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Critical Ethnic Studies Editorial Collective, Shana L. Redmond, Nada Elia, David M. Hernández, Jodi Kim ...
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Critical Ethnic Studies Editorial Collective, Nada Elia, David M. Hernández, Jodi Kim, Shana L. Redmond ...
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Published: 08 March 2004
DOI: 10.1215/9780822385448-019
EISBN: 978-0-8223-8544-8
Published: 13 August 2002
DOI: 10.1215/9780822383956-013
EISBN: 978-0-8223-8395-6
Published: 01 January 2011
DOI: 10.1215/9780822393092-005
EISBN: 978-0-8223-9309-2
Published: 23 September 2016
EISBN: 978-0-8223-7385-8
Published: 23 September 2016
EISBN: 978-0-8223-7385-8
Published: 08 August 2022
DOI: 10.1215/9781478023128-004
EISBN: 978-1-4780-2312-8
Published: 11 May 2018
DOI: 10.1215/9780822371717-005
EISBN: 978-0-8223-7171-7
Series: e-Duke books scholarly collection.
Published: 21 August 2012
DOI: 10.1215/9780822395553-013
EISBN: 978-0-8223-9555-3
Series: Religious Cultures of African and African Diaspora People
Published: 03 August 2015
DOI: 10.1215/9780822375319-008
EISBN: 978-0-8223-7531-9
Published: 15 June 2005
DOI: 10.1215/9780822386599-013
EISBN: 978-0-8223-8659-9
Series: American Encounters/Global Interactions
Published: 23 April 2014
DOI: 10.1215/9780822376675-004
EISBN: 978-0-8223-7667-5
Book Chapter
Published: 13 May 2016
DOI: 10.1215/9780822374367-002
EISBN: 978-0-8223-7436-7
... Using James Baldwin’s nonfiction as muse and framing device, this essay examines the language and practice of identification in contemporary social redress efforts. It argues that the use of slogans such as “Todos Somos Arizona” and “I am Troy Davis” do violence to people of color and black...
Published: 12 May 2017
DOI: 10.1215/9780822372899-007
EISBN: 978-0-8223-7289-9
...’ physical virtuosity, and cinematographers’ technical capacities constituting key audience attractions. Even as Rio de Janeiro film magazines like Cinearte , Selecta and Para Todos . . . called for the modernization of film exhibition and the creation of a national film industry on the model...
Published: 12 May 2017
EISBN: 978-0-8223-7289-9
... and Para Todos . . . called for the modernization of film exhibition and the creation of a national film industry on the model of Hollywood, sensational genres staged cinematic images of regional modernity that contested Rio and São Paulo’s privileged place in a modernizing Brazil. film distribution...
Book Chapter
...The Multicultural Nation and the Violence of Liberal Rights Using James Baldwin’s nonfiction as muse and framing device, this essay examines the language and practice of identification in contemporary social redress efforts. It argues that the use of slogans such as “Todos Somos Arizona...
