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Published: 01 January 1997
DOI: 10.1215/9780822382096-033
EISBN: 978-0-8223-8209-6
Published: 01 January 1997
DOI: 10.1215/9780822382096-034
EISBN: 978-0-8223-8209-6
Published: 01 January 1997
DOI: 10.1215/9780822382096-035
EISBN: 978-0-8223-8209-6
Published: 01 January 1997
DOI: 10.1215/9780822382096-092
EISBN: 978-0-8223-8209-6
Published: 01 January 1997
DOI: 10.1215/9780822382096-112
EISBN: 978-0-8223-8209-6
Published: 04 June 2008
DOI: 10.1215/9780822381174-003
EISBN: 978-0-8223-8117-4
Published: 04 June 2008
DOI: 10.1215/9780822381174-022
EISBN: 978-0-8223-8117-4
Series: The World Readers
Published: 22 March 2013
DOI: 10.1215/9780822395676-004
EISBN: 978-0-8223-9567-6
Series: The Latin America Readers
Published: 06 July 2018
DOI: 10.1215/9780822371618-139
EISBN: 978-0-8223-7161-8
Published: 25 March 2016
DOI: 10.1215/9780822374343-006
EISBN: 978-0-8223-7434-3
... This chapter explores remembrance in the form of the imagined, filmic reconstruction of the demilitarized zone (DMZ) between North and South Korea in the murder mystery Joint Security Area (Park Chan-wook, 2000); the alternate history in the science-fiction film Yesterday (Chŏng Yun-su, 2002...
Book Chapter

By Youngmin Choe
Published: 25 March 2016
EISBN: 978-0-8223-7434-3
... (Chŏng Yun-su, 2002); and the time-travel film 2009 Lost Memories (Lee Si-myung, 2002). In contrast to the stasis of the actual DMZ as a historical site and truce memorial, the DMZ in filmic representations within the first Korean Wave embraced its touristic potential; though transmuted to an imagined...