...Preface<subtitle>you’re invited: <italic>a playlist for errant ethnographers</italic></subtitle> The preface is a short invitation to the volume and to queer anthropology, written as an invitation to an all-night queer club/dance party. It includes musical callouts and a link to a soundtrack...

... Completing approximately thirty mixes for Prelude during 1982, François Kevorkian began to incorporate dub elements into his recordings during his mix of the album version of “D” Train’s “You’re the One for Me (Reprise).” He also started to freelance, remixing Dinosaur L’s “#5 (Go Bang...

... the often-suspect word “feminism”? How can one teach at many levels at once: about aesthetics, emotions, self-regulation, politics, oppression, violence? Snitow told skeptical friends: “I want the students to consider the idea that sometimes you hit someone, but really you’re sad.” The piece includes...

... the students to consider the idea that sometimes you hit someone, but really you’re sad.” The piece includes portraits of some of the inmates in the class and describes the changing dynamics of the course, week by week. By the end, most in the group had fused into an intellectual and intimate community...

... for Prelude during 1982, François Kevorkian began to incorporate dub elements into his recordings during his mix of the album version of “D” Train’s “You’re the One for Me (Reprise).” He also started to freelance, remixing Dinosaur L’s “#5 (Go Bang!)” and Yaz’s “Situation.” The paradigm shift toward...