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Series: Radical Perspectives
Published: 07 February 2007
DOI: 10.1215/9780822389507-007
EISBN: 978-0-8223-8950-7
Published: 07 January 2004
DOI: 10.1215/9780822385653-005
EISBN: 978-0-8223-8565-3
Published: 14 September 2015
DOI: 10.1215/9780822375210-007
EISBN: 978-0-8223-7521-0
Published: 28 June 2013
DOI: 10.1215/9780822394976-012
EISBN: 978-0-8223-9497-6
Series: Series Q
Published: 01 January 2003
DOI: 10.1215/9780822384786-005
EISBN: 978-0-8223-8478-6
Published: 16 September 2016
DOI: 10.1215/9780822373711-003
EISBN: 978-0-8223-7371-1
Series: The Latin America Readers
Published: 28 April 2014
DOI: 10.1215/9780822376521-125
EISBN: 978-0-8223-7652-1
Published: 02 April 2002
DOI: 10.1215/9780822383376-004
EISBN: 978-0-8223-8337-6
Published: 01 January 2009
DOI: 10.1215/9780822390817-005
EISBN: 978-0-8223-9081-7
Published: 13 August 2002
DOI: 10.1215/9780822383956-011
EISBN: 978-0-8223-8395-6
Published: 15 April 2004
DOI: 10.1215/9780822385530-028
EISBN: 978-0-8223-8553-0
Series: Series Q
Published: 24 November 1997
DOI: 10.1215/9780822382478-001
EISBN: 978-0-8223-8247-8
Published: 04 January 2021
DOI: 10.1215/9781478012870-005
EISBN: 978-1-4780-1287-0
Book Chapter

By Tim Lawrence
Published: 09 September 2016
DOI: 10.1215/9780822373926-025
EISBN: 978-0-8223-7392-6
... Completing approximately thirty mixes for Prelude during 1982, François Kevorkian began to incorporate dub elements into his recordings during his mix of the album version of “D” Train’s “You’re the One for Me (Reprise).” He also started to freelance, remixing Dinosaur L’s “#5 (Go Bang...
Published: 14 August 2015
DOI: 10.1215/9780822375678-019
EISBN: 978-0-8223-7567-8
... the often-suspect word “feminism”? How can one teach at many levels at once: about aesthetics, emotions, self-regulation, politics, oppression, violence? Snitow told skeptical friends: “I want the students to consider the idea that sometimes you hit someone, but really you’re sad.” The piece includes...
Published: 14 August 2015
EISBN: 978-0-8223-7567-8
... the students to consider the idea that sometimes you hit someone, but really you’re sad.” The piece includes portraits of some of the inmates in the class and describes the changing dynamics of the course, week by week. By the end, most in the group had fused into an intellectual and intimate community...
Published: 09 September 2016
EISBN: 978-0-8223-7392-6
... for Prelude during 1982, François Kevorkian began to incorporate dub elements into his recordings during his mix of the album version of “D” Train’s “You’re the One for Me (Reprise).” He also started to freelance, remixing Dinosaur L’s “#5 (Go Bang!)” and Yaz’s “Situation.” The paradigm shift toward...