... Guatemalan civil war traditional dances census language politics statistics Mayan Organizing 1.0 and 2.0 base-20 counting Mayan calendar quantity’s qualifications ...

... and relations between the individual and the aggregate. Guatemalan civil war traditional dances census language politics statistics Mayan Organizing 1.0 and 2.0 base-20 counting Mayan calendar quantity’s qualifications ...

... themes of quantity’s qualifications and relations between the individual and the aggregate. Guatemalan civil war traditional dances census language politics statistics Mayan Organizing 1.0 and 2.0 base-20 counting Mayan calendar quantity’s qualifications ...

...); professionally, it discusses the maturation of rock as a musical tradition and the emphasis on dance and celebration in the San Francisco musical scene. music improvisation Grateful Dead rock music hippies 1960s LSD ...

... In this chapter, Lisa B. Thompson analyzes Jeffrey Q. McCune Jr.’s play Dancin’ the Down Low . She posits that the play queers traditional notions of black masculinity, paying particular attention to the various functions of the play’s dancing metaphor. In the end, Thompson applauds the play’s...

... Steven Harvey published an eight-page feature titled “Behind the Groove” in the September edition of Collusion that provided readers with the most developed analysis of New York’s DJs and party spaces to date while arguing that disco and its dance music successor could claim to have reinvented...

... The introductory chapter provides background on the artist’s practice. Heap of Birds describes his practice as continuing a warrior tradition, comparing his art to the “sharp rocks,” or stone projectile points, found on the ground of the Cheyenne-Arapaho Nation and elsewhere in North America...

...Part V In this chapter, Lisa B. Thompson analyzes Jeffrey Q. McCune Jr.’s play Dancin’ the Down Low . She posits that the play queers traditional notions of black masculinity, paying particular attention to the various functions of the play’s dancing metaphor. In the end, Thompson applauds...

... that provided readers with the most developed analysis of New York’s DJs and party spaces to date while arguing that disco and its dance music successor could claim to have reinvented the R&B tradition. Harvey interviewed and analyzed six key figures: Walter Gibbons, François Kevorkian, Larry Levan, David...

... The traditional musical form known as the huayñu is a part of everyday life in the Andes. It is commonly heard over the radio and performed on frequent festive occasions. The kacharpaya is a dance performed especially at the end of a festival, and lyrics about parting and absence are its...

... experiences in elementary school, the special care she received as the baby of the family, her love of movies and dance, her parents’ wisdom about how to end a dispute between Rosemarie and a neighbor friend, and the suspicious drowning death of a cousin. Woodlawn neighborhood Chicago Illinois...

... suggest that embodiment and disembodiment are deeply connected to a persistent desire to reinscribe telematics in the cognitive modes of traditional, in-the-same-room performance. Telematics improvisation Afrological microtiming Improvisers are interested in placing themselves in situations...

...Competing Projects for the Future As a young girl growing up in the agricultural and pastoral community of Qaqachaka, in the northern Potosí region of the department of Oruro, Elvira Espejo learned many of the traditional arts cultivated in her community. Hearing the myths and legends passed...

... Pérez, teamed up with a respected Aymara leader, Avelino Siñani, and the indigenous community of Warisata to build an autonomous intercultural educational institution, despite the opposition of the local landlord class. The school was grounded in the collective organization of the traditional Aymara...