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Published: 01 January 1997
DOI: 10.1215/9780822382096-110
EISBN: 978-0-8223-8209-6
...Tz’u (lryics written to set tone-patterns) ...
Published: 01 January 1997
EISBN: 978-0-8223-8209-6
...Ch’ii (songs, originated from Yüan Drama and metamorphosed from the Tz’u form, with set tone-patterns) ...
Series: Experimental Futures
Published: 07 September 2018
DOI: 10.1215/9781478002222-009
EISBN: 978-1-4780-0222-2
...Tone and Tuning ...
...Duke Ellington<subtitle>Tone Parallels</subtitle> ...
Published: 04 September 2015
DOI: 10.1215/9780822375296-007
EISBN: 978-0-8223-7529-6
Published: 14 September 2015
EISBN: 978-0-8223-7553-1
...Melodic Line and Tone Color ...
Series: Console-ing passions: television and cultural power
Published: 02 July 2012
DOI: 10.1215/9780822394181-006
EISBN: 978-0-8223-9418-1
Published: 15 January 2021
DOI: 10.1215/9781478012719-012
EISBN: 978-1-4780-1271-9
Series: Refiguring American Music
Published: 23 April 2021
DOI: 10.1215/9781478021391-042
EISBN: 978-1-4780-2139-1
Published: 10 April 2020
DOI: 10.1215/9781478009153-004
EISBN: 978-1-4780-0915-3
Published: 27 November 2023
DOI: 10.1215/9781478027607-001
EISBN: 978-1-4780-2760-7
Published: 27 November 2023
DOI: 10.1215/9781478027607-002
EISBN: 978-1-4780-2760-7
Published: 18 November 2016
DOI: 10.1215/9780822373674-006
EISBN: 978-0-8223-7367-4
... This chapter turns to register, positing that to capture queer modes of belonging in the world, queer cinema deploys cinematic tone, feeling, and affect in radical ways. This chapter brings together films with apparently mismatched registers of tone and cultural hierarchy, finding resonance...
Published: 24 April 2015
DOI: 10.1215/9780822375586-029
EISBN: 978-0-8223-7558-6
... This short chapter is a meditation on the way singer/activist Bernice Johnson Reagon (who lived downstairs from the Freeney-Harding family) used the tones of traditional African American congregational singing to comfort Rosemarie’s Aunt Hettie who had recently lost her daughter. Bernice...
Published: 10 March 2017
DOI: 10.1215/9780822373049-001
EISBN: 978-0-8223-7304-9
... This introduction contextualizes recent debates over the merits of critique and postcritique within literary and cultural studies. It develops various frameworks for evaluating those debates. In particular, it understands critique as a genre that can be characterized by a distinct style, tone...
Published: 14 August 2015
DOI: 10.1215/9780822375678-027
EISBN: 978-0-8223-7567-8
... This piece is a farrago meant both to satirize and embrace post-modern sensibility. Does post-modernism harbor its own version of big ideas behind its moves of deconstruction and its tone of deflationary irony? The piece argues that post-modern thinking sneaks in elements of hope and vision...
Published: 29 April 2016
DOI: 10.1215/9780822374510-009
EISBN: 978-0-8223-7451-0
.... In his description of himself as a “postcolonial hybrid,” Shonibare’s playful tone registers a contrast with earlier practices in the critique of race and representation, although by remaking colonial-era garments such as the Victorian bustle with the fabric, he extends critical inquiry into cross...
Book Chapter

By Tim Lawrence
Published: 09 September 2016
DOI: 10.1215/9780822373926-026
EISBN: 978-0-8223-7392-6
... Uhuru, Gregory Isaacs, and Pablo Moses along with the conventional rock of u2 and Steve Winwood) with the mongrel (the dub-vocoder-electronics of Set the Tone and Grace Jones’s third Compass Point album, Living My Life ). Blackwell also started to head to the Paradise Garage and, impressed by Levan...
Book Chapter

By Tim Lawrence
Published: 09 September 2016
DOI: 10.1215/9780822373926-034
EISBN: 978-0-8223-7392-6
... Kramer published an incendiary article titled “1,112 and Counting” in the New York Native in March. Although history would demonstrate Kramer to be correct in many ways, the perceived moralism of his tone weakened the impact of his message. One of the first public figures to succumb to the virus...
Published: 14 August 2015
DOI: 10.1215/9780822375678-017
EISBN: 978-0-8223-7567-8
... conversation. Each year, the student population and the tone and content of class discussions changed fundamentally at the same careening pace in which conditions and values in East Central Europe were changing. Some students were repelled by western feminism with its interest in pleasure and choice...