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theater

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Series: Series Q
Published: 01 January 1998
DOI: 10.1215/9780822396024-008
EISBN: 978-0-8223-9602-4
Published: 08 March 2002
DOI: 10.1215/9780822380573-010
EISBN: 978-0-8223-8057-3
Published: 17 April 2020
DOI: 10.1215/9781478009207-003
EISBN: 978-1-4780-0920-7
Published: 12 October 2015
DOI: 10.1215/9780822374978-011
EISBN: 978-0-8223-7497-8
... Drawing on the memoirs of two male actors in the commercial Parsi theater of the early twentieth century, this chapter queries the construction of womanhood, religious identity, and autobiography itself. Planted in vernacular, largely oral, systems of communication and knowledge, these artists...
Published: 07 September 2015
DOI: 10.1215/9780822375302-005
EISBN: 978-0-8223-7530-2
... are deployed in narratives about airport security, for example, through representations in popular culture as uninterested, sassy, and ineffective TSA agents, this chapter forms a general theory of security theater and also pays attention to the ways that black women’s bodies come to represent, and also resist...
Published: 19 October 1993
DOI: 10.1215/9780822381792-007
EISBN: 978-0-8223-8179-2
Published: 05 September 2007
DOI: 10.1215/9780822390206-012
EISBN: 978-0-8223-9020-6
Series: e-Duke books scholarly collection.
Published: 01 June 2011
DOI: 10.1215/9780822393498-014
EISBN: 978-0-8223-9349-8
Published: 01 January 1986
EISBN: 978-0-8223-9855-4
Series: Asia-Pacific: Culture, Politics, and Society
Published: 04 March 2004
DOI: 10.1215/9780822385622-006
EISBN: 978-0-8223-8562-2
Published: 09 July 2012
DOI: 10.1215/9780822395164-007
EISBN: 978-0-8223-9516-4
Published: 01 January 1993
DOI: 10.1215/9780822396567-006
EISBN: 978-0-8223-9656-7
Published: 01 January 1995
DOI: 10.1215/9780822399452-003
EISBN: 978-0-8223-9945-2
Published: 11 November 2009
DOI: 10.1215/9780822391210-011
EISBN: 978-0-8223-9121-0
Published: 09 November 2010
DOI: 10.1215/9780822393283-004
EISBN: 978-0-8223-9328-3
Published: 16 September 2016
DOI: 10.1215/9780822373711-007
EISBN: 978-0-8223-7371-1
... theater sankofa trilogy , benu , which has no lgbt characters. Though d’bi.young openly identifies as queer, Gill argues that she actively refuses static categories of sexual orientation, especially if they are based on parochial presumptions about sex/gender transparency and stability, which invites...
Published: 01 January 1996
DOI: 10.1215/9780822379577-005
EISBN: 978-0-8223-7957-7
Published: 01 January 2001
DOI: 10.1215/9780822380900-008
EISBN: 978-0-8223-8090-0
Series: New Americanists
Published: 06 October 2000
DOI: 10.1215/9780822380641-002
EISBN: 978-0-8223-8064-1
Published: 01 January 1991
EISBN: 978-0-8223-7822-8
...A Theater of the World, to 1630 ...