... The love conjure/blues Text Installation theatrical jazz aesthetic women’s theater women-of-color artists ...

... in the early 1990s Austin, Texas, women’s theater scene. She then shares some of her own experiences creating shows, founding a theater company, and collaborating with women-of-color artists. After detailing her collaborative approach to her art-making process, Bridgforth expounds on how she drew...

..., founding a theater company, and collaborating with women-of-color artists. After detailing her collaborative approach to her art-making process, Bridgforth expounds on how she drew on the theatrical jazz aesthetic to conceive The love conjure/blues Text Installation. The love conjure/blues Text...

... fiction to engage recent characterizations of his work as postrace, before addressing those features of his work that place him in a genealogy of activist writers that includes women of color writers such as Lorde. It ends with a reading of the short story “How to Date a Browngirl, Blackgirl, Whitegirl...

... Brazilian conflicts, women played an active role in the Constitutionalist Movement and in a wide range of support services for the 1932uprising. The prominent role of women also served to reinforce claims about regional modernity and the paulistas’ sense of civic duty. However, the principal theme...

... a dash of excitement to his account of the festivities. The spectacle was also captured in a monumental canvas painted by Melchor Pérez Holguín (ca. 1660–ca. 1725), a creole from Potosí, like Arzáns, and the greatest artist to emerge in colonial Upper Peru (see color plates). ...

... canvas painted by Melchor Pérez Holguín (ca. 1660–ca. 1725), a creole from Potosí, like Arzáns, and the greatest artist to emerge in colonial Upper Peru (see color plates). Written at the end of the colonial period by one of the most powerful colonial magistrates in the Audiencia (high court...

... vernacular versions of d’Orbigny’s drawings (see color plates) to provide a nationalist counterpoint. In much of mid-nineteenth-century Latin America, charismatic military or political leaders with popular followings were common figures. In Bolivia, General Manuel Isidoro Belzu (1848–55), who gained...

... of the War of the Pacific, she became an active educator, writer, and public advocate for women and children. She composed her poem “To Be Born a Man,” with its hard-hitting, mocking lines about gender discrimination, early in her writing career. Her epistolary novel Íntimas (Close Friends , 1913), written...

... and Identity in the Civil War South (Baton Rouge: Louisiana State University Press,1988), 22–40.The vigorous response of Southern women may be examined in Drew Gilpin Faust, Thavolia Glymph, and George C. Rable, “A Woman’s War: Southern Women in the Civil War,” in Edward D.C. Campbell Jr. and Kym S. Rice, eds...

... and Identity in the Civil War South (Baton Rouge: Louisiana State University Press,1988), 22–40.The vigorous response of Southern women may be examined in Drew Gilpin Faust, Thavolia Glymph, and George C. Rable, “A Woman’s War: Southern Women in the Civil War,” in Edward D.C. Campbell Jr. and Kym S. Rice, eds...

... and Identity in the Civil War South (Baton Rouge: Louisiana State University Press,1988), 22–40.The vigorous response of Southern women may be examined in Drew Gilpin Faust, Thavolia Glymph, and George C. Rable, “A Woman’s War: Southern Women in the Civil War,” in Edward D.C. Campbell Jr. and Kym S. Rice, eds...

... and Identity in the Civil War South (Baton Rouge: Louisiana State University Press,1988), 22–40.The vigorous response of Southern women may be examined in Drew Gilpin Faust, Thavolia Glymph, and George C. Rable, “A Woman’s War: Southern Women in the Civil War,” in Edward D.C. Campbell Jr. and Kym S. Rice, eds...

... and Identity in the Civil War South (Baton Rouge: Louisiana State University Press,1988), 22–40.The vigorous response of Southern women may be examined in Drew Gilpin Faust, Thavolia Glymph, and George C. Rable, “A Woman’s War: Southern Women in the Civil War,” in Edward D.C. Campbell Jr. and Kym S. Rice, eds...

... and Identity in the Civil War South (Baton Rouge: Louisiana State University Press,1988), 22–40.The vigorous response of Southern women may be examined in Drew Gilpin Faust, Thavolia Glymph, and George C. Rable, “A Woman’s War: Southern Women in the Civil War,” in Edward D.C. Campbell Jr. and Kym S. Rice, eds...

... and Identity in the Civil War South (Baton Rouge: Louisiana State University Press,1988), 22–40.The vigorous response of Southern women may be examined in Drew Gilpin Faust, Thavolia Glymph, and George C. Rable, “A Woman’s War: Southern Women in the Civil War,” in Edward D.C. Campbell Jr. and Kym S. Rice, eds...

...: Ideology and Identity in the Civil War South (Baton Rouge: Louisiana State University Press,1988), 22–40.The vigorous response of Southern women may be examined in Drew Gilpin Faust, Thavolia Glymph, and George C. Rable, “A Woman’s War: Southern Women in the Civil War,” in Edward D.C. Campbell Jr. and Kym...

... and Identity in the Civil War South (Baton Rouge: Louisiana State University Press,1988), 22–40.The vigorous response of Southern women may be examined in Drew Gilpin Faust, Thavolia Glymph, and George C. Rable, “A Woman’s War: Southern Women in the Civil War,” in Edward D.C. Campbell Jr. and Kym S. Rice, eds...

... and Identity in the Civil War South (Baton Rouge: Louisiana State University Press,1988), 22–40.The vigorous response of Southern women may be examined in Drew Gilpin Faust, Thavolia Glymph, and George C. Rable, “A Woman’s War: Southern Women in the Civil War,” in Edward D.C. Campbell Jr. and Kym S. Rice, eds...

... and Identity in the Civil War South (Baton Rouge: Louisiana State University Press,1988), 22–40.The vigorous response of Southern women may be examined in Drew Gilpin Faust, Thavolia Glymph, and George C. Rable, “A Woman’s War: Southern Women in the Civil War,” in Edward D.C. Campbell Jr. and Kym S. Rice, eds...