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warhol

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Published: 30 August 2005
DOI: 10.1215/9780822387053-005
EISBN: 978-0-8223-8705-3
... á CHAPTER 4 á DISHING ON THE SWISH, OR, THE ‘‘INNING’’ OF ANDY WARHOL One thing I’ve always liked to do is hear what people think of each other— you...
Published: 25 February 2002
DOI: 10.1215/9780822383772-003
EISBN: 978-0-8223-8377-2
... TWO Andy Warhol and the Crises of Value’s Appearances I suppose I have a really loose interpretation of ‘‘work’’ because I think that just being alive is so much work at something that you don’t always want to...
Published: 01 January 1996
DOI: 10.1215/9780822397649-003
EISBN: 978-0-8223-9764-9
... DAVID E. JAMES I'll Be Your Mirror Stage: Andy Warhol in the Cultural Imaginary "he became his admirers, w. H. Auden, "In Memory ofW. B. Yeats"l n Jonas Mekas's documentary of his presentation of the 1964 Indepen...
Published: 01 January 1996
DOI: 10.1215/9780822397649-005
EISBN: 978-0-8223-9764-9
... MICHAEL MOON Screen Memories, or, Pop Comes from the Outside: Warhol and Queer Childhood "[ was never embarrassed about asking someone, literally, 'What should I paint)' because Pop comes from the outside, and how is asking...
Published: 01 January 1996
DOI: 10.1215/9780822397649-006
EISBN: 978-0-8223-9764-9
... JONATHAN FLATLEY Warhol Gives Good Face: Publicity and the Politics of Prosopopoeia Suddenly we all felt like insiders because even though Pop was everywhere-that was the thing about it, most people still took it for granted...
Published: 01 January 1996
DOI: 10.1215/9780822397649-011
EISBN: 978-0-8223-9764-9
... MARCIE FRANK Popping Off Warhol: From the Gutter to the Underground and Beyond n June 3, 1968, in the middle of the afternoon, Valerie Solanas shot and critically wounded Andy Warhol. Three...
Published: 01 January 1996
DOI: 10.1215/9780822397649-012
EISBN: 978-0-8223-9764-9
... MANDY MERCK Figuring Out Andy Warhol he resemblance of my title to D. A. Miller's monograph Bringing Out Roland Barthes is as fortunate as it was, originally, fortuitous. Miller's essay is perhaps best known...
Published: 01 January 1998
DOI: 10.1215/9780822396024-005
EISBN: 978-0-8223-9602-4
...FOUR • Screen Memories, or, Pop Comesfrom the Outside: Warhol and Queer Childhood "I was never embarrassed about asking someone, literally, 'What should 1 paint?' because Pop comesftom the outside, and how is asking someone for ideas any differentftom lookingfor them in a...
Published: 01 January 1996
EISBN: 978-0-8223-9925-4
Published: 01 January 1998
DOI: 10.1215/9780822396024
EISBN: 978-0-8223-9602-4
Published: 01 January 1996
DOI: 10.1215/9780822397649
EISBN: 978-0-8223-9764-9
Published: 23 October 2002
DOI: 10.1215/9780822384311-013
EISBN: 978-0-8223-8431-1
... ROBYN R. WARHOL Nice Work, If You Can Get It—and If You Can’t? Building Women’s Studies Without Tenure Lines Women’s Studies practitioners are justifiably excited these days about the development of our field as an ‘‘interdiscipline As other...
Published: 01 January 2002
DOI: 10.1215/9780822383505-042
EISBN: 978-0-8223-8350-5
... ror film by creating fear. He artfully steps across the Cabin traditional division between criticism and fiction by writing a critical study of the horror genre that Robyn R. Warhol is more of a Poeian nightmare than a classic argu- ment. He asks “What is...
Published: 01 January 1996
DOI: 10.1215/9780822397649-007
EISBN: 978-0-8223-9764-9
... EVE KOSOFSKY SEDGWICK Queer Performativity: Warhol's Shyness/Warhol's Whiteness he jokes that mean the most to you are the ones you don't quite get; that's one true fact I've figured out over the years...
Published: 13 July 2010
DOI: 10.1215/9780822392767-005
EISBN: 978-0-8223-9276-7
... Andy Warhol’s automobile evolved constantly during the Since (1966/2002) 1950s, 1960s, and 1970s in both the European and American contexts, yet the specific his- tories that shape the relationship between these two technologies is often reductively framed by a narrative that simply...
Published: 01 January 2004
DOI: 10.1215/9780822385844-016
EISBN: 978-0-8223-8584-4
... part 5 Pornography and/as Avant-Garde Andy Warhol’s Blow Job: Toward the Recognition of a Pornographic Avant-garde ara osterweil Boredom is not far from bliss: it is bliss seen from the shores of pleasure. —Roland Barthes, The Pleasure of the Text According to...
Published: 01 January 1999
EISBN: 978-0-8223-9997-1
...) 136 19 Jasper Johns, Spring, from The Seasons (1986) 137 20 The Village People 205 21 The Boys in the Band 206 22 Jasper Johns, Untitled (1972) 221 23 Andy Warhol. Skull (1976) 245 24 Andy Warhol. Portrait of Julia Warhola (1974) 246 25 Andy Warhol. Muhammad Ali (1977) 247 26...
Published: 01 January 1996
DOI: 10.1215/9780822397649-016
EISBN: 978-0-8223-9764-9
... INDEX ABC (American Broadcast Corporation), 241, Tunafish Disaster, 119-121; as spectacle 119- 244. See also Batman 123; Warhol's response to, 5-6, 12, 27-28, abjection, 14, 138, 142, 192, 219-221; erotics of, 105,122...
Published: 01 January 1996
DOI: 10.1215/9780822397649-001
EISBN: 978-0-8223-9764-9
... Warhol, POPism 1 ndy Warhol was queer in more ways than one. To begin with, he was a fabulous queen, a fan of prurience and pornography, and a great admirer of the male body. This queerness was "known," in one way or another, by the gay...
Published: 01 January 1996
DOI: 10.1215/9780822397649-002
EISBN: 978-0-8223-9764-9
... in London in 1969. Serious structuralist film critics undoubtedly attended too, but by and large it was a very queer audience in• deed, as were the audiences for all Warhol's film screenings in London in the seventies-and to this day. To this teenager, two years before the first meet...