... Guatemalan civil war traditional dances census language politics statistics Mayan Organizing 1.0 and 2.0 base-20 counting Mayan calendar quantity’s qualifications ...

... and relations between the individual and the aggregate. Guatemalan civil war traditional dances census language politics statistics Mayan Organizing 1.0 and 2.0 base-20 counting Mayan calendar quantity’s qualifications ...

... Wonseok Lee’s “Tradition, Transition, and Trends: Contextualizing BTS’s Gugak -Inspired Performance of ‘IDOL’” looks at the state’s role in K-Pop’s integration of traditional Korean music and dance. In 2009, the government established an agency affiliated with the Ministry of Culture, Sports...

...The City at Night Part VI, “The City at Night,” looks at the dynamic spirit of Buenos Aires after hours. It explores the city’s effervescent nocturnal spirit and the entertainment industries, music, dancing, eroticism, and even the more mundane traditions that illuminate its nights. Documents...

... themes of quantity’s qualifications and relations between the individual and the aggregate. Guatemalan civil war traditional dances census language politics statistics Mayan Organizing 1.0 and 2.0 base-20 counting Mayan calendar quantity’s qualifications ...

...); professionally, it discusses the maturation of rock as a musical tradition and the emphasis on dance and celebration in the San Francisco musical scene. music improvisation Grateful Dead rock music hippies 1960s LSD ...

... Chapter 1, “Selling Authenticity,” examines how the Zumba Fitness company uses discourses of authenticity to present the music and dance they utilize in their routines as prime examples of authentic Latin music. The chapter argues that the trope of authenticity represents Latin America and other...

... In this chapter, Lisa B. Thompson analyzes Jeffrey Q. McCune Jr.’s play Dancin’ the Down Low . She posits that the play queers traditional notions of black masculinity, paying particular attention to the various functions of the play’s dancing metaphor. In the end, Thompson applauds the play’s...

... and connection; FandangObon dance as a conversation between cultures; Indigenous resilience through Lakota basket weaving and song traditions; cocreating art with the ancestors; and altar making as a site of memory, connection, and self-knowledge. ancestral knowledge cultural memory culture bearers...

... Steven Harvey published an eight-page feature titled “Behind the Groove” in the September edition of Collusion that provided readers with the most developed analysis of New York’s DJs and party spaces to date while arguing that disco and its dance music successor could claim to have reinvented...

... Chapter 2 takes dance pedagogy as a point of entry into how Black women theorize their movements and the relationship of those improvisations to broader structural constraints. It explores how rumberas experience, understand, and navigate their uniquely raced and gendered position in the market...

... repertoire. aesthetics repertoire history performance Wonseok Lee’s “Tradition, Transition, and Trends: Contextualizing BTS’s Gugak -Inspired Performance of ‘IDOL’” looks at the state’s role in K-Pop’s integration of traditional Korean music and dance. In 2009, the government established...

... The introductory chapter provides background on the artist’s practice. Heap of Birds describes his practice as continuing a warrior tradition, comparing his art to the “sharp rocks,” or stone projectile points, found on the ground of the Cheyenne-Arapaho Nation and elsewhere in North America...

...Part V In this chapter, Lisa B. Thompson analyzes Jeffrey Q. McCune Jr.’s play Dancin’ the Down Low . She posits that the play queers traditional notions of black masculinity, paying particular attention to the various functions of the play’s dancing metaphor. In the end, Thompson applauds...

... that provided readers with the most developed analysis of New York’s DJs and party spaces to date while arguing that disco and its dance music successor could claim to have reinvented the R&B tradition. Harvey interviewed and analyzed six key figures: Walter Gibbons, François Kevorkian, Larry Levan, David...

... experiences in elementary school, the special care she received as the baby of the family, her love of movies and dance, her parents’ wisdom about how to end a dispute between Rosemarie and a neighbor friend, and the suspicious drowning death of a cousin. Woodlawn neighborhood Chicago Illinois...

... The traditional musical form known as the huayñu is a part of everyday life in the Andes. It is commonly heard over the radio and performed on frequent festive occasions. The kacharpaya is a dance performed especially at the end of a festival, and lyrics about parting and absence are its...

... and the importance of knowledge of the sea and its peoples. It concludes by examining the kinds of ships and shipbuilding traditions that evolved over time in different subregions of the Indian Ocean. geography monsoon cartography shipping Received knowledge of the Indian Ocean is based on Western...

...[ 2nd Set ] This chapter reads the performance of Juba and the Buzzard Lope dances by both slaves and their post-Emancipation descendants as a refusal of capitalism’s commodification of the body. In contrast to the violence enacted on the flesh by slavery in order to yield the disciplined...

... suggest that embodiment and disembodiment are deeply connected to a persistent desire to reinscribe telematics in the cognitive modes of traditional, in-the-same-room performance. Telematics improvisation Afrological microtiming Improvisers are interested in placing themselves in situations...