... subjectivity in-migration second society urban identity urban development ...

... a Shanghai uniqueness that lives up to preconceived ideas about the city. subjectivity in-migration second society urban identity urban development ...

... about the city. subjectivity in-migration second society urban identity urban development ...

... feminine identity in Sinophone East Asia, the “young-mature lady”: urban, unmarried, white-collar women who are seen as individualistic in attitude, with a high level of education and a penchant for beauty and fashion consumption. Based on audience research, this chapter shows that the idealization...

... more open than it was at any point in history. A cosmopolitan perspective permits that individual identities are not fixed and they are never simple. translation movement cosmopolitanism urbanism translation world literature ...

... by the workers in the migration process, ties that were maintained and expanded at work and in their urban experience. Such networks continued to be important in the formation of the social life of those migrants in the city and in the construction of their actions and political options. identities...

... of this channel is the way it works to shore up the global orientation of young, urban, middle-class internationalist subjects, consolidating their consciousness of their own perceived potential for future mobility both outward, toward the global, and upward, toward upper-middle-class consumer lifestyles...

..., and a discussion of the twentieth-century debates about Puerto Rican national and racial identities. The chapter also includes an analysis of the relationship between place and race on the island to detail how multiple constructions of blackness, including “folkloric blackness” and “urban blackness” circulate...

... This chapter details the marketing of reggaetón as “Hurban” (a combination of “Hispanic” and “urban”) once it entered the United States. Through a close reading of newspaper and magazine coverage of reggaetón, this chapter shows how the Hurban classification reinforced dominant distinctions...

... made on the street are not especially different from those of other photographers working in black and white and depicting urban life, their familiar quality, and their immediate recognition as “street photography,” combined with her “outsider” identity, elusive biography, and staggering production...

... Vegas suggests the identity and community envisioned by the rise of social media and the networked and augmented spaces necessary for it. The constant self-exposure and liking of our own and each other’s content mirrors the self-branding and flexibility required of workers in a global economy...

... In this chapter, the workers’ own actions toward the structuring of their urban setting is a point of analysis, as is the process of class formation beyond the factory space. Aspects of leisure and workers’ culture are discussed, noting both elements of homogeneity and traces of heterogeneity...

... The Festival of Gran Poder (Great Power) involves the participation of more than fifty fraternities representing more than thirty thousand dancers from popular urban groups, middle-class sectors, and wealthy Aymara residents of the city of La Paz. The festival emerged in its current form...

... citizen, fit for bureaucratic manipulation. In the rush to strengthen rights and build legal citizenship, we neglect the exclusionary impact of its institutions and documents on migrants, the urban poor, and minorities. Sadiq argues that a highly regulated and formalized citizenship produces an oppressive...

...Urbanism and Gentrification ...

...Cinematic Urban Intersections ...

...The Production of Desire and Identities ...