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studio production

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Book Chapter

By Eric Weisbard
Book: Hound Dog
Series: Singles
Published: 04 August 2023
EISBN: 978-1-4780-2707-2
... studio production novelty songs gendered mainstreams ...
Book: Hound Dog
Series: Singles
Published: 04 August 2023
DOI: 10.1215/9781478027072-002
EISBN: 978-1-4780-2707-2
... 1950s rock and roll in relationship to novelty pop, just a tendency to dismiss singers like Page from the onset. studio production novelty songs gendered mainstreams ...
Book Chapter

By Mary R. Desjardins
Series: Console-ing Passions
Published: 09 February 2015
DOI: 10.1215/9780822376033-007
EISBN: 978-0-8223-7603-3
... contexts that examine stars in relation to family, sexuality, and work, they are rarely inflected by the critical theory vocabulary of experimental cinema. The chapter concludes with some considerations of how contemporary film studio productions are using “synthespians” or virtual actors in ways...
Book Chapter

By Anand Pandian
Published: 02 November 2015
DOI: 10.1215/9780822375166-017
EISBN: 978-0-8223-7516-6
... This chapter turns to a visual effects studio in Chennai, examining the use of both 2d and 3d imaging techniques for the production of cinematic wonders in the form of religious spectacles. wonder visual effects digital religion spectacle ...
Published: 21 July 2017
DOI: 10.1215/9780822373636-008
EISBN: 978-0-8223-7363-6
... sound product, they sustain a contemporary presence even while aesthetic and acoustic accommodations compromise their self-representation of ngoma. recording studio Umzansi Zulu Dancers lo-fi sound Zulu male sociality ...
Published: 05 January 2024
DOI: 10.1215/9781478027898-006
EISBN: 978-1-4780-2789-8
... and shaped by ambitious actors hoping to diversify a limited Japanese mass media landscape. Based on fieldwork in both settings, this chapter contrasts the production process of major TV studios and the workshop teams. filmmaking documentary workshop television production ...
Series: Studies in the Grateful Dead
Published: 08 December 2023
DOI: 10.1215/9781478027614-002
EISBN: 978-1-4780-2761-4
... Despite the musical and lyrical eclecticism, innovative formal designs, and unconventional recording and production techniques of the Grateful Dead’s earliest studio albums, many fans and critics were skeptical that the Dead were capable of capturing the energy of their live concerts on record...
Published: 23 February 2024
EISBN: 978-1-4780-5920-2
... the neoliberal temporality of reparation and reconciliation, illuminating the violence inherent in the production of Cold War temporality. catachrony Korean War photographs orphan photographs transnational adoption Chapter 2 discusses family photographic portraits through a dual lens...
Published: 29 April 2016
DOI: 10.1215/9780822374428-004
EISBN: 978-0-8223-7442-8
... This chapter explores forms of vocal training and musical imagination in radio and music production and the reflexive, metapragmatic concern with the voice in performance that these entail. It describes how Aboriginal radio producers negotiate multiple tensions between their understandings...
Series: Studies in the Grateful Dead
Published: 08 December 2023
DOI: 10.1215/9781478027614-004
EISBN: 978-1-4780-2761-4
... to the production techniques associated with the recording studio, Reckoning and Dead Set, two live double albums released in 1981, were recorded and mixed so as to suggest the sounds and textures of fan-produced recordings. At the same time, advancements in video technology, the introduction of home video systems...
Series: Studies in the Grateful Dead
Published: 08 December 2023
DOI: 10.1215/9781478027614-005
EISBN: 978-1-4780-2761-4
... learning about the era of the hippies and the associated (and increasingly romanticized) ideals of the San Francisco countercultural movement of the 1960s. Even as the band’s recent studio records and concerts introduced newer fans to the history of the Dead and the band’s legacy of liveness, an enormous...
Published: 09 September 2016
EISBN: 978-0-8223-7392-6
... to launch “Modern Classix” at the Underground in May 1981. Rubell proceeded to fire Mike Stone and invite Fouratt and Piper to run Studio 54. Meanwhile after-hours rock-dance venue AM/PM invited disco producer François Kevorkian to DJ, and the midtown discotheque Bond’s shifted to live shows that featured...
Published: 09 September 2016
EISBN: 978-0-8223-7392-6
... promote her night at his roller rink before firing her in the summer. The Funhouse, meanwhile, went through a subtler transition when John “Jellybean” Benitez’s studio commitments began to multiply. Wild Styl e, Flashdanc e the Roxy Ruza Blue Funhouse John “Jellybean” Benitez Officers...