards’’ bérénice reynaud hang Yuan’s first feature film, Mama (1990)—awarded the fipresci Prize in Edinburgh—was hailed as ‘‘the first genuinely independent movie made in...
Published: 22 December 2015
DOI: 10.1215/9780822374756-001
EISBN: 978-0-8223-7475-6
...THE DISPLACED ARTIST SEES THINGS FOR US: ZHANG HONGTU AND THE ART OF CONVERGENCE Jerome Silbergeld The back of the Peng-bird measures I don’t know how many thou- sand li across, and when he rises up and fies off, his wings are like clouds all over the sky. When the Peng rises ninety...
Published: 22 December 2015
DOI: 10.1215/9780822374756-002
EISBN: 978-0-8223-7475-6
...WALL, GATE, HOLE: THREE RECURRENT MOTIFS IN ZHANG HONGTU’S ART Wu Hung What kind of wall rejects doors and gates? Is there any door or gate not attached to a wall? Does a door or gate become a wall when it ceases to open? Can people dig big holes on a wall without caus- ing it to...
Published: 22 December 2015
DOI: 10.1215/9780822374756-004
EISBN: 978-0-8223-7475-6
... THE MAN IN THE MOON: A CONVERSATION WITH ZHANG HONGTU Eugenie Tsai Eugenie Tsai: One thing that’s always impressed me about your practice is how open it’s been to the work of many other artists. When you showed me some of the small...
Published: 22 December 2015
DOI: 10.1215/9780822374756-005
EISBN: 978-0-8223-7475-6
...“A HUNDRED WAYS TO LEARN” ABOUT ZHANG HONGTU Morgan Perkins The retrospective is a unique and honored occurrence in an artist’s career for it allows viewers to see while not always a complete representation, at least an approximation of all that has been produced to that point...
Published: 22 December 2015
DOI: 10.1215/9780822374756-007
EISBN: 978-0-8223-7475-6
... ZHANG HONGTU: PLAYING WITH POWER Alexandra Chang In the 1990s, Zhang Hongtu could be found treading through the triangulated grid of lower Manhattan with his signature full head of silvering hair and a watch with no face strapped to his wrist (Fig...
Published: 22 December 2015
DOI: 10.1215/9780822374756-008
EISBN: 978-0-8223-7475-6
... ZHANG HONGTU’S FASHIONABLE TURN Thuy Linh Nguyen Tu The historian Eric Hobsbawm once wrote, “Why brilliant fashion-designers, a noto- riously non-analytic breed, sometimes succeed in anticipating the shape of things to come better than professional...
Published: 22 December 2015
DOI: 10.1215/9780822374756-010
EISBN: 978-0-8223-7475-6
...ZHANG HONGTU’S QUEENS Tom Finkelpearl Like tens of thousands of his generation, Rogelio “Viko” Ortega made his way from Puebla, a province in southeast Mexico, to Queens in the 1990s. After an appren- ticeship in a French pastry shop in Manhattan, Ortega opened his own restaurant, La...
Published: 22 December 2015
DOI: 10.1215/9780822374756-011
EISBN: 978-0-8223-7475-6
... WHAT’S NEXT FOR US? ZHANG HONGTU’S ENVIRONMENTAL SHAN SHUI Luchia Meihua Lee In his Spheres trilogy, Peter Sloterdijk describes the profound individual alienation within contemporary civilization and attributes such conditions broadly to...
Published: 27 June 2002
DOI: 10.1215/9780822383444-005
EISBN: 978-0-8223-8344-4
... CHAPTER 4 Tears of Ressentiment: Zhang Zhupo’s (1670–1698) Jin Ping Mei The sword [dao] of a military man, and the brush [bi] of the gentleman of...
Published: 04 April 2008
DOI: 10.1215/9780822388937-009
EISBN: 978-0-8223-8893-7
... eight Narrative, Culture, and Legitimacy: Repetition and Singularity in Zhang Yimou’s The Story of Qiu Ju...
Published: 05 December 2007
DOI: 10.1215/9780822390176-010
EISBN: 978-0-8223-9017-6
... Interview with Xudong Zhang zhang: My fi rst question concerns the overall outlook of your theoretical language and the constitution of your methodology. It is a common view that you combined Marxism and structuralism—not structuralism per se but the general emphasis on language and...
Published: 01 January 1993
DOI: 10.1215/9780822396840-013
EISBN: 978-0-8223-9684-0
... Yuan Qiongqiong and the Rage for Eileen Zhang Among Taiwan's. Feminine Writers Sung-sheng Yvonne Chang If literature of the People's Republic of China has suffered from having been fitted into the strait-jacket of a narrowly defined "socialist realism," then the...
Published: 22 December 2015
DOI: 10.1215/9780822374756
EISBN: 978-0-8223-7475-6
Published: 22 December 2015
DOI: 10.1215/9780822374756-003
EISBN: 978-0-8223-7475-6
... ZHANG’S CONTEMPORARY CUBISM Michael FitzGerald Although Zhang Hongtu is best known for an art of political critique, his densely lay- ered work is as engaged with the history of art as with issues of free speech.1 Among these dialogues with art...
Published: 07 March 2007
DOI: 10.1215/9780822390008-003
EISBN: 978-0-8223-9000-8
... rebel without a cause? China’s New Urban Generation and Postsocialist Filmmaking yingjin zhang n this chapter I seek to remap the varied landscape of...
Published: 01 January 2001
DOI: 10.1215/9780822381150-001
EISBN: 978-0-8223-8115-0