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Published: 14 October 2013
DOI: 10.1215/9780822378266-013
EISBN: 978-0-8223-7826-6
Book: The Hundreds
Published: 01 January 2019
DOI: 10.1215/9781478003335-106
EISBN: 978-1-4780-0333-5
Published: 23 September 2016
EISBN: 978-0-8223-7385-8
Published: 23 September 2016
EISBN: 978-0-8223-7385-8
Published: 22 January 2014
DOI: 10.1215/9780822376880-010
EISBN: 978-0-8223-7688-0
Published: 22 January 2014
DOI: 10.1215/9780822376880-011
EISBN: 978-0-8223-7688-0
Published: 03 January 2025
DOI: 10.1215/9781478059042-013
EISBN: 978-1-4780-5904-2
... In this chapter, Rachel Cohen examines four paintings by Beauford Delaney— Self-Portrait (1944), Untitled (Village Street) (1948), Self Portrait (1962), and The Black Sage (1967)—to consider the relationships between “I’s” and “eyes,” between city streets and self-regard, and among...
Published: 03 January 2025
EISBN: 978-1-4780-5904-2
... sight and the capaciousness of Black existence beyond the binaries of light or dark, black or white. African American drama visuality Black male sexuality Blues for Mister Charlie In this chapter, Rachel Cohen examines four paintings by Beauford Delaney— Self-Portrait (1944), Untitled...
