... free jazz John Coltrane timbre ...

... virtuosity vocal technique timbre anger ...

... notation timbre linguistic description pedagogy ...

... vocal pedagogy figure of sound reification timbre aesthetics ...

... strident, noisy timbral quality. Gender and race implications of the saxophonic scream are discussed in conclusion. free jazz John Coltrane timbre ...

... This chapter explores ulaka (anger), an affect related to the aesthetic value of isigqi (power), to argue the eloquence of the ngoma body-voice. Starting close in by detailing singular moments of artistry, the analysis attends to the strident timbre of the lead voice (team captain), comparing...

...: sound conceived as a phenomenon in itself, independent of materiality. These concepts led Schaeffer to attempt a new classification and description of sounds, in which the traditional aspects of musical sound (pitch, duration, intensity, and timbre) would be rethought in different terms: mass...

... This chapter examines how traditional musical notation privileges certain aspects of sounds and sonic experience, placing greatest emphasis on pitch, followed by duration and intensity, and lastly timbre, a catchall category for anything not covered in the other categories and what are generally...