Search Results for turntablism

... hip hop diaspora Wayde Compton historiography turntablism ...

... Invisibl Skratch Piklz sonic abstraction burden of representation politics of visibility turntablism ...

... At the end of the twentieth century, turntablist-djs reemerged from the shadows of hip-hop culture’s stages. Using turntable technology not just to play music but instead to manipulate sound, the Invisibl Skratch Piklz, a five-member Filipino American dj crew, were central figures...

... with respect to historiography, leading to the remixing of black diasporic subjectivities, time, and history. The author focuses on Compton’s use of turntablism as both performative mode and musical metaphor for the improvising subject’s counter-discursive agency at the crossings. hip hop diaspora...

... subjectivities, time, and history. The author focuses on Compton’s use of turntablism as both performative mode and musical metaphor for the improvising subject’s counter-discursive agency at the crossings. This chapter investigates the relationship between the social and the aesthetic in the author’s own...

... of the term mixtape within hip-hop for DJ-created works of turntable artistry, creators and consumers of indie music constructed the mix tape as a gift that symbolically rescued music from the profane world of commodities. The mix tape's routines of announcing one's music tastes as a bid for connection...

... to video, Fouratt and Piper presented revelers with a novel element of choice, not because of the range of entertainment but because all of the options were available at once. The shift to sensory overload was unmistakable as two bands appeared live every night, two DJs shared the turntables...

... of choice, not because of the range of entertainment but because all of the options were available at once. The shift to sensory overload was unmistakable as two bands appeared live every night, two DJs shared the turntables, and experimental filmmakers curated a groundbreaking video lounge. Danceteria...