... Frank Thompson partisans Bulgaria General Tempo Serbia ...

... Richard Wright Goenawan Mohamad cultural memory Indonesian politics Tempo ...

... This chapter is a detailed account of Frank Thompson’s mission in Bulgaria and his time with the Yugoslav partisans in Bulgarian-occupied Serbia in the spring of 1944. Frank Thompson partisans Bulgaria General Tempo Serbia ...

...) in the national weekly news magazine Tempo . Richard Wright Goenawan Mohamad cultural memory Indonesian politics Tempo ...

... (Sidelines) in the national weekly news magazine Tempo . Richard Wright Goenawan Mohamad cultural memory Indonesian politics Tempo Referencing The Color Curtain rather than the Indonesian accounts of Wright’s Indonesian travels, Seno’s 2005 commemorative article reminds Indonesian...

..., tempos, materialities, and states of being. Such objects of analysis register the tactility and significance of something coming into form through an assemblage of affects, routes, conditions, sensibilities, and habits. emergence precarity writing ...

... and space found in-between dominant temporal and spatial constructions. Seascape epistemology is about knowing through movements of the body situated within places; movements which have the potential to shape and to (re)create the places we inhabit by both disrupting and enabling tempos of Hawaiian...

... the parameters of DJ-ing in the Saint and meeting the expectations of the crowd came into focus, with dancers requiring smooth mixing and high-tempo music. The strands of R&B, punk, and rap-influenced dance sounds that were gaining in popularity in other parts of the city hardly featured at all...

..., was aesthetically opposed to fast tempo bebop and its their intellectual leanings, and further complicated by French ambivalence toward the United States. The chapter also compares jazz to classical music and describes how jazz influenced popular music, literature, and film. France jazz classical music...

... the expectations of the crowd came into focus, with dancers requiring smooth mixing and high-tempo music. The strands of R&B, punk, and rap-influenced dance sounds that were gaining in popularity in other parts of the city hardly featured at all. The Saint Flamingo Jim Burgess DJ-ing white gay dance...

... Dance music slumped to a national sales nadir during 1981. Although Kool and the Gang hit number one on the Hot 100 with “Celebration” early in the year, the rest of the chart featured few black, up-tempo recordings, and while the successes of Blondie’s “Rapture” and Queen’s “Another One Bites...

... of rapping because of the track’s unusually fast tempo. The result heralded the breakthrough of a new form of synthetic funk. Released a month later, “The Message” by Grandmaster Flash & the Furious Five carried rap into social realist territory. Steven Hager focused on Bambaataa rather than Flash when...

... as a corrective to early gay club discrimination, Club Tempo as a refuge in an era of anti-immigrant politics, Chico as a millennial venue for new urban Latino masculinities, and the New Jalisco Bar during cycles of downtown gentrification. Latinx venues often share common elements, such as Spanish-language music...

... genius, seen especially through her canny understanding of voice as objet a, emphasizing sonorous elements such as beat, tempo, and cadence. Silva was characterized as uncouth and vulgar. Aside from the erasure of her identity as a bolero songwriter, which is important, the chapter analyzes Silva’s...

... that have served diverse clienteles amidst different contexts: Circus Disco as a corrective to early gay club discrimination, Club Tempo as a refuge in an era of anti-immigrant politics, Chico as a millennial venue for new urban Latino masculinities, and the New Jalisco Bar during cycles of downtown...

... General Tempo Serbia This chapter is an extended quote from Vera Nacheva, a female Bulgarian partisan who was at the Battle of Batuliya where Frank Thompson was captured. Frank Thompson Vera Nacheva partisans World War II This chapter is a discussion of the relative effectiveness...

... and John Robie to add synthesizer parts. For the vocals, Bambaataa spoke through an electronic mic while the Soulsonic Force fashioned a new, conversational mode of rapping because of the track’s unusually fast tempo. The result heralded the breakthrough of a new form of synthetic funk. Released a month...